@var{note}@code{-\}@var{name}. Again, they can be forced up or down
using @code{^} and @code{_}.
-@cindex accent
-@cindex marcato
+@cindex accent
+@cindex marcato
@cindex staccatissimo
@cindex fermata
@cindex stopped
@cindex staccato
@cindex portato
-@cindex tenuto
+@cindex tenuto
@cindex upbow
@cindex downbow
@cindex foot marks
@cindex organ pedal marks
-@cindex turn
-@cindex open
+@cindex turn
+@cindex open
@cindex flageolet
-@cindex reverseturn
-@cindex trill
-@cindex prall
+@cindex reverseturn
+@cindex trill
+@cindex prall
@cindex mordent
-@cindex prallprall
-@cindex prallmordent
+@cindex prallprall
+@cindex prallmordent
@cindex prall, up
@cindex prall, down
@cindex mordent
@cindex thumb marking
-@cindex segno
+@cindex segno
@cindex coda
@cindex varcoda
@lilypond[]
\score {
<
- \property Score.LyricText \override #'font-family =#'typewriter
+ \property Score.LyricText \override #'font-family = #'typewriter
\property Score.LyricText \override #'font-shape = #'upright
\context Staff \notes {
+ \property Score.timing = ##f
+ \property Score.barAlways = ##t
+ \property Staff.BarLine \override #'transparent = ##t
c''-\accent c''-\marcato c''-\staccatissimo
c''-\staccato c''-\tenuto c''-\portato
- c''-\stopped c''-\upbow c''-\downbow
- c''^\lheel c''-\rheel c''^\ltoe
- c''-\rtoe c''-\open c''-\flageolet
- c''-\turn c''-\reverseturn c''-\trill
- c''-\prall c''-\mordent c''-\prallprall
- c''-\prallmordent c''-\upprall c''-\downprall
- c''-\upmordent c''-\downmordent c''-\pralldown
- c''-\prallup c''-\lineprall c''-\thumb
+ c''-\upbow c''-\downbow c''-\flageolet
+ c''-\thumb c''^\lheel c''-\rheel
+ c''^\ltoe c''-\rtoe c''-\open
+ c''-\stopped c''-\turn c''-\reverseturn
+ c''-\trill c''-\prall c''-\mordent
+ c''-\prallprall c''-\prallmordent c''-\upprall
+ c''-\downprall c''-\upmordent c''-\downmordent
+ c''-\pralldown c''-\prallup c''-\lineprall
c''-\shortfermata c''-\fermata c''-\longfermata
c''-\verylongfermata c''-\segno c''-\coda
c''-\varcoda
}
\context Lyrics \lyrics {
- accent__ marcato__ staccatissimo__
- staccato__ tenuto__ portato__
- stopped__ upbow__ downbow__
- lheel__ rheel__ ltoe__
- rtoe__ open__ flageolet__
- turn__ reverseturn__ trill__
- prall__ mordent__ prallprall__
- prallmordent__ uprall__ downprall__
- upmordent__ downmordent__ pralldown__
- prallup__ lineprall__ thumb__
- shortfermata__ fermata__ longfermata__
- verylongfermata__ segno__ coda__
+ accent__ marcato__ staccatissimo__
+ staccato__ tenuto__ portato__
+ upbow__ downbow__ flageolet__
+ thumb__ lheel__ rheel__
+ ltoe__ rtoe__ open__
+ stopped__ turn__ reverseturn__
+ trill__ prall__ mordent__
+ prallprall__ prallmordent__ uprall__
+ downprall__ upmordent__ downmordent__
+ pralldown__ prallup__ lineprall__
+ shortfermata__ fermata__ longfermata__
+ verylongfermata__ segno__ coda__
varcoda__
}
>
@end example
-
-@c . {Custodes}
@node Ancient notation
@section Ancient notation
Petrucci used C clefs with differently balanced left-side vertical
beams, depending on which staffline it was printed.
+@c . {Custodes}
@node Custodes
@subsection Custodes
the 20th century.
For typesetting custodes, just put a @code{Custos_engraver} into the
-@internalsref{Staff} context when declaring the @code{\paper} block. In this
-block, you can also globally control the appearance of the custos symbol
-by setting the custos @code{style} property. Currently supported styles
-are @code{vaticana}, @code{medicaea}, @code{hufnagel} and
-@code{mensural}.
+Staff context when declaring the @code{\paper} block, as shown in the
+following example. In the @code{\paper} block, you can also globally
+control the appearance of the custos symbol by setting the custos
+@code{style} property.
@example
\paper @{
@}
@end example
+Currently, the following styles are supported:
+
+@lilypond[26pt]
+\score {
+ \notes {
+ \fatText
+ s
+ ^\markup { "vaticana" }
+ ^\markup { \musicglyph #"custodes-vaticana-u0" }
+ s
+ ^\markup { "medicaea" }
+ ^\markup { \musicglyph #"custodes-medicaea-u0" }
+ s
+ ^\markup { "hufnagel" }
+ ^\markup { \musicglyph #"custodes-hufnagel-u0" }
+ s
+ ^\markup { "mensural" }
+ ^\markup { \musicglyph #"custodes-mensural-u0" }
+ }
+ \paper {
+ linewidth = -1.0
+ interscoreline = 1
+ \translator {
+ \ScoreContext
+ \remove "Bar_number_engraver"
+ TextScript \override #'extra-X-extent = #'(-1 . 1)
+ }
+ \translator{
+ \StaffContext
+ \remove "Clef_engraver"
+ \remove "Key_engraver"
+ \remove "Time_signature_engraver"
+ \remove "Staff_symbol_engraver"
+ minimumVerticalExtent = ##f
+ }
+ }
+}
+@end lilypond
+
+If the boolean property @code{adjust-if-on-staffline} is set to
+@code{#t} (which it is by default), lily typesets slightly different
+variants of the custos glyph, depending on the pitch of the custos,
+i.e. depending on the glyph being typeset either on a staffline or
+between two stafflines. The idea is that the glyph will optically fit
+well into the staff, with the appendage on the right of the custos
+always ending at the same vertical position between two stafflines
+regardless of the pitch. If you set @code{adjust-if-on-staffline} to
+@code{#f}, then lily takes regardless of the pitch always a glyph that
+is a compromise of the former two variants.
+
+Just like stems can be attached to noteheads in two directions
+@emph{up} and @emph{down}, each custos glyph is available with its
+appendage pointing either up or down. If the pitch of a custos is
+above a selectable position, the appendage will point downwards; if
+the pitch is below this position, the appendage will point upwards.
+Use property @code{neutral-position} to select this position. By
+default, it is set to @code{0}, such that the neutral position is the
+center of the staff. Use property @code{neutral-direction} to control
+what happens if a custos is typeset on the neutral position itself.
+By default, this property is set to @code{-1}, such that the appendage
+will point downwards. If set to @code{1}, the appendage will point
+upwards. Other values such as @code{0} are reserved for future
+extensions and should not be used.
+
@node Divisiones
@subsection Divisiones
@lilypond[singleline,verbatim]
\score {
\notes {
- b'1^\shortfermata_\shortfermata^\markup { short fermata }
+ \fatText
+ b'
+ ^\shortfermata
+ _\shortfermata
+ ^\markup { short fermata }
r
- b'^\fermata_\fermata^\markup { fermata }
+ b'
+ ^\fermata
+ _\fermata
+ ^\markup { fermata }
r
- b'^\longfermata_\longfermata^\markup { long fermata }
+ b'
+ ^\longfermata
+ _\longfermata
+ ^\markup { long fermata }
r
- b'^\verylongfermata_\verylongfermata^\markup { very long fermata }
+ b'
+ ^\verylongfermata
+ _\verylongfermata
+ ^\markup { very long fermata }
r
}
}
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