% Opus 62
% Ouverture zu Collins Trauerspiel "Coriolan"
%
-% a 5 \bar fragment of the alto part
+% a 5 bar fragment of the alto part
%
% Copyright (c) 1997 Jan Nieuwenhuizen <jan@digicash.com>
%
-% when lily can handle this, i-ll type the other 304 \bars
+% when lily can handle this, i-ll type the other 304 bars
% (maybe even sooner :-)
%
alto = \melodic{
- \meter {4/4} \grouping {4*4}
+ \meter {4/4}
\duration{ 8 }
\key {bes es as}
\clef "alto"
% these are chords (i.e. non-divisi)
- % that-s why i-d rather type chords,
- % but how to type slurs?
+
%30
<
- {
+ { \octave{ c }
+
[ c c-. ] c2.( |
%31
[ ) c c-. ] c2.( |
[ ) c c-. ] c4. c-. c4( |
%33
[ ) c c-. ] c4. c-. c4
- }
+ \group "+bla"
+ \stem{ 1 }[ c16^"div." c16 c16 c16 ] c4 c2
+ \group "-"
+ }
%30:2
{
- \octave{ -1 }
+ \octave{ 'c }
\textstyle "italic"
% this should be a \dynamic, rather than text
[ c c_"cresc. \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
[ ) c c-. ] c4. c-. c4( |
%33:2
[ ) c c-. ] c4. c-. c4 |
- \octave{ }
- }
-%34
- >
+ \octave{c }
+
+%34
+ \group "+b"
% these are two \voices (i.e. divisi)
% the c4 and c2, however are really 16th...
- % e.g.: c16*4 and c16*8 or
- % [ c4 c2 ]*16 ?
% we-ll say "simile" for now...
%
- < \multivoice
- { \stem{ 1 }[ c16^"div." c16 c16 c16 ] c4 c2 }
- {
- \octave{ -1 }
+ \octave{ 'c }
\textstyle "italic"
- \stem{ -1 } [ as16_"\ff" as16 as16 as16 ] as4_"simile" as2
+ \stem{ -1 } [ as16 ff as16 as16 as16 ] as4_"simile" as2
\textstyle "roman"
+ \group "-"
}
>
}
\score{
- \staff{ alto }
+ \staff{ melodicregs alto }
\paper{
\unitspace 14\mm
\geometric 1.4