--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+LilyPond syntax can involve many unusual placements for parentheses,
+brackets etc., which might sometimes have to be interleaved.For
+example, when entering a manual beam, the left square bracket has to be
+placed after the starting note and its duration, not before. Similarly,
+the right square bracket should directly follow the note which is to be
+at the end of the requested beaming, even if this note happens to be
+inside a tuplet section. This snippet demonstrates how to superpose
+manual beaming, manual slurs, ties, and phrasing slurs, while using
+tuplet sections (enclosed with curly braces).
+" }
+
+{
+ r16[ g16 \times 2/3 {r16 e'8] }
+
+ g16( a \times 2/3 {b d e') }
+
+ g8[( a \times 2/3 {b d') e'~]}
+
+ \times 4/5 {e'32\( a b d' e'} a'4.\)
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+The parenthesize function is a special tweak that encloses objects in
+parentheses. The associated grob is Score.ParenthesesItem.
+" }
+
+\relative {
+ c4 -\parenthesize -.
+
+ \override ParenthesesItem #'padding = #0.1
+ <d \parenthesize fis a>
+
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+Breathing signs are available in different tastes: commas (default),
+ticks, vees and `railroad tracks' (caesura).
+" }
+
+{
+ %% Modern notation:
+ \new Staff {
+ \relative c'' {
+ \key es \major \time 3/4
+
+ %% this bar contains no \breathe
+ <<
+ { g4 as g } \\
+ { es4 bes es }
+ >> |
+
+ %% by default, \breathe uses the rcomma, just as if saying:
+ %% \override BreathingSign #'text =
+ % #(make-musicglyph-markup "scripts.rcomma")
+ <<
+ { g4 as g } \\
+ { es4 \breathe bes es }
+ >> |
+
+ %% rvarcomma and lvarcomma are variations of the default rcomma
+ %% and lcomma
+
+ %% N.B.: must use Staff context here, since we start a Voice below
+ \override Staff.BreathingSign #'text =
+ #(make-musicglyph-markup "scripts.rvarcomma")
+ <<
+ { g4 as g } \\
+ { es4 \breathe bes es }
+ >> |
+
+ %% wedge
+ \override BreathingSign #'text =
+ #(make-musicglyph-markup "scripts.upbow")
+ es8 d es f g8 \breathe f |
+
+ %% caesura
+ \override BreathingSign #'text =
+ #(make-musicglyph-markup "scripts.caesura")
+ es8[ d] \breathe es[ f g f] |
+ es2 r4 \bar "||" \break
+ }
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+In order to make parts of a crescendo hairpin invisible, the following
+method is used: A white rectangle is drawn on top of the respective
+part of the crescendo hairpin, making it invisible. the rectangle is
+defined as postscript code within a text markup. In order to fine tune
+the position and size of the markup, the number preceding the
+\"setgray\" in the postscript definition can be set to a value <1
+making it grey. The two numbes before the \"scale\" in the postscript
+code are responsible for the width and height of the rectangle, the two
+numbers before the \"translate\" change the x- and y-origin of the
+rectangle. Make sure to put the Hairpin in a lower layer than the Text
+Markup to actually draw the rectangle above the hairpin.
+" }
+
+\score
+{
+ \relative c' {
+ << {
+ \dynamicUp
+ \override DynamicLineSpanner #'staff-padding = #4
+ r2 r16 c'8.\pp r4
+ } \\ {
+ \override DynamicLineSpanner #'layer = #0
+ des,2~\mf \<
+ \override TextScript #'layer = #2
+ des16_\markup { \postscript #"1.9 -4.5 translate 5 4 scale 1 setgray 0 0 moveto 0 1 lineto 1 1 lineto 1 0 lineto 0 0 lineto fill" }
+ r8. des4~ des16-> \sff
+ }
+ >>
+ }
+ \layout { ragged-right = ##t}
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+A caesura is sometimes denoted with a double \"railtracks\" breath mark
+with a fermata sign positioned over the top of the railtracks. This
+snippet should present an optically pleasing combination of railtracks
+and a fermata.
+" }
+
+{
+ \context Voice {
+ c''2.
+ % use some scheme code to construct the symbol
+ \override BreathingSign #'text = #(markup #:line
+ (#:musicglyph "scripts.caesura"
+ #:translate (cons -1.75 1.6)
+ #:musicglyph "scripts.ufermata"
+ ))
+ \breathe c''4
+ % set the breathe mark back to normal
+ \revert BreathingSign #'text
+ c''2. \breathe c''4
+ \bar "|."
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+This example provides a function to typeset hairpin (de)crescendo with
+some additional text below it, such as \"molto\" or \"poco\".
+
+The example also illustrates how to use modify the way an object
+normally is printed, using some Scheme code.
+" }
+
+hairpinWithCenteredText = #(define-music-function
+ (parser location text) (markup?)
+#{
+\override Voice.Hairpin #'stencil = #(lambda (grob)
+ (ly:stencil-aligned-to
+ (ly:stencil-combine-at-edge
+ (ly:stencil-aligned-to (ly:hairpin::print grob) X CENTER)
+ Y
+ DOWN
+ (ly:stencil-aligned-to (ly:text-interface::print grob) X CENTER))
+ X LEFT))
+\override Voice.Hairpin #'text = $text
+#})
+
+
+hairpinMolto = \hairpinWithCenteredText \markup {\italic "molto"}
+hairpinMore = \hairpinWithCenteredText \markup {\bigger "moltissimo"}
+
+\new Staff {
+ \hairpinMolto c'2\< c'2\f
+ \hairpinMore c'2\< c'2\f
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+To make the \\flageolet circle smaller you can use the following scheme
+code (found in the Lilypond-user-archive)
+" }
+
+F = #(let ((m (make-music 'ArticulationEvent
+ 'articulation-type "flageolet")))
+ (set! (ly:music-property m 'tweaks)
+ (acons 'font-size -3
+ (ly:music-property m 'tweaks)))
+ m)
+
+\relative c'' { d4^\flageolet_\markup {"orginal \flageolet "} d4_\flageolet
+ c4^\F_\markup {smaller } c4_\F
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+The appearance of slurs may be changed from solid to dotted or dashed.
+
+
+" }
+
+\score{
+ \relative c'{
+ c( d e c) |
+ \slurDotted
+ c( d e c) |
+ \slurSolid
+ c( d e c) |
+ \slurDashed
+ c( d e c) |
+ \slurSolid
+ c( d e c) |
+ }
+ \layout{ raggedright=##t }
+}
+
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+Some dynamics may involve text indications (such as \"più forte\",
+\"piano subito\", etc.). They can be produced using a \\markup bloc.
+" }
+
+\layout{ragged-right = ##t}
+
+piuf = \markup { \italic "molto" \dynamic "f" }
+
+\relative c''{
+ c-\piuf
+ c
+ c2\< c2\!
+
+ c2\< c2\!
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+By setting @code{voltaOnThisStaff}, repeat brackets can be put over
+staves other than the topmost one in a score.
+" }
+
+\layout {
+ ragged-right = ##t
+}
+
+vmus = {
+ \repeat volta 2 c1 \alternative { d e }
+}
+
+\relative c'' <<
+ \new StaffGroup <<
+ \context Staff \vmus
+ \new Staff \vmus
+ >>
+ \new StaffGroup <<
+ \new Staff <<
+ \set Staff.voltaOnThisStaff = ##t
+ \vmus >>
+ \new Staff \vmus
+ >>
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+Ambits can be added per voice. In that case, the ambitus must be moved
+manually to prevent collisions.
+" }
+
+\new Staff <<
+ \new Voice \with {
+ \consists "Ambitus_engraver"
+ } \relative c'' {
+ \override Ambitus #'X-offset = # 1.0
+ \voiceOne
+ c4 a d e f2
+ }
+ \new Voice \with {
+ \consists "Ambitus_engraver"
+ } \relative c' {
+ \voiceTwo
+ es4 f g as b2
+ }
+>>
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+You can add (possibly temporarily) an extra staff after the beginning
+of a piece.
+" }
+
+\score {
+ <<
+ \new Staff \relative c''{ c1 c c c c }
+ \new StaffGroup \relative c''{
+ \new Staff
+ c1 c
+ << c1 \new Staff { c1 } >>
+ c
+ }
+ >>
+ \layout {
+
+ \context{
+ \Score
+
+ }
+ }
+}
+
+
+
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+When adding a new Staff at a line break, LilyPond will unfortunately
+add some extra space at the end of the line before the break (to fit in
+a key signature change, which will never be printed anyway). The
+workaround is to add a setting of Staff.explicitKeySignatureVisibility
+as is shown in the example. In version 2.10 and earlier, you have to do
+a similar setting for the time signatures, see the example.
+" }
+
+\score {
+ \new StaffGroup \relative c''{
+ \new Staff
+ \key f \major
+ c1 c^"Unwanted extra space" \break
+ << { c1 c }
+ \new Staff {
+ \key f \major
+ c1 c
+ }
+ >>
+ c1 c^"Fixed here" \break
+ << { c1 c }
+ \new Staff {
+ \once \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
+ %The next line is not needed in 2.11.x or later:
+ \once \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible
+ \key f \major
+ c1 c
+ }
+ >>
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+The number of lines in a staff may changed by overriding
+@code{line-count} in the properties of @code{StaffSymbol}.
+
+
+" }
+
+upper = \relative c'' {
+ c1 d e f
+}
+
+lower = \relative c {
+ c1 b a g
+}
+
+\score {
+ \context PianoStaff <<
+ \new Staff <<
+ \upper
+ >>
+ \new Staff {
+ \override Staff.StaffSymbol #'line-count = #4
+ \clef bass
+ \lower
+ }
+ >>
+
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+In order to change staff sizes, both @code{staff-space} and
+@code{fontSize} must be scaled.
+" }
+
+{
+ \new Staff \relative c'' { \dynamicDown c8 \ff c c c c c c c }
+}
+
+{
+ \new Staff \with {
+ fontSize = #-3
+ \override StaffSymbol #'staff-space = #(magstep -3)
+ } {
+ \clef bass
+ c8 c c c c c c c
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+The command @code{\\clef \"treble_8\"} is equivalent to setting
+@code{clefGlyph}, @code{clefPosition} (which controls the Y position of
+the clef), @code{middleCPosition} and @code{clefOctavation}. A clef is
+printed when any of these properties are changed. The following
+example shows possibilities when setting properties manually.
+" }
+
+{
+ \set Staff.clefGlyph = #"clefs.F"
+ \set Staff.clefPosition = #2
+ c'4
+ \set Staff.clefGlyph = #"clefs.G"
+ c'4
+ \set Staff.clefGlyph = #"clefs.C"
+ c'4
+ \set Staff.clefOctavation = #7
+ c'4
+ \set Staff.clefOctavation = #0
+ \set Staff.clefPosition = #0
+ c'4
+ \clef "bass"
+ c'4
+ \set Staff.middleCPosition = #4
+ c'4
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.10.12"
+
+\header { texidoc = "
+ The clef indicates which lines of the staff correspond to which
+pitches. The clef is set with the @code{\\clef} command
+
+
+ @{ c''2 \\clef alto g'2 @}
+
+
+Supported clefs include:
+
+@code{treble, violin, G, G2} G clef on 2nd line @code{alto, C} C clef
+on 3rd line @code{tenor} C clef on 4th line. @code{bass, F} F clef on
+4th line @code{french} G clef on 1st line, so-called French violin clef
+@code{soprano} C clef on 1st line @code{mezzosoprano} C clef on 2nd
+line @code{baritone} C clef on 5th line @code{varbaritone} F clef on
+3rd line @code{subbass} F clef on 5th line @code{percussion} percussion
+clef @code{tab} tablature clef
+
+ By adding @code{_8} or @code{^8} to the clef name, the clef is
+transposed one octave down or up, respectively, and @code{_15} and
+@code{^15} transposes by two octaves. The argument clefname must be
+enclosed in quotes when it contains underscores or digits. See the last
+two bars for an example.
+" }
+
+{ g'2 \clef alto g'2
+ \clef tenor g'2 \clef bass g'2
+ \clef french g'2 \clef soprano g'2
+ \clef mezzosoprano g'2 \clef baritone g'2
+ \clef varbaritone g'2 \clef subbass g'2
+ \clef percussion g'2 \clef tab g'2
+% TO TRANSPOSE THE CLEF ONE OCTAVE UP OR DOWN SEE THE FOLLOWING BARS:
+ \clef "G_8" c'1 \clef "G^8" c'1
+}
+
projects / lilypond.git / commitdiff