lilypond-1.0.1

diff --git a/mutopia/J.S.Bach/Solo-Cello-Suites/courante-urtext.ly b/mutopia/J.S.Bach/Solo-Cello-Suites/courante-urtext.ly
new file mode 100644 (file)
index 0000000..c04de2d
--- /dev/null
+++ b/mutopia/J.S.Bach/Solo-Cello-Suites/courante-urtext.ly
@@ -0,0 +1,85 @@
+% courante-urtext.ly
+% belongs together with -cello.ly and -alto.ly
+% (who is going to make a -violin.ly?)
+
+%{
+Well, there are still some scripts in this "urtext".
+But merging melodic and scripts doen't work too well yet (see alto_scripts).
+%}
+
+n = { \slurnormal }
+d = { \slurdotted }
+
+courante_a = \melodic \relative c {
+       d'16 |
+       [d a f a] [d, f g a]\d[bes()a bes()g] |
+       \voiceone <g4 a> s4 \onevoice \d[g16()f g()e] |
+       % urg, a good case for mean-distance-beam-dir-algorithm!
+       [f()d e()c!]\n[bes(a)bes a'][g f e d] |
+       %4
+       % [cis e \n a,(\d(b][[cis d e f][)g )bes-- a e] |
+       [cis e \n a,(b][[cis d e f][)g bes-- a e] |
+       % [f a \n d,(\d( e][f g a bes][)c )bes-- d c] |
+       [f a \n d,( e][f g a bes][)c bes-- d c] |
+       \n\voiceone <c4~ f,> <[c16 f,> bes a g] \onevoice [f()es d()es] |
+       %7
+       [d bes(a)bes][d bes e! bes][f' bes, g' bes,] |
+       \d[e,( g )c d][e f g a][bes()a bes()g]|
+       \n[a f(e)f][a f bes f][c' f, d' f,] |
+       %10
+       [cis( e )a b][cis d e f][g()f g()e] |
+       [d,( a' )f' e]\n[d()c d()c][b()a b()a] |
+       \n[gis( a )b e,]\n[f()e f()d][e()c d()b] |
+       %13
+       \n[c a'( b c][b a gis)a][d, a' e a] |
+       [f a( b c][b a gis)a][f a e a] |
+       [dis, a'( b c][b a gis)a][e a e gis] |
+       [a e cis e][a, cis e gis] a8. e'16 |
+       %17
+       [e cis a cis][e, f g a][bes()g cis()g] |
+       \voiceone d'4 ~ [d16 a d e][f d a c!]\onevoice |
+       \n[b16 f(d)f]\d[g, d'(f)g][b f d' f,] |
+       %20
+       [e g c,(d][e f g a][)bes! d c g] |
+       \voiceone a s16*3 s4 s4
+       d, ~ [d16 e! f g] \onevoice [a bes c d] |
+       %23
+       [e, bes(a)g][a f' \n g,()f]\d[c()g' f' e] |
+       [f a( bes a][g f e )f][g e f d]|
+       [cis g' b, g'][a, g' b, g'][cis, g' a, g']|
+       %26
+       [f d f a][d a d e][f a, f d]|
+       [g, d'(g)a][bes g' a, f'][g, e' f, d']|
+       \n[cis(d)e cis][a cis bes cis][a cis g cis]|
+       %29
+       \n[f, d'(e f][e d cis)d][g, d' a d]|
+       \d[bes d(e f][e d cis)d][bes d a d]|
+       [gis, d'(e f][e d cis)d][a d a cis]|
+       [d a f a][d, f a, d]
+       d,8.
+}
+
+courante_b = \melodic \relative c {
+       \voicetwo
+       \stemdown
+       s16 |
+       s2. |
+       %2
+       \n cis4 ~ [cis16 d e f] s4 |
+       s2.*3 |
+       %6
+       { a,4 s2 }
+       s2.*11
+       %18
+       f'4 s s |
+       s2.*2
+       %21
+       [f16 c'(bes a][g f es d] [)es c' f, es] |
+       bes4 s s
+}
+
+courante =  \type Staff \melodic<
+ \$courante_a
+ \$courante_b
+>
+