]> git.donarmstrong.com Git - lilypond.git/commitdiff
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authorHan-Wen Nienhuys <hanwen@xs4all.nl>
Sat, 31 Jul 2004 18:49:59 +0000 (18:49 +0000)
committerHan-Wen Nienhuys <hanwen@xs4all.nl>
Sat, 31 Jul 2004 18:49:59 +0000 (18:49 +0000)
input/regression/page-breaks.ly [new file with mode: 0644]
input/test/page-breaks.ly [deleted file]
input/test/part-combine.ly [deleted file]
input/test/repeat-manual.ly [deleted file]

diff --git a/input/regression/page-breaks.ly b/input/regression/page-breaks.ly
new file mode 100644 (file)
index 0000000..c6a06c6
--- /dev/null
@@ -0,0 +1,54 @@
+#(ly:set-point-and-click 'line-column)
+\version "2.3.8"
+
+\header {
+
+texidoc = "Stress optimal page breaking.  This should look
+    nice on 4 a6 pages. "
+
+    
+    copyright = "Copyright by /me"
+    
+    title = "Title"
+    subtitle = "(and (the) subtitle)"
+    subsubtitle = "Sub sub title"
+    poet = "Poet"
+    composer = "Composer"
+    texttranslator = "Text Translator"
+    opus = "opus 0"
+    meter = "Meter (huh?)"
+    arranger = "Arranger"
+    instrument = "Instrument"
+    piece = "Piece"
+}
+
+#(set-default-paper-size "a6")
+
+
+pattern =  { a b c d \break }
+\book {    
+    \score {
+       \context Staff  \relative c' {
+           %% 16: ideally cramped
+           %% 17: very bad without density
+                               %       \repeat unfold 17 { a b c d \break }
+
+           \pattern
+           \pattern
+                               % \noPageBreak
+           \pattern
+           
+                               % the following changes the location of the break.
+                               % 
+                               % \pageBreak
+           
+           \pattern
+           \pattern
+           \pattern
+           \pattern
+           \repeat unfold 10 \pattern
+       }
+
+    }
+    
+}
diff --git a/input/test/page-breaks.ly b/input/test/page-breaks.ly
deleted file mode 100644 (file)
index c6a06c6..0000000
+++ /dev/null
@@ -1,54 +0,0 @@
-#(ly:set-point-and-click 'line-column)
-\version "2.3.8"
-
-\header {
-
-texidoc = "Stress optimal page breaking.  This should look
-    nice on 4 a6 pages. "
-
-    
-    copyright = "Copyright by /me"
-    
-    title = "Title"
-    subtitle = "(and (the) subtitle)"
-    subsubtitle = "Sub sub title"
-    poet = "Poet"
-    composer = "Composer"
-    texttranslator = "Text Translator"
-    opus = "opus 0"
-    meter = "Meter (huh?)"
-    arranger = "Arranger"
-    instrument = "Instrument"
-    piece = "Piece"
-}
-
-#(set-default-paper-size "a6")
-
-
-pattern =  { a b c d \break }
-\book {    
-    \score {
-       \context Staff  \relative c' {
-           %% 16: ideally cramped
-           %% 17: very bad without density
-                               %       \repeat unfold 17 { a b c d \break }
-
-           \pattern
-           \pattern
-                               % \noPageBreak
-           \pattern
-           
-                               % the following changes the location of the break.
-                               % 
-                               % \pageBreak
-           
-           \pattern
-           \pattern
-           \pattern
-           \pattern
-           \repeat unfold 10 \pattern
-       }
-
-    }
-    
-}
diff --git a/input/test/part-combine.ly b/input/test/part-combine.ly
deleted file mode 100644 (file)
index 9bdb7f4..0000000
+++ /dev/null
@@ -1,32 +0,0 @@
-
-\version "2.3.8"
-
-\header{ texidoc="@cindex Part Combine
-In orchestral scores and hymns, voices are traditionally combined into
-one staff.  LilyPond has a part combiner that combines, or separates, two
-voices according to the actual rhythm and pitch.  Configurable texts, such 
-as ``solo'' and ``@`a2'', are typeset automatically in appropriate
-places. "
-}
-
-\score{
-    \context Staff = flauti <<
-    \time 4/4
-    \partcombine
-    \relative c'' {
-      c4 d e f | b,4 d c d | r2 e4 f | c4 d e f |
-      c4 r e f | c4 r e f | c4 r a r | a a r a |
-      a2 \set soloADue = ##f a |
-    }
-    \relative c'' {
-      g4 b d f | r2 c4 d | a c c d | a4. b8 c4 d
-      c r e r | r2 s2 | a,4 r a r | a r r a |
-      a2 \set soloADue = ##f a |
-    }
-  >>
-  \paper{
-       raggedright = ##t
-  }
-}
-
-
diff --git a/input/test/repeat-manual.ly b/input/test/repeat-manual.ly
deleted file mode 100644 (file)
index 01eb807..0000000
+++ /dev/null
@@ -1,25 +0,0 @@
-
-\version "2.3.8"
-\header { texidoc = "@cindex Repeat Manual
-By controlling manually the signs and numbers in repeats, an unusual 
-output can be produced. "
-}
-
-\score {  \relative c'' {
-% First a normal looking repeat:
- c2 c
-    \set Score.repeatCommands = #'((volta "1."))
- c c
-    \set Score.repeatCommands = #'((volta #f) end-repeat (volta "2."))
- c c
-    \set Score.repeatCommands = #'((volta #f))
-% Then a more strange one:
- c c
-    \set Score.repeatCommands = #'((volta "93") end-repeat)
- c c
-    \set Score.repeatCommands = #'((volta #f))
- c c
-}
-       \paper{raggedright=##t}
-}
-