@c -*- coding: utf-8; mode: texinfo; -*-
@ignore
- Translation of GIT committish: fe2cae0fa47ec4ec0184e6b3d15572fbcba881cf
+ Translation of GIT committish: fb382fd467dea1bf5c5735cf4b5c59935fbd40a8
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
\key c \minor
}
-\new Score <<
- \new Staff \with {
+\score {
+ <<
+ \new Staff \with {
fontSize = #-4
\override StaffSymbol #'staff-space = #(magstep -4)
\override StaffSymbol #'thickness = #(magstep -3)
g8.(^> b16 c ees) g8-.^> r r
R2.
}
- \new PianoStaff <<
- \set PianoStaff.instrumentName = #"Piano"
- \new Staff \relative c' {
- \global
- s2.
- s4. s8 r8 r16 <c f aes c>
- <c f aes c>4.^> <c ees g>8 r r
- }
- \new Staff \relative c {
- \global
- \clef "bass"
- <<
+ \new PianoStaff <<
+ \set PianoStaff.instrumentName = #"Piano"
+ \new Staff \relative c' {
+ \global
+ s2.
+ s4. s8 r8 r16 <c f aes c>
+ <c f aes c>4.^> <c ees g>8 r r
+ }
+ \new Staff \relative c {
+ \global
+ \clef "bass"
+ <<
{
\once \override DynamicText #'X-offset = #-3
<ees g c>2.~->^\f
<c g c,>2.~
<c g c,>4.~ <c g c,>8
}
- >>
- r8 r16 <f, c' aes'>16
- <f c' aes'>4.-> <c' g'>8 r r
- }
+ >>
+ r8 r16 <f, c' aes'>16
+ <f c' aes'>4.-> <c' g'>8 r r
+ }
+ >>
>>
->>
+}
@end lilypond
@end ignore
d4 r4 r8 d'16 c bes8 c16 d
ees8 d c ees a, r r4
}
+
partIII = \relative c' {
\voiceOne
r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
}
+
partIV = \relative c {
\voiceTwo
d4 r r2
@c KEEP LY
@lilypond
collide = \once \override NoteColumn #'force-hshift = #0
-\new Score <<
- \new Voice = "sample" \relative c''{
- \key g \minor
- <<
- { \voiceOne g4 \collide g4 }
- \new Voice { \voiceTwo bes \collide bes }
- >>
- }
- \new Lyrics \lyricsto "sample" \lyricmode { "bien " " mal" }
->>
+
+\score {
+ <<
+ \new Voice = "sample" \relative c''{
+ \key g \minor
+ <<
+ { \voiceOne g4 \collide g4 }
+ \new Voice { \voiceTwo bes \collide bes }
+ >>
+ }
+ \new Lyrics \lyricsto "sample" \lyricmode { "bien " " mal" }
+ >>
+}
@end lilypond
@item Finale ha colocado todos los silencios en alturas fijas sobre el
tiene todas las direcciones hacia arriba (o hacia la derecha).
@lilypond[quote,ragged-right]
-\new Score \with {
- \override SpacingSpanner #'spacing-increment = #3
- \override TimeSignature #'transparent = ##t
-} \relative c' {
- \stemDown <e g b>4_>-\arpeggio
- \override Arpeggio #'direction = #RIGHT
- \stemUp <e g b>4^>-\arpeggio
+\score {
+ \relative c' {
+ \stemDown <e g b>4_>-\arpeggio
+ \override Arpeggio #'direction = #RIGHT
+ \stemUp <e g b>4^>-\arpeggio
+ }
+ \layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'spacing-increment = #3
+ \override TimeSignature #'transparent = ##t
+ }
+ }
}
@end lilypond
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 0f160f02f8fcf7859e18ab1ea0be1e3d69953879
+ Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Para que sean efectivos bajo cualquier circunstancia, estas
comprobaciones deben habilitarse colocando las instrucciones de
-sobreescritura dentro del bloque @code{\with} dentro de un Score, y no
+sobreescritura con @code{\context} dentro del bloque @code{\layout}, y no
en línea con la música, de la forma siguiente:
@example
-\new Score \with @{
- % asegura que las marcas de texto y letras de las canciones se encuentran dentro de los márgenes de la página
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
-@} @{
- ..
+\score @{
+ @{ @dots{}notes@dots{} @}
+ \layout @{
+ \context @{
+ \Score
+ % asegura que las marcas de texto y letras de las canciones se encuentran dentro de los márgenes de la página
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ @}
+ @}
@}
@end example
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
-Translation of GIT committish: af3c4ca42e348ec53b5034c50f3eeb435f7db05e
+Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Se crea implícitamente una instancia del contexto Score cuando se
procesa un bloque @code{\score @{@dots{}@}} o @code{\layout
-@{@dots{}@}}, o explícitamente cuando se ejecuta una instrucción
-@code{\new Score}.
+@{@dots{}@}}.
@node Contextos del nivel superior. Contenedores de pentagramas
@unnumberedsubsubsec Contextos del nivel superior: contenedores de pentagramas
@subsection Crear contextos
@translationof Creating contexts
+@c TODO more complete descriptions rather than learning style
+
Para partituras que sólo tienen una voz y un pentagrama, los contextos
se crean automáticamente. Para partituras más complejas, es necesario
crearlos a mano. Existen tres instrucciones que hacen esto.
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 9748b8a77001b73bfd2bf35e27172a63d780c78d
+ Translation of GIT committish: cd6d449de0bfc3236b87fbec08389697be8cae81
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
La salida MIDI se crea sólo cuando se incluye un bloque @code{\midi}
dentro de un bloque de partitura definido con una instrucción
-@code{\score}. Si se sitúa dentro de un contexto de partitura
-instanciado explícitamente (es decir, dentro de un bloque @code{\new
-Score}) el archivo no funciona. Para resolverlo, encierre las
-instrucciones @code{\new Score} y @code{\midi} dentro de un bloque
@code{\score}.
@example
\score @{
- \new Score @{ @dots{}notas@dots{} @}
+ @{ @dots{}notas@dots{} @}
\midi @{ @}
@}
@end example
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 4ecef06e22df3293a2bf246e1ebccb300ce90b3e
+ Translation of GIT committish: f021b1f3fa3a696a132dcdd6e27005c95e27176f
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
+@c \version "2.13.36"
@node Texto
@section Texto
c
c^\markup {
\combine
- \musicglyph #"accordion.accDiscant"
+ \musicglyph #"accordion.discant"
\combine
- \raise #0.5 \musicglyph #"accordion.accDot"
- \raise #1.5 \musicglyph #"accordion.accDot"
+ \raise #0.5 \musicglyph #"accordion.dot"
+ \raise #1.5 \musicglyph #"accordion.dot"
}
@end lilypond
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 671a0bcf734837eb45a942d377ac81e5d1450496
+ Translation of GIT committish: 0e655d34188858edac8876696bd7bb229d8eac52
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
-
+@c \version "2.13.36"
@node Instrumentos de viento
@section Instrumentos de viento