--- /dev/null
+If you have a snippet that should be added to the official approved
+LSR snippets, please leave it here. We'll take care of it.
+
+Note that LSR is currently 2.10. You can add snippets that require 2.11
+to this directory, but they will not be added until LSR is updated.
+
--- /dev/null
+\header {
+ texidoc = "Clipping snippets from a finished score
+
+Notes:
+
+@itemize @bullet
+@item If system starts and ends are included, they include extents of the System grob, eg. instrument names.
+@item Grace notes at the end point of the region are not included
+@item Regions can span multiple systems. In this case, multiple EPS files are generated.
+@end itemize
+
+This file needs to be run separately with @code{-dclip-systems}; the
+collated-files.html of the regression test does not adequately show
+the results.
+
+The result will be files named
+@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
+"
+
+}
+
+\version "2.10.0"
+
+#(ly:set-option 'clip-systems)
+
+#(set! output-count 1)
+
+origScore = \score{
+ \relative {
+ \set Staff.instrumentName = #"bla"
+ c1
+ d
+ \grace c16
+ e1
+ \key d\major
+
+ f
+ \break \clef bass
+ g,
+ fis
+ }
+}
+
+\book {
+ \score {
+ \origScore
+ \layout {
+
+ %% each clip-region is a (START . END) pair
+ %% where both are rhythmic-locations.
+
+ %% (make-rhythmic-locations BAR-NUMBER NUM DEN)
+ %% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
+
+ clip-regions
+ = #(list
+ (cons
+ (make-rhythmic-location 2 0 1)
+ (make-rhythmic-location 4 0 1))
+
+ (cons
+ (make-rhythmic-location 0 0 1)
+ (make-rhythmic-location 4 0 1))
+
+ (cons
+ (make-rhythmic-location 0 0 1)
+ (make-rhythmic-location 6 0 1))
+ )
+ }
+ }
+}
+
+#(set! output-count 0)
+#(ly:set-option 'clip-systems #f)
+
+\book {
+ \score { \origScore }
+ \markup { \bold \fontsize #6 clips }
+ \score {
+ \lyrics {
+ \markup { from-2.0.1-to-4.0.1-clip.eps }
+ \markup { \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps" (ly:parser-output-name parser)) }
+ }
+ }
+}
--- /dev/null
+\header {
+ texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
+}
+
+\version "2.10.0"
+
+\paper {
+ ragged-right = ##t
+}
+
+\relative c'' {
+ \override TextSpanner #'bound-padding = #1.0
+ \override TextSpanner #'dash-fraction = #'()
+ \override TextSpanner #'bound-details #'right #'arrow = ##t
+ \override TextSpanner #'bound-details #'left #'text = #"fof"
+ \override TextSpanner #'bound-details #'right #'text = #"gag"
+ \override TextSpanner #'bound-details #'right #'padding = #0.6
+
+ \override TextSpanner #'bound-details #'right #'stencil-align-dir-y = #CENTER
+ \override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
+
+ \override Glissando #'bound-details #'right #'arrow = ##t
+ \override Glissando #'arrow-length = #0.5
+ \override Glissando #'arrow-width = #0.25
+
+ a8\startTextSpan gis8 a4 b4\glissando
+ b,4 | g' c\stopTextSpan c
+}
--- /dev/null
+
+\header
+{
+
+ texidoc = "Quotations take into account the transposition of both
+source and target. In this example, all instruments play sounding
+central C, the target is a instrument in F. The target part may be
+@code{\\transpose}d. In this case, all the pitches (including the
+quoted ones) will transposed as well. "
+
+}
+
+\version "2.11.10"
+
+\layout { ragged-right = ##t }
+
+
+\addQuote clarinet {
+ \transposition bes
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+}
+
+\addQuote sax {
+ \transposition es'
+ a8 a a a a a a a
+}
+
+quoteTest = {
+ \transposition f % french horn
+
+ g'4
+ << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
+ << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
+}
+
+
+<< \quoteTest
+ \new Staff
+ << \transpose c' d' \quoteTest
+ s4_"up 1 tone"
+ >>
+>>
--- /dev/null
+\header
+{
+
+ texidoc = "With @code{\\quote}, fragments of previously entered
+music may be quoted. @code{quotedEventTypes} will determines what
+things are quoted. In this example, a 16th rests is not quoted, since
+@code{rest-event} is not in @code{quotedEventTypes}."
+
+}
+\version "2.11.10"
+\layout {
+ ragged-right = ##t
+}
+
+
+quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+
+\addQuote quoteMe \quoteMe
+original = \relative c'' { c8 d s2 es8 gis8 }
+
+<<
+ \new Staff {
+ \set Staff.instrumentName = "quoteMe"
+ \quoteMe
+ }
+ \new Staff {
+ \set Staff.instrumentName = "orig"
+ \original
+ }
+ \new Staff \relative c'' <<
+ \set Staff.instrumentName = "orig+quote"
+ \set Staff.quotedEventTypes = #'(note-event articulation-event)
+ \original
+ \new Voice {
+ s4
+ \set fontSize = #-4
+ \override Stem #'length-fraction = #(magstep -4)
+ \quoteDuring #"quoteMe" { \skip 2. }
+ }
+ >>
+>>
--- /dev/null
+\version "2.10.0"
+
+%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
+
+%{
+
+You may have to install additional fonts.
+
+Red Hat Fedora
+
+ taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
+ ttfonts-zh_CN fonts-ja fonts-hebrew
+
+Debian GNU/Linux
+
+ apt-get install emacs-intl-fonts xfonts-intl-.* \
+ ttf-kochi-gothic ttf-kochi-mincho \
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+%}
+
+\header {
+
+ texidoc = "Various scripts may be used for texts (like titles and
+lyrics) introduced by entering them in UTF-8 encoding, and using a
+Pango based backend. Depending on the fonts installed, this fragment
+will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
+
+"
+
+}
+
+% Cyrillic font
+bulgarian = \lyricmode {
+ Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
+}
+
+hebrew = \lyricmode {
+ זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
+}
+
+japanese = \lyricmode {
+ いろはにほへど ちりぬるを
+ わがよたれぞ つねならむ
+ うゐのおくや まけふこえて
+ あさきゆめみじ ゑひもせず
+}
+
+% "a legal song to you"
+portuguese = \lyricmode {
+ à vo -- cê uma can -- ção legal
+}
+
+\paper {
+ ragged-right = ##T
+}
+
+\relative {
+ c2 d e f g f e
+}
+\addlyrics { \bulgarian }
+\addlyrics { \hebrew }
+\addlyrics { \japanese }
+\addlyrics { \portuguese }
projects / lilypond.git / commitdiff