depth = ../../
-SUBDIRS = ancient chords connecting contemporary education expressive guitar parts pitches repeats spacing staff text vocal scheme other
+SUBDIRS = ancient chords connecting contemporary education expressive
+SUBDIRS += guitar parts pitches repeats spacing staff text vocal scheme other
STEPMAKE_TEMPLATES=documentation texinfo tex
LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
--- /dev/null
+\version "2.10.0"
+
+\header{
+texidoc = "
+@unnumbered Introduction
+
+This document shows examples from the
+@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
+
+In the web version of this document, you can click on the file name
+or figure for each example to see the corresponding input file."
+}
+
+% make sure .png is generated.
+\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
+
+++ /dev/null
-
-This directory has a two-fold purpose
-
-* storing big examples referenced from the manual
-
-* temporary storage place for experimental test files. Over time,
-when features become stable, the examples are to be moved in the
-manual.
-
-
-It is NOT a dumping ground for assorted trick and hacks.
-
-If you have trick that is neat hack, and think it should be in the
-manual, then post it to lilypond-user@gnu.org, noting that you
-propose to submit it to the manual.
-
-If you have CVS write access for this directory, then consult Jan &
-Han-Wen before adding your file. Files should generally not be added
-here but to the manual. If you want to add to the manual it's wise to
-check The Documentation Meister (at the moment: Jan & Han-Wen), to be
-sure that the example really adds value to the manual.
+++ /dev/null
-
-\version "2.10.0"
-\header {
-texidoc = "@cindex Circle
-
-Circles can be drawn around various objects.
-
-"
-}
-
-\layout{ragged-right = ##t}
-
-\relative c'{
-c1
-\set Score.markFormatter
- = #(lambda (mark context)
- (make-circle-markup (format-mark-numbers mark context)))
-\mark \default
-c2 d^\markup{\circle \finger "2"}
-\override Score.BarNumber #'break-visibility = #all-visible
-\override Score.BarNumber #'stencil
- = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
-}
\ No newline at end of file
+++ /dev/null
-
-\version "2.10.0"
-\header {
-texidoc = "@cindex compound time
-@cindex plus
-
-Compound time signatures can be printed. Automatic beaming works in
-compound time.
-
-"
-}
-
-\layout{ragged-right = ##t}
-
-#(define (compound-time one two num)
- (markup #:override '(baseline-skip . 0) #:number
- (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))))))
-
-
-\relative {
- %% compound time signature hack
- \time 5/8
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "2" "3" "8" )
- #(override-auto-beam-setting '(end 1 8 5 8) 1 4)
- c8 c c8 c c
-}
-
+++ /dev/null
-
-\version "2.10.0"
-
-
-% Ugh, we need to override some LaTeX titling stuff
-\header {
- title = "Ouvertüre"
- subtitle = "Zu Heinrich Joseph v. Collins Trauerspiel"
- subsubtitle = \markup { \large \bold "Coriolan" }
- opus = "Op. 62"
- piece = \markup { \large Allegro con brio }
- composer = "Ludwig van Beethoven (1770-1827)"
-
-texidoc = "@cindex Orchestra Score
-@cindex Coriolan Score
-In an orchestral score (Beethoven's Coriolan overture), there are
-different instrument groups, and some of the instruments may be
-transposed. Instruments are indicated either with a long or short name.
-" }
-
-#(set-global-staff-size 16)
-
-raisedFlat = \markup { \raise #0.4 \smaller \smaller \flat }
-
-
-
-flauti = \relative c' {
- \set Staff.instrumentName = #"2 Flauti"
- \set Staff.shortInstrumentName = #"Fl."
- \time 4/4
- c1
- \break c
-% \break c
-% \break c
- \bar"|."
-}
-
-oboi = \relative c' {
- \set Staff.instrumentName = #"2 Oboi"
- \set Staff.shortInstrumentName = #"Ob."
- c1 c
-}
-
-clarinetti = \relative c' {
- \set Staff.instrumentName = \markup { \column { "Clarinetti" \line { "in B" \raisedFlat } } }
- \set Staff.shortInstrumentName = \markup { \smaller { "Cl(B" \raisedFlat ")" } }
-
- c1 c
-}
-
-fagotti = \relative c' {
- \set Staff.instrumentName = #"2 Fagotti"
- \set Staff.shortInstrumentName = #"Fg."
- c1 c
-}
-
-corni = \relative c' {
- \set Staff.instrumentName = \markup { \column { "Corni" \line { "in E" \raisedFlat } } }
- \set Staff.shortInstrumentName = \markup { \smaller { "Cor(E" \raisedFlat ")" } }
-
- c1 c
-}
-
-trombe = \relative c' {
- \set Staff.instrumentName = \markup \column { "2 Trombe" "(C)" }
- \set Staff.shortInstrumentName = \markup \column { "Tbe." "(C)" }
-
- c1 c
-}
-
-timpani = \relative c' {
- \set Staff.instrumentName = \markup \column { "Timpani" "(C-G)" }
- \set Staff.shortInstrumentName = #"Timp."
-
- c1 c
-}
-
-violinoI = \relative c' {
- \set Staff.instrumentName = #"Violino I "
- \set Staff.shortInstrumentName = #"Vl. I "
- c1 c
-}
-
-violinoII = \relative c' {
- \set Staff.instrumentName = #"Violino II "
- \set Staff.shortInstrumentName = #"Vl. II "
- c1 c
-}
-
-viola = \relative c' {
- \set Staff.instrumentName = #"Viola"
- \set Staff.shortInstrumentName = #"Vla."
- c1 c
- %c
-}
-
-violoncello = \relative c' {
- \set Staff.instrumentName = \markup \column { "Violoncello" "e" "Contrabasso" }
- \set Staff.shortInstrumentName = \markup \column { "Vc." "Cb." }
- c1 c
-}
-
-
-\paper {
- indent=10.0\mm
- line-width=150.0\mm
- ragged-bottom = ##t
-}
-
-#(set-global-staff-size 16)
-\book {
- \score {
- <<
- \new StaffGroup = "legni" <<
- \new Staff = "flauti" \flauti
- \new Staff = "oboi" \oboi
- \new Staff = "clarinetti" \clarinetti
- \new Staff = "fagotti" \fagotti
- >>
- \new StaffGroup = "ottoni" <<
- \new Staff = "corni" \corni
- \new Staff = "trombe" \trombe
- >>
- \new StaffGroup = "timpani" <<
- \new Staff = "timpani" \timpani
- {
- \skip 1
- % Hmm: this forces a staff-bracket, that's good!
- % However, I can't find where is decided on staff-bracket yes/no
- }
- >>
- \new StaffGroup = "archi" <<
- \new GrandStaff = "violini" <<
- \new Staff = "violinoI" \violinoI
- \new Staff = "violinoII" \violinoII
- >>
- \new Staff = "viola" \viola
- \new Staff = "violoncello" \violoncello
- >>
- >>
- \layout {
- \context {
- \RemoveEmptyStaffContext
- }
- \context {
- \Score
- \override TimeSignature #'style = #'C
- }
- }
- }
- % this is ignored?
- \paper {
- indent=10.0\mm
- line-width=150.0\mm
- }
-}
-
-%% Local Variables:
-%% coding: utf-8
-%% End:
+++ /dev/null
-
-\version "2.10.0"
-
-
-\header {
-
- texidoc = "
-
-@cindex Embedded Postscript
-
-The markup command @code{\postscript} inserts postscript directly into
-the output."
-
-}
-
-\layout {
- line-width = 70 * 5 \pt
-}
-
-\relative c'' {
- a-\markup { \postscript #"3 4 moveto 5 3 rlineto stroke" }
- -\markup { \postscript #"[ 0 1 ] 0 setdash 3 5 moveto 5 -3 rlineto stroke " }
-
- b-\markup { \postscript #"3 4 moveto 0 0 1 2 8 4 20 3.5 rcurveto stroke" }
- s2
- a'1
-}
-
+++ /dev/null
-\version "2.10.0"
-
-\header { texidoc = "@cindex Ancient Vaticana
-Vaticana ligature uses four staff lines, special clef, and
-calligraphic notes. Augmentum dots are collected behind
-ligatures. "
-}
-
-\include "gregorian-init.ly"
-
-cantus = \new VaticanaVoice = "cantus" {
- \clef "vaticana-fa2"
- \[ f\melisma \quilisma g \auctum \descendens a\melismaEnd \]
- \[ \virga a\melisma g \pes a \inclinatum f \inclinatum d
- c \pes d \quilisma e \pes f \virga g
- a \flexa f \pes g \inclinatum f \inclinatum e\melismaEnd \]
- \[ d\melisma \quilisma e f \flexa e \pes f\melismaEnd \]
- \[ \augmentum e\melisma \flexa \augmentum d\melismaEnd \]
-}
-
-verba = \new Lyrics = "verba" \lyricmode {
- Al- le- lu- ia.
-}
-
-\paper {
- line-thickness = \staff-space / 7.0
-}
-
-\score {
- <<
- \cantus
- \lyricsto "cantus" \verba
- >>
- \layout {
- line-width = 137.0 \mm
- width = 137.0 \mm
- indent = 0.0
- ragged-right = ##t
- packed = ##t
- \context {
- \Score
- \remove Bar_number_engraver
- timing = ##f
- barAlways = ##t
- }
- }
-}
+++ /dev/null
-
-\header {
-texidoc = "Stem directions and head positions are taken into account for spacing "
-
-}
-
-\version "2.10.0"
-
-\paper {
- ragged-right = ##t
- indent = #0.0
-}
-
-music = {
- c'4 e''4 e'4 b'4 |
- \stemDown
- b'8[ e'' a' e'']
- \stemNeutral
- e'8[ e'8 e'8 e'8]
-}
-
-
-
-\score
-{
- \music
- \layout {
- \context {
- \Staff
- \override NoteSpacing #'stem-spacing-correction = #0.6
- }
- }
-}
-
-\score
-{
- \music
- \layout {
- \context {
- \Staff
- \override NoteSpacing #'stem-spacing-correction = #0.0
- \override NoteSpacing #'same-direction-correction = #0.0
- \override StaffSpacing #'stem-spacing-correction = #0.0
- }
- }
-}
+++ /dev/null
-
-\version "2.10.0"
-
-\header {
-
-texidoc= "
-An additional stave can be typeset in the middle of a score line.
-A new context type is created for the temporary staff to avoid printing
-time and key signatures and clef at the beginning of the extra stave.
-"
-}
-
-\score {
- {
- \relative c' {
- \new Staff = One { c4 d e f }
- <<
- {c d e f | c d e f | c c c c | c c c c }
- \new TemporaryStaff = Two { c4 c8 d e4 f | c d e f |
- c c c c | c c c8 b c b |}
- >>
- c4 d e f |
- }
- }
- \layout {
- \context {
- \Score
- \consists Span_bar_engraver
- % Avoid a vertical line at the beginning of the system:
- \remove System_start_delimiter_engraver
- % Incorporate the new context in the hierarchy
- \accepts "TemporaryStaff"
- }
- \context {
- \Staff
- \name "TemporaryStaff"
- \alias "Staff"
- \remove "Clef_engraver"
- \remove "Time_signature_engraver"
- \remove "Key_engraver"
- }
- }
-}
-
projects / lilypond.git / commitdiff