First pass at organizing.

diff --git a/Documentation/user/unfretted-strings.itely b/Documentation/user/unfretted-strings.itely
index 00eab12d9afb5bae3a264b7db396a2e7673f424e..577c5e33d5a20e16ba44063ca8fef3920069f74c 100644 (file)
--- a/Documentation/user/unfretted-strings.itely
+++ b/Documentation/user/unfretted-strings.itely
@@ -14,45 +14,42 @@
 This section includes extra information for writing for unfretted
 string instruments.
 
 This section includes extra information for writing for unfretted
 string instruments.
 

-@ignore
-The subsection on Bowed instruments is commmented out
-until we have something to say about them -td
-@end ignore
-

 @menu
 @menu

-* Common notation for unfretted strings::
-@c * Bowed instruments::
-* Plucked instruments::
+* Common notation for unfretted strings::  
+* Bowed instruments::           
+* Plucked instruments::         

 @end menu
 
 @node Common notation for unfretted strings
 @subsection Common notation for unfretted strings
 
 @menu
 @end menu
 
 @node Common notation for unfretted strings
 @subsection Common notation for unfretted strings
 
 @menu

-* References for unfretted strings::
+* References for unfretted strings::  

 @end menu
 
 @node References for unfretted strings
 @subsubsection References for unfretted strings
 
 @end menu
 
 @node References for unfretted strings
 @subsubsection References for unfretted strings
 

-@c TODO Add refs to fingerings, \thumb, bowings
+@c TODO Add refs to fingerings, \thumb

 @c TODO Add multiple fingering indications?
 @c TODO Add multiple fingering indications?

-@c TODO Add snippet showing pizzicato markings

 TBC
 
 @c TODO Decide whether to resurrect Bowed instruments subsection
 @c and if so which of the above should go there
 TBC
 
 @c TODO Decide whether to resurrect Bowed instruments subsection
 @c and if so which of the above should go there

-@ignore

 
 @node Bowed instruments
 @subsection Bowed instruments
 
 @menu
 
 @node Bowed instruments
 @subsection Bowed instruments
 
 @menu

-* Artificial harmonics (strings)::
+* References for bowed strings::  

 @end menu
 
 @end menu
 

-@node Artificial harmonics (strings)
-@subsubsection Artificial harmonics (strings)
+@node References for bowed strings
+@subsubsection References for bowed strings
+
+@c link to slurs, articulation (for \upbow \downbow).  maybe
+@c an example as well.
+@c TODO Add snippet showing pizzicato markings

 
 @cindex artificial harmonics
 
 
 @cindex artificial harmonics
 


@@ -69,12 +66,16 @@ are entered by marking the harmonic pitch with @code{\harmonic}.
 @subsection Plucked instruments
 
 @menu
 @subsection Plucked instruments
 
 @menu

-* Harp::
+* Harp::                        

 @end menu
 
 @node Harp
 @subsubsection Harp
 
 @end menu
 
 @node Harp
 @subsubsection Harp
 

+TBC
+
+@c  has nothing to do with harps, AFAIK.
+@ignore

 Sacred Harp notation uses four shaped note heads.  In the major,
 the tonic is a triangle and then proceeding up the scale you
 have circle, square, triangle, circle, square, diamond.  In the
 Sacred Harp notation uses four shaped note heads.  In the major,
 the tonic is a triangle and then proceeding up the scale you
 have circle, square, triangle, circle, square, diamond.  In the


@@ -90,3 +91,4 @@ means that the scale in the minor gives the tonic a square.)
 The \sacredHarpHeads command gives the wrong shapes when the key
 is minor.  A work-around is to switch the key to the relative
 major to obtain the right shapes.
 The \sacredHarpHeads command gives the wrong shapes when the key
 is minor.  A work-around is to switch the key to the relative
 major to obtain the right shapes.

+@end ignore