(Top): change central C

to middle C.

diff --git a/ChangeLog b/ChangeLog
index d67647e93a9bfbe015001575e39c82e6d6bd9422..86799f5e0cdc62f3e7a65a9fedb414e54e782646 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,5 +1,8 @@
 2004-03-03  Han-Wen Nienhuys   <hanwen@xs4all.nl>
 
 2004-03-03  Han-Wen Nienhuys   <hanwen@xs4all.nl>
 

+       * Documentation/user/music-glossary.tely (Top): change central C
+       to middle C.
+

        * lily/text-item.cc (interpret_markup): cache make-simple-markup
 
 2004-03-03  Jan Nieuwenhuizen  <janneke@gnu.org>
        * lily/text-item.cc (interpret_markup): cache make-simple-markup
 
 2004-03-03  Jan Nieuwenhuizen  <janneke@gnu.org>

diff --git a/Documentation/user/internals.itely b/Documentation/user/internals.itely
index 5a1e814e6380364be31456f4ef225c8aafe60841..8c3b893ca51800bf4cfa3db3b1b13085f6a63848 100644 (file)
--- a/Documentation/user/internals.itely
+++ b/Documentation/user/internals.itely
@@ -409,7 +409,7 @@ engraver. The syntax for these operations is
 Here @var{engravername} is a string, the name of an engraver in the
 system. In the following example, the @code{Clef_engraver} is removed
 from the Staff context. The result is a staff without a clef, where
 Here @var{engravername} is a string, the name of an engraver in the
 system. In the following example, the @code{Clef_engraver} is removed
 from the Staff context. The result is a staff without a clef, where

-the central C is at its default position, the center line:
+the middle C is at its default position, the center line:

 
 @lilypond[verbatim,raggedright]
 \score {
 
 @lilypond[verbatim,raggedright]
 \score {

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index a3f1e4b038c7cd2ff027b2e8fdb2f5fc63696db1..220c80ebf9efbdf640e73010d102b7d04902c5af 100644 (file)
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -513,8 +513,8 @@ The syntax is also the user-interface for LilyPond, hence it is easily typable,
 @example
   c'4 d'8
 @end example
 @example
   c'4 d'8
 @end example

-Are a quarter note C (the central C) and eighth note D1 (the D above
-central C), as in this example:
+Are a quarter note C (the middle C) and eighth note D1 (the D above
+middle C), as in this example:

 
 @lilypond[fragment]
   c'4 d'8
 
 @lilypond[fragment]
   c'4 d'8

diff --git a/Documentation/user/lilypond-book.itely b/Documentation/user/lilypond-book.itely
index cfb889375525e4b8900062da66a019346d28a304..9b7a69ffc5dce1b71500f8f0103a9848994daa05 100644 (file)
--- a/Documentation/user/lilypond-book.itely
+++ b/Documentation/user/lilypond-book.itely
@@ -333,8 +333,8 @@ documents are composed from small @file{.ly} files in this way:
 
 @item relative, relative=@var{N}
 uses relative octave mode.  By default, notes are specified relative
 
 @item relative, relative=@var{N}
 uses relative octave mode.  By default, notes are specified relative

-to central C.  The optional integer argument specifies the octave of the
-starting note, where the default @code{1} is central C.
+to middle C.  The optional integer argument specifies the octave of the
+starting note, where the default @code{1} is middle C.

 @end table
 
 
 @end table
 
 

diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index 5e0ab649070e4be4dd5c6914dbc8b76c5af73980..b2c18a08eb474ce851a377d60b0aba4b146e79d2 100644 (file)
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -290,7 +290,7 @@ DK: altn@o{}gle,
 S: altklav,
 FI: alttoavain.
 
 S: altklav,
 FI: alttoavain.
 

-C clef setting central C on the middle line of the staff
+C clef setting middle C on the middle line of the staff

 @aref{C clef}.
 
 @aitem{ambitus}
 @aref{C clef}.
 
 @aitem{ambitus}


@@ -508,7 +508,7 @@ DK: barytonn@o{}gle,
 S: barytonklav,
 FI: baritoniavain.
 
 S: barytonklav,
 FI: baritoniavain.
 

-C or F clef setting central C on the upper staff line.
+C or F clef setting middle C on the upper staff line.

 @aref{C clef}, @aref{F clef}.
 
 @aitem{bass clef}
 @aref{C clef}, @aref{F clef}.
 
 @aitem{bass clef}


@@ -521,7 +521,7 @@ DK: basn@o{}gle,
 S: basklav,
 FI: bassoavain.
 
 S: basklav,
 FI: bassoavain.
 

-A clef setting with central C on the first top ledger line.
+A clef setting with middle C on the first top ledger line.

 @aref{F clef}.
 
 @aitem{bass}
 @aref{F clef}.
 
 @aitem{bass}


@@ -675,7 +675,7 @@ DK: c-n@o{}gle,
 S: c-klav,
 FI: C-avain.
 
 S: c-klav,
 FI: C-avain.
 

-Clef symbol indicating the position of the central C.  Used on all note
+Clef symbol indicating the position of the middle C.  Used on all note

 lines.
 
 @lilypond[notime]
 lines.
 
 @lilypond[notime]


@@ -750,7 +750,7 @@ Logarithmic unit of measurement.  1 cent is 1/1200 of an octave (1/100 of an
 equally tempered @aref{semitone}).
 @aref{equal temperament}.
 
 equally tempered @aref{semitone}).
 @aref{equal temperament}.
 

-@aitem{central C}
+@aitem{middle C}

 @aref{middle C}.
 
 @aitem{chord}
 @aref{middle C}.
 
 @aitem{chord}

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index 8fbb56047057a19d286dc51877c78f521d202ad4..32cb35c32e5234809d1aae205cbeb748453691f5 100644 (file)
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -648,7 +648,7 @@ once again.
 
 The octave of a note following an octave check is determined with
 respect to the note preceding it. In the next fragment, the last note
 
 The octave of a note following an octave check is determined with
 respect to the note preceding it. In the next fragment, the last note

-is a @code{a'}, above central C. Hence, the @code{\octave} check may
+is a @code{a'}, above middle C. Hence, the @code{\octave} check may

 be deleted without changing the meaning of the piece.
 
 @lilypond[verbatim,fragment] 
 be deleted without changing the meaning of the piece.
 
 @lilypond[verbatim,fragment] 


@@ -3023,7 +3023,7 @@ staff. The syntax for this is
 The two staffs of the piano staff must be named @code{up} and
 @code{down}.
 
 The two staffs of the piano staff must be named @code{up} and
 @code{down}.
 

-The autochanger switches on basis of pitch (central C is the turning
+The autochanger switches on basis of pitch (middle C is the turning

 point), and it looks ahead skipping over rests to switch in
 advance. Here is a practical example:
         
 point), and it looks ahead skipping over rests to switch in
 advance. Here is a practical example:
         


@@ -3727,7 +3727,7 @@ in the @internalsref{TabStaff}.
 
 You can change the tuning of the strings. A string tuning is given as
 a Scheme list with one integer number for each string, the number
 
 You can change the tuning of the strings. A string tuning is given as
 a Scheme list with one integer number for each string, the number

-being the pitch (measured in semitones relative to central C) of an
+being the pitch (measured in semitones relative to middle C) of an

 open string.  The numbers specified for @code{stringTuning} are the
 numbers of semitones to subtract or add, starting the specified pitch
 by default middle C, in string order. Thus, the notes are e, a, d, and
 open string.  The numbers specified for @code{stringTuning} are the
 numbers of semitones to subtract or add, starting the specified pitch
 by default middle C, in string order. Thus, the notes are e, a, d, and