Update Finnish translation on glossary.

diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index 49a1f5bd7bf4c5868bf90c5cd60096d2b921e3b1..9475f27d76633168da7c188eabbd768e2edde5fd 100644 (file)
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -569,7 +569,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kahdelle.

 
 Abbreviated @notation{a2} or @notation{a 2}.
 
 
 Abbreviated @notation{a2} or @notation{a 2}.
 


@@ -740,7 +740,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: häviten olemattomiin.

 
 [Italian: @q{to nothing}.]  Used with @notation{decrescendo} to indicate
 that the sound should fade away to nothing.
 
 [Italian: @q{to nothing}.]  Used with @notation{decrescendo} to indicate
 that the sound should fade away to nothing.


@@ -807,7 +807,7 @@ D: Alteration,
 NL: verhoging of verlaging,
 DK: ?,
 S: ?,
 NL: verhoging of verlaging,
 DK: ?,
 S: ?,

-FI: ?.
+FI: muunnettu.

 
 An alteration is the modification, raising or lowering, of a note's
 pitch.  It is established by an accidental.
 
 An alteration is the modification, raising or lowering, of a note's
 pitch.  It is established by an accidental.


@@ -1126,7 +1126,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: aika-arvojen pidentäminen.

 
 @c TODO: add definition.
 
 
 @c TODO: add definition.
 


@@ -1429,7 +1429,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: sulkumerkki.

 
 @seealso
 
 
 @seealso
 


@@ -1612,7 +1612,7 @@ D: Zäsur,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: välimerkki.

 
 [Latin: from the supine of @emph{caedere} @q{to cut down}.]
 
 
 [Latin: from the supine of @emph{caedere} @q{to cut down}.]
 


@@ -2136,7 +2136,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: C-merkintä.

 
 4/4 time.  The symbol, which resembles a capital letter C, comes from
 mensural notation.
 
 4/4 time.  The symbol, which resembles a capital letter C, comes from
 mensural notation.


@@ -2192,7 +2192,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kolmijakoinen tahtilaji.

 
 A meter that includes a triplet subdivision within the beat, such as
 6/8, 9/8, 12/8.
 
 A meter that includes a triplet subdivision within the beat, such as
 6/8, 9/8, 12/8.


@@ -2212,7 +2212,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: yhdistetty tahtilajiosoitus.

 
 @enumerate
 
 
 @enumerate
 


@@ -2268,7 +2268,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: konserttikorkeus.

 
 The pitch at which the piano and other nontransposing instruments play: such
 instruments are said to be @q{in C}.  The following list includes some (but not
 
 The pitch at which the piano and other nontransposing instruments play: such
 instruments are said to be @q{in C}.  The following list includes some (but not


@@ -2537,7 +2537,7 @@ D: Notenzeiger, Custos,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: vihje.

 
 A custos (plural: custodes) is a staff symbol that appears at the end of a
 staff line with monophonic musical contents (i.e., with a single voice).  It
 
 A custos (plural: custodes) is a staff symbol that appears at the end of a
 staff line with monophonic musical contents (i.e., with a single voice).  It


@@ -2624,7 +2624,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: tyhjästä ilmaantuen.

 
 [Italian: @q{from nothing}.]  Used with @notation{crescendo} to indicate
 that the sound should gradually increase from nothing.
 
 [Italian: @q{from nothing}.]  Used with @notation{crescendo} to indicate
 that the sound should gradually increase from nothing.


@@ -2969,7 +2969,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: aika-arvojen tihennys.

 
 This is a stub for diminution (@emph{wrt} mensural notation).
 
 
 This is a stub for diminution (@emph{wrt} mensural notation).
 


@@ -2988,7 +2988,7 @@ D: Weiser, Zeiger,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: suora.

 
 @seealso
 
 
 @seealso
 


@@ -3061,7 +3061,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: jäsennysmerkki.

 
 [Latin: @q{division}; pl. @emph{divisiones}] In Gregorian chant, a
 vertical stroke through part or all of the staff that serves to
 
 [Latin: @q{division}; pl. @emph{divisiones}] In Gregorian chant, a
 vertical stroke through part or all of the staff that serves to


@@ -3097,7 +3097,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: nousu.

 
 Indicator for a indeterminately rising pitch bend.  Compare with
 @emph{glissando}, which has determinate starting and ending pitches.
 
 Indicator for a indeterminately rising pitch bend.  Compare with
 @emph{glissando}, which has determinate starting and ending pitches.


@@ -3308,7 +3308,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kaksois-aika-arvomerkintä.

 
 @seealso
 
 
 @seealso
 


@@ -3395,7 +3395,7 @@ D: Dynamik, Lautstärke,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: äänen voimakkuusvaihtelu, dynamiikka.

 
 The aspect of music relating to degrees of loudness, or changes from
 one degree to another.  The terms, abbreviations, and symbols used to
 
 The aspect of music relating to degrees of loudness, or changes from
 one degree to another.  The terms, abbreviations, and symbols used to


@@ -3486,7 +3486,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: tavujen yhdistäminen yhteen ääneen.

 
 More properly @emph{synalepha} [New Lat. > Gr. @emph{συναλοιφη}, from Greek
 @emph{συναλοιφην} @q{to smear together}].
 
 More properly @emph{synalepha} [New Lat. > Gr. @emph{συναλοιφη}, from Greek
 @emph{συναλοιφην} @q{to smear together}].


@@ -3623,7 +3623,7 @@ D: Fülllinie,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: pidennysviiva.

 
 The generic term (in LilyPond) for a line (or dash) of arbitrary length that
 extends text (without indicating the musical @emph{function} of that text).
 
 The generic term (in LilyPond) for a line (or dash) of arbitrary length that
 extends text (without indicating the musical @emph{function} of that text).


@@ -3748,7 +3748,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: lasku.

 
 Indicator for a indeterminately falling pitch bend.  Compare with
 @emph{glissando}, which has determinate starting and ending pitches.
 
 Indicator for a indeterminately falling pitch bend.  Compare with
 @emph{glissando}, which has determinate starting and ending pitches.


@@ -3768,7 +3768,7 @@ D: gespreizter Balken,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kiilapalkki.

 
 A type of beam used to indicate that a small group of notes should be
 played at an increasing or decreasing tempo -- depending on the
 
 A type of beam used to indicate that a small group of notes should be
 played at an increasing or decreasing tempo -- depending on the


@@ -3936,7 +3936,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: flageolet-ääni.

 
 An articulation for string players that means the note or passage is to
 be played in harmonics.
 
 An articulation for string players that means the note or passage is to
 be played in harmonics.


@@ -4034,7 +4034,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: partituuri francesan tapaan.

 
 A @q{condensed} score, produced by omitting staves for instruments that are not
 playing at the moment, and by moving up additional systems from following pages
 
 A @q{condensed} score, produced by omitting staves for instruments that are not
 playing at the moment, and by moving up additional systems from following pages


@@ -4060,7 +4060,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: karsittu nuotinnus.

 
 [Pl. @emph{Frenched staves}] Analogous to Frenched scores (@emph{q.v}), a
 Frenched staff has unneeded measures or sections removed.  This is useful
 
 [Pl. @emph{Frenched staves}] Analogous to Frenched scores (@emph{q.v}), a
 Frenched staff has unneeded measures or sections removed.  This is useful


@@ -4420,7 +4420,7 @@ D: Flageolett-Töne,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: harmoniset äänet, huiluäänet.

 
 The general class of pitches produced by sounding the second or higher
 harmonic of a tone producer: string, column of air, and so on.
 
 The general class of pitches produced by sounding the second or higher
 harmonic of a tone producer: string, column of air, and so on.


@@ -4499,7 +4499,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: 3/2 -suhde.

 
 [Greek: in Latin, @emph{sesquialtera}] The ratio 3:2.
 
 
 [Greek: in Latin, @emph{sesquialtera}] The ratio 3:2.
 


@@ -4563,7 +4563,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: säkeiden tavumäärät.

 
 A group or list of numbers that indicate the number of syllables in a line
 of a hymn's verse.  Different hymnals have different ways of noting the hymn
 
 A group or list of numbers that indicate the number of syllables in a line
 of a hymn's verse.  Different hymnals have different ways of noting the hymn


@@ -4688,7 +4688,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: käännös.

 
 When a chord sounds with a bass note that differs from the root of the
 chord, it is said to be @emph{inverted}. The number of inversions that a
 
 When a chord sounds with a bass note that differs from the root of the
 chord, it is said to be @emph{inverted}. The number of inversions that a


@@ -4820,7 +4820,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: antaa väristä.

 
 [French: @q{Let vibrate}.]  Most frequently associated with harp
 parts. Marked @notation{l.v.} in the score.
 
 [French: @q{Let vibrate}.]  Most frequently associated with harp
 parts. Marked @notation{l.v.} in the score.


@@ -5021,7 +5021,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kirjoitetussa äänenkorkeudessa.

 
 [Italian: @q{place}.]  Instruction to play the following passage at the
 written pitch.  Cancels octave mark (q.v.).
 
 [Italian: @q{place}.]  Instruction to play the following passage at the
 written pitch.  Cancels octave mark (q.v.).


@@ -5088,7 +5088,7 @@ D: Textbindung,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: sidonta sanoituksessa.

 
 @c TODO: add languages
 
 
 @c TODO: add languages
 


@@ -5260,7 +5260,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: melismaviiva.

 
 @seealso
 
 
 @seealso
 


@@ -5287,7 +5287,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: mensuraalinuotinnus.

 
 A system of duration notation whose principles were first established in the
 mid-13th century, and that (with various changes) remained in use until about
 
 A system of duration notation whose principles were first established in the
 mid-13th century, and that (with various changes) remained in use until about


@@ -5544,7 +5544,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kohtalaisen, melko.

 
 [Italian: @q{medium}.]
 
 
 [Italian: @q{medium}.]
 


@@ -6457,7 +6457,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: monia tahtiosoituksia sisältävä.

 
 @itemize
 
 
 @itemize
 


@@ -6483,7 +6483,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: monia tahtiosoituksia yhtäaikaa tai peräkkäin sisältävä.

 
 Characterized by @emph{polymeter}: using two or more metric frameworks
 simultaneously or in alternation.
 
 Characterized by @emph{polymeter}: using two or more metric frameworks
 simultaneously or in alternation.


@@ -6503,7 +6503,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: vaihtelevan tahtiosoitusmerkintä.

 
 A time signature that indicates regularly alternating polymetric time.
 
 
 A time signature that indicates regularly alternating polymetric time.
 


@@ -6578,7 +6578,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: suhde.

 
 [Latin: @emph{proportio}.] Described in great detail by Gaffurius, in
 @emph{Practica musicae} (published in Milan in 1496).  In mensural notation,
 
 [Latin: @emph{proportio}.] Described in great detail by Gaffurius, in
 @emph{Practica musicae} (published in Milan in 1496).  In mensural notation,


@@ -6725,7 +6725,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: laatu.

 
 The quality of a triad is determined by the precise arrangement of its
 intervals.  Tertian triads can be described as a series of three notes.  The
 
 The quality of a triad is determined by the precise arrangement of its
 intervals.  Tertian triads can be described as a series of three notes.  The


@@ -6815,7 +6815,7 @@ D: Viertelton,
 NL: kwart toon,
 DK: ?,
 S: kvartston,
 NL: kwart toon,
 DK: ?,
 S: kvartston,

-FI: ?.
+FI: neljännessävelaskel.

 
 An interval equal to half a semitone.
 
 
 An interval equal to half a semitone.
 


@@ -7075,7 +7075,7 @@ D: Skordatur,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: epätavallinen viritys.

 
 [Italian: @emph{scordare}, @q{to mistune}.]  Unconventional
 tuning of stringed instruments, particularly lutes or violins.  Used
 
 [Italian: @emph{scordare}, @q{to mistune}.]  Unconventional
 tuning of stringed instruments, particularly lutes or violins.  Used


@@ -7253,7 +7253,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: samoin.

 
 [Italian: @q{in the same manner}.] Performance direction: the music thus marked
 is to be played in the same manner (i.e. with the same articulations, dynamics,
 
 [Italian: @q{in the same manner}.] Performance direction: the music thus marked
 is to be played in the same manner (i.e. with the same articulations, dynamics,


@@ -7274,7 +7274,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kaksijakoinen tahtiosoitus.

 
 A meter in which the basic beat is subdivided in two: that is, a meter
 that does not include triplet subdivision of the beat.
 
 A meter in which the basic beat is subdivided in two: that is, a meter
 that does not include triplet subdivision of the beat.


@@ -7616,7 +7616,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: kiihdyttäen, nopeuttaen.

 
 [Italian: @q{pressing}.]  Pressing, urging, or hastening the time, as to a
 climax.
 
 [Italian: @q{pressing}.]  Pressing, urging, or hastening the time, as to a
 climax.


@@ -7731,7 +7731,7 @@ D: auf G, auf der G-Saite,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: G-kielellä.

 
 Indicates that the indicated passage (or note) should be played on the
 G string.
 
 Indicates that the indicated passage (or note) should be played on the
 G string.


@@ -8147,7 +8147,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: transponoitava soitin.

 
 Instruments whose notated pitch is different from their sounded pitch.  Except
 for those whose notated and sounding pitches differ by one or more octaves (to
 
 Instruments whose notated pitch is different from their sounded pitch.  Except
 for those whose notated and sounding pitches differ by one or more octaves (to


@@ -8488,7 +8488,7 @@ D: ?,
 NL: ?,
 DK: ?,
 S: ?,
 NL: ?,
 DK: ?,
 S: ?,

-FI: ?.
+FI: yksi kertauksen maaleista.

 
 [Italian: @q{time} (instance, not duration).]  An ending, such as a first
 or second ending.  LilyPond extends this idea to any number, and allows any text
 
 [Italian: @q{time} (instance, not duration).]  An ending, such as a first
 or second ending.  LilyPond extends this idea to any number, and allows any text

diff --git a/THANKS b/THANKS
index ca33ef5a3a307557cf8e23fbe37c6ad2c23f3000..8b80411c33e104139597e6c7d151d115837f026a 100644 (file)
--- a/THANKS
+++ b/THANKS
@@ -49,6 +49,7 @@ TRANSLATORS
 
 Clytie Siddall
 Francisco Vila
 
 Clytie Siddall
 Francisco Vila

+Heikki Junes

 Jean-Charles Malahieude
 John Mandereau
 Nicolas Klutchnikoff
 Jean-Charles Malahieude
 John Mandereau
 Nicolas Klutchnikoff