X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=input%2Fstandchen.ly;h=03b8a1e7c3348e1915ca4225da6832785b54281c;hb=refs%2Ftags%2Frelease%2F0.0.60;hp=219cb50765f098b9863acce7fd6dac9f9eff4ccb;hpb=389fcb53035ac07383abf597eb86c55e18d34891;p=lilypond.git diff --git a/input/standchen.ly b/input/standchen.ly index 219cb50765..03b8a1e7c3 100644 --- a/input/standchen.ly +++ b/input/standchen.ly @@ -1,340 +1,343 @@ -% standchen.ly -% -% St\"andchen (Serenade) "Leise flehen meine Lieder" D.957 No.4 -% Franz Schubert (1797-1828) -% Text by Ludwig Rellstab (1799-1860) -% -% Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen -% -% The purpose of this file is to demonstrate features of LilyPond. -% (there is an accompanying LaTeX file, standchen.tex) -% -% comments with # note missing stuff -% heu, make that %#% -% -% thanks to \music group changing, all notes -% (except for grace notes) are printed -% +%{MudelaHeader -%#%% -%#%\title{St\"andchen} -%#%\subtitle{Serenade} -%#%% -%#%\composer{Franz Schubert} -%#%\tempo{M\"a\ss ig} -%#%% -%#%\meter{3/4} -%#%\key\F -%#%\clef\treble -%#%% -%#%\barnumbering5 -%#%%\staffnumbers -%#%\barnumberstyle\boxed -%#%% -%#%\staffseparation{12} -%#%% -%#%\duration8 -%%1 -melodie = music { $ \clef\violin - \key{bes} - \duration{ 8 } - r_"\pp" { [ d `a-| } f-| { d `a-| } f-| { d `a-| ] } | + filename: standchen.ly + title: St\"andchen (Serenade) "Leise flehen meine Lieder" + description: D.957 No.4 + composers: Franz Schubert (1797-1828) + Text by Ludwig Rellstab (1799-1860) + entered-by:JCN + copyright: + + Tested Features: multivoice, accents, lyrics, chords, piano music + +EndMudelaHeader +%} +\version "0.0.57"; + +\version "0.0.57"; + +commands = \melodic{ + \skip 2.*4; + \bar ":|"; + \skip 2.*24; +% volta1 + \skip 2.*8; +% volta2 + \bar ":|"; + \skip 2.*22; + \bar "|."; + } + +melodie = \melodic{ + \meter 3/4; + \clef\violin; + \key bes; + \octave c'; + \duration 8; + r \pp < [ d 'a-| > f-| < d 'a-| > f-| < d 'a-| ] > | %%2 - r { [ d `bes-| } f-| { d `bes-| } f-| { d `bes-| ] } | + r < [ d 'bes-| > f-| < d 'bes-| > f-| < d 'bes-| ] > | %%3 - \textstyle "italic" - r_"simile" { [ d `bes } e { d `bes } e { d `bes ] } - \textstyle "roman" | + \textstyle "italic"; + r_"simile" < [ d 'bes > e < d 'bes > e < d 'bes ] >| + \textstyle "roman"; + %%4 - r { [ `a cis } e { `a cis } e { `a cis ] } | -%#%:| + r < [ 'a cis > e < 'a cis > e < 'a cis ] > | %%5 - [ a()bes a ]2/3 'd4. a | + [ a~ bes a ]2/3 d'4. a | %%6 - [ g()a g ]2/3 'd4 a r | -%#%\tighten -%#%\newline + [ g~ a g ]2/3 d'4 g r | + %%7 - a4.^> g [ g( f )e ]2/3 | + a4.^> g [ g~ f e ]2/3 | %%8 f2 r4 | %%9 -% { \music{ 'a4.( )'g [ 'g( 'f )'e ]2/3 } \music{ 'cis4. 'e_"dolce" [ 'e ] 2/3 } } | - { \music{ 'a4.( )'g [ 'g( 'f )'e ]2/3 } \music{ 'cis4. 'e_"dolce" \plet{ 2/3 } 'e \plet{ 1/1 } } } | + + < { a'4.~ g' [ g'( f' )e' ]2/3 } + { cis'4. e'_"dolce" \plet 2/3; e' \plet 1/1; } > | %%10 - { 'f2. 'd2. } | + < f'2. d'2. > | %%11 - [ a_"\pp"( )bes a ]2/3 'f4. a | + [ a ~ bes a ]2/3 f'4. a | %%12 - [ g( ) a g ]2/3 'e4. 'd | + [ g~ a g ]2/3 e'4. d' | %%13 - 'c4. bes [ bes( ) a g ]2/3 | + c'4. bes [ bes~ a g ]2/3 | %%14 a2 r -% { \music{ 'd( | )'c4. g [ bes a g ]2/3 } \music{ f_"\p"( | )e4._"dolce" bes [ g ]2/3 } } | - { \music{ 'd( | )'c4. g [ bes a g ]2/3 } \music{ f_"\p"( | )e4._"dolce" bes \plet{ 2/3 } g \plet{ 1/1 } } } | + < { d'~ c'4. g [ bes a g ]2/3 } + { f \p ~ e4._"dolce" bes + \plet 2/3; g + \plet 1/1; + } > | %%16 - { a2. f2. } | + < a2. f2. > | %%17 - \textstyle "italic" - [ a8._"cresc." 'cis16 ] 'f4. 'e - \textstyle "roman" | + \textstyle "italic"; + [ a8._"cresc." cis'16 ] f'4. e' + \textstyle "roman";| %%18 - [ 'd8. a16 ] f4. d | + [ d'8. a16 ] f4. d | %%19 -%#% 'c\grace\stemup - [ bes_"\pp"( ) a bes ]2/3 'd4. bes | +%#% c'\grace\stemup + [ bes ~ a bes ]2/3 d'4. bes | %%20 a2. | %%21 %#% a\grace - [ g( )fis g ]2/3 bes4.^> g | + [ g~ fis g ]2/3 bes4.^> g | %%22 -%#% =f2. | - f2. | + f!2. | %%23 - [ a8._"\mf" 'cis16 ] 'f4. 'e | + [ a8. \mf cis'16 ] f'4. e' | %%24 - [ 'd8. a16 ] fis4. d | + [ d'8. a16 ] fis4. d | %%25 -%#% 'cis\grace\stemup - [ b_"\mf"( ) ais b ]2/3 'd4. b | + [ b \mf~ ais b ]2/3 d'4. b | %%26 - { a2. fis2. } | -%#%\tighten\newline + < a2. fis2. > | %%27 - [ 'e_"\f"( )'dis 'e ]2/3 'g4. 'cis | + [ e' \f~ dis' e' ]2/3 g'4. cis' | %%28 - { 'd2. fis2. } | + < d'2. fis2. > | %#%\volta1 %%29 - { \music { bes2( [ 'd8.( ))g16 ] } \music{ g2_"\mf" [ bes8. bes16 ] } } | + < { bes2( [ d'8.~ )g16 ] } + { g2 \mf [ bes8. bes16 ] } > | %%30 - { \music{ a4. [ a-. a-. a-. ] } \music{ fis4. [ f-.( f-. )f-. ] } } | -%%31 - { \music{ a4. [ a-. a-. a-. ] } \music{ g4. [ cis-.( e-. )g-. ] } } | + < { a4. [ a-. a-. a-. ] } + { fis4. [ fis-.( fis-. )fis-. ] } > | +%%31 + < { a4. [ a-. a-. a-. ] } + { g4. [ cis-.( e-. )g-. ] } > | %%32 - { a2 fis2_"\pp" } { a4 fis4 } | + < a2 fis2 \pp > < a4 fis4 > | %%33 -%#% { b2(^ g2 } [v { 'd8.( b8. } { b16 ) ) g16 } ] | - { \music{ b2( [ 'd8.( ) )g16 ] } \music{ g2 [ b8. b16 ] } } | + < { b2( [ d'8.~ g16 ] } + { g2 [ b8. b16 ] } > | %%34 -%#% { a4. fis4. } [ { a-. fis-.( } { a-. fis-. } { a-. ) fis-. } ] | -% { a4. fis4. } { [ a-. fis-. } { a-. fis-. } { a-. fis-. ] } | - { \music{ a4. [ a-. a-. a-. ] } \music{ fis4. [ fis-.( fis-. )fis-. ] } } | + < { a4. [ a-. a-. a-. ] } + { fis4. [ fis-.( fis-. )fis-. ] } > | %%35 -%#% { a4. g4. } [ { a cis-.( } { a e-. } { a )- g-. } ] | -% { a4. g4. } { [ a cis-. } { a e-. } { a g-. ] } | - { \music{ a4. [ a-. a-. a-. ] } \music{ g4. [ cis-.( e-. )g-. ] } } | + < { a4. [ a-. a-. a-. ] } + { g4. [ cis-.( e-. )g-. ] } > | %%36 - { a2. fis2. } | + < a2. fis2. > | %#%\volta2 -%#%:| %%37 - [ a8. a16 ] [ 'cis8. 'cis16 ] [ 'e8. 'e16 ] | + [ a8. a16 ] [ cis'8. cis'16 ] [ e'8. e'16 ] | %%38 - 'd4( )'cis4 r4 | + d'4~ cis'4 r4 | %%39 -%#% > a4. [ 'cis 'e8. >! 'd16 ] | - a4. [ 'cis 'e8. 'd16 ] | +%#% > a4. [ cis' e'8. >! d'16 ] | + a4. \> [ cis' e'8. \! d'16 ] | %%40 - 'cis2 r4 | + cis'2 r4 | %%41 -%#% { > 'fis4. 'cis4._f } 'e [ 'e( ) 'd >! 'cis ] | - { 'fis4. 'cis4._"\f" } 'e [ 'e( )'d 'cis ]2/3 | + < fis'4. \> cis'4. \f > e' [ e'~ d' \! cis' ]2/3 | %%42 - [ b8. 'cis16 ] 'd4^> b r | + [ b8. cis'16 ] d'4^> b r | %%43 -%#% [^ { b8._{ }_{ }_{ }_{ }_{ }_f g2. } 'cis16 ] 'd4^> b r | - [ b8._"\f" 'cis16 ] 'd4^> b r | + + [ b8. \f cis'16 ] d'4^> b r | %%44 -%#% [^ { > b8. fis2 } 'cis16 ] 'd4^> b >! r | - [ b8. 'cis16 ] 'd4^> b r | + [ b8. \> cis'16 ] d'4^> b \! r | %%45 -%#% 'cis\grace\stemup - [ b_"\p"( )ais b ]2/3 'd4. b | + [ b \p ~ ais b ]2/3 d'4. b | %%46 -%#% { =a2. fis2. } | - { a2. fis2. } | + | %%47 - [ 'e_"\f"( )'dis 'e ]2/3 'g4.^> 'cis | + [ e' \f~ dis' e' ]2/3 g'4.^> cis' | %%48 -%#% { fis2.(v ='d2.\stemup(^ } -% { fis2. 'd2. } | -%%49 -%#% { ) 'd4 ) =f2._> } { r4 s4_{decr} } 'd4\stemup - \textstyle "italic" - { \multivoice \music{ \stem{ 1 } fis2.( | \stem{ -1 } )f2. } \music { \stem{ 1 } 'd2.( | \stem{ 1 } )'d4 r4_"decresc." 'd4 } } - \textstyle "roman" | + \textstyle "italic"; + < + { fis2.~ \group "+1"; \stem -1; f2. } + { d'2. ~ \stem 1; d'4 r4_"decresc." d'4 } + > + \textstyle "roman"; | %%50 - { bes2. e2. } | + < bes2. e2. > | %%51 - { a2. cis2. } | + < a2. cis2. > | %%52 - { fis2 d2 } { a4 f4_"\pp" } | + < fis2 d2 > < a4 fis4 \pp > | %%53 -%#% { bes2 g2 } [ { 'd8.^>( bes8. } { ) bes16 g16 } ] | - { bes2 g2 } { [ 'd8.^> bes8. } { bes16 g16 ] } | + + < bes2 g2 > < [ d'8.^> bes8. > < bes16 g16 ] > | %%54 -%#% { a4. fis4. } [ { a-. fis-.( } { a-. fis-. } { a-. ) fis-. } ] | -% { a4. fis4. } { [ a-. fis-. } { a-. fis-. } { a-. fis-. ] } | - { \music{ a4. [ a-. a-. a-. ] } \music{ fis4. [ fis-.( fis-. )fis-.] } } | + < { a4. [ a-. a-. a-. ] } + { fis4. [ fis-.( fis-. )fis-.] } > | %%55 -%#% { a4. g4. } [ { a cis-.( } { a e-. } { a )- g-. } ] | -% { a4. g4. } { [ a cis-. } { a e-. } { a g-. ] } | - { \music{ a4. [ a-. a-. a-. ] } \music{ g4. [ cis-.( e-. )g-. ] } } | + < { a4. [ a-. a-. a-. ] } + { g4. [ cis-.( e-. )g-. ] } > | %%56 - \textstyle "italic" - { a2. fis2._"dim." } - \textstyle "roman" | + \textstyle "italic"; + < a2. fis2._"dim." > + \textstyle "roman"; | %%57 - { a2. fis2. } | + < a2. fis2. > | %%58 - { a2.^\fermata fis2. } | + < a2.^\fermata fis2. > | %#%\tighten -$ } +} -begeleiding = music { $ - \key{bes} - \clef\bass - \duration{2} - `d r4 | +begeleiding = \melodic{ + \meter 3/4; + \clef\bass; + \key bes; + \octave c'; + \duration 2; + 'd r4 | %%2 - ``bes r4 | + ''bes r4 | %%3 - ``g r4 | + ''g r4 | %%4 - ``a r4 | -%#%:| + ''a r4 | %%5 -%#%\stemlength2 -\duration{ 8 } -%#% { =`f `d2 } `a d `a { d r4 } `a - { \multivoice \music{ \stem{ 1 } [ `f `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | -%%6 - { \multivoice \music{ \stem{ 1 } [ `d `e `g `e `g `e ] } \music { \stem{ -1 } ``bes2 r4 } } | -%%7 -% this (one note missing) fails with assertion: -% lilypond: src/beam.cc:144: void Beam::set_grouping(struct Rhythmic_grouping, struct Rhythmic_grouping): Assertion `cur.children.size() == stems.size()' failed. -% { \multivoice \music{ \stem{ 1 } [ `cis `e `g `e `g ] } \music { \stem{ -1 } ``a2 r4 } } | - { \multivoice \music{ \stem{ 1 } [ `cis `e `g `e `g e ] } \music { \stem{ -1 } ``a2 r4 } } | -%%8 - { \multivoice \music{ \stem{ 1 } [ `d `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | +\duration 8; + < \multivoice { \stem 1; + [ 'f 'a d 'a d 'a ] + [ 'd 'e 'g 'e 'g 'e ] + [ 'cis 'e 'g 'e 'g e ] + [ 'd 'a d 'a d 'a ] + } + { \stem -1; + 'd2 r4 + ''bes2 r4 + ''a2 r4 + 'd2 r4 + } > %%9 - [ `a e f e f e ] | + [ 'a e g e g e ] | %%10 - [ `d `a d `a d `a ] | + [ 'd 'a d 'a d 'a ] | %%11 - { \multivoice \music{ \stem{ 1 } [ `f `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | -%%12 == 6 - { \multivoice \music{ \stem{ 1 } [ `d `e `g `e `g `e ] } \music { \stem{ -1 } ``bes2 r4 } } | -%13 - { \multivoice \music{ [ `e `e `g `e `g `e ] } \music { \stem{ -1 } ``bes2 r4 } } | -%%14 - { \multivoice \music{ \stem{ 1 } [ `a c f c f c ] } \music { \stem{ -1 } `f2 r4 } } | + < \multivoice + { \stem 1; + [ 'f 'a d 'a d 'a ] + [ 'd 'e 'g 'e 'g 'e ] + [ 'e 'g 'bes 'g 'bes 'g ] + [ 'a c f c f c ] + } { \stem -1; + 'd2 r4 + ''bes2 r4 + 'c2 r4 + 'f2 r4 } + > %%15 - [ `c `g `bes `g `bes `g ] | + [ 'c 'g 'bes 'g 'bes 'g ] | %%16 - [ ``f `c `f `c `f `c ] | -%%17 - { \multivoice \music{ \stem{ 1 } [ ``a `e `g `e `g `e ] } \music { \stem{ -1 } ``a2 r4 } } | -%%18 - { \multivoice \music{ \stem{ 1 } [ `d `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | -%%19 - { \multivoice \music{ \stem{ 1 } [ ``bes `f `bes `f `bes `f ] } \music { \stem{ -1 } ``bes2 r4 } } | -%%20 - { \multivoice \music{ \stem{ 1 } [ ``f `c `f `c `f `c ] } \music { \stem{ -1 } ``f2 r4 } } | + [ ''f 'c 'f 'c 'f 'c ] | + < \multivoice + { \stem 1; + [ ''a 'e 'g 'e 'g 'e ][ 'd 'a d 'a d 'a ] + [ ''bes 'f 'bes 'f 'bes 'f ][ ''f 'c 'f 'c 'f 'c ] } + { \stem -1; + ''a2 r4 + 'd2 r4 + ''bes2 r4 + ''f2 r4 + } > %%21 -%#% s8 % skip space of grace note - { [ `e `c } `g c `g c `g ] | + < [ 'e 'c > 'g c 'g c 'g ] | %%22 - [ `f `a c `a `f `c ] | -%%23 - { \multivoice \music{ \stem{ 1 } [ ``a `e `g `e `g `e ] } \music { \stem{ -1 } ``a2 r4 } } | -%%24 - { \multivoice \music{ \stem{ 1 } [ `d `fis `a `fis `a `fis ] } \music { \stem{ -1 } `d2 r4 } } | -%%25 -%#% s8 % skip space of grace note - { \multivoice \music{ \stem{ 1 } [ ``g `d `b `d `b `d ] } \music { \stem{ -1 } ``g2 r4 } } | -%%26 - { \multivoice \music{ \stem{ 1 } [ `d `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | -%%27 - { [ `cis ``a } `e `a `e `a `e ] | + [ 'f 'a c 'a 'f 'c ] | + < \multivoice { + \stem 1; + [ ''a 'e 'g 'e 'g 'e ] + [ 'd 'fis 'a 'fis 'a 'fis ] + [ ''g 'd 'b 'd 'b 'd ] + [ 'd 'a d 'a d 'a ] + } + {\stem -1; + ''a2 r4 + 'd2 r4 + ''g2 r4 + 'd2 r4 + } + > + < [ 'cis ''a > 'e 'a 'e 'a 'e ] | %%28 - [ `d `a d `a d `a ] | + [ 'd 'a d 'a d 'a ] | %%29 -%#% [ `d `g @ `bes `g `bes `g ] | - [ `d `g `bes `g `bes `g ] | + [ 'd 'g 'bes 'g 'bes 'g ] | %#%\volta1 %%30 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %%31 - [ `a `e `a `e `a `e ] | + [ ''a 'e 'a 'e 'a 'e ] | %%32 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %%33 - [ `d `g `b `g `b `g ] | + [ 'd 'g 'b 'g 'b 'g ] | %%34 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %%35 - [ `a `e `a `e `a `e ] | + [ ''a 'e 'a 'e 'a 'e ] | %%36 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %#%\volta2 -%#%:| %%37 - [ `a `e `g `e ``bes^> `e ] | + [ ''a 'e 'g 'e ''bes^> 'e ] | %%38 - [ `a { e cis `a } { e cis `a } { e cis `a } { e cis `a } { e cis `a ] } | + [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > | %%39 - [ `a `e `g `e ``bes^> `e ] | + [ ''a 'e 'g 'e ''bes^> 'e ] | %%40 - [ `a { e cis `a } { e cis `a } { e cis `a } { e cis `a } { e cis `a ] } | + [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > | %%41 - [ `ais `e `gis `e `gis `e ] | + [ ''ais 'e 'fis 'e 'fis 'e ] | %%42 - { [ `d ``b } `fis `b `fis `b `fis ] | + < [ 'd ''b > 'fis 'b 'fis 'b 'fis ] | %%43 - { [ `e ``b } `g `b `g `b `g ] | + < [ 'e ''b > 'g 'b 'g 'b 'g ] | %%44 - { [ `d ``b } `fis `b `fis `b `fis ] | + < [ 'd ''b > 'fis 'b 'fis 'b 'fis ] | %%45 -%#% s8 % skip space of grace note - { \multivoice \music{ \stem{ 1 } [ ``g `d `b `d `b `d ] } \music { \stem{ -1 } ``g2 r4 } } | -%%46 - { \multivoice \music{ \stem{ 1 } [ `d `a d `a d `a ] } \music { \stem{ -1 } `d2 r4 } } | + < \multivoice { \stem 1; + [ ''g 'd 'b 'd 'b 'd ] + [ 'd 'a d 'a d 'a ] + } { + \stem -1; + ''g2 r4 + 'd2 r4 + } > + %%47 - { [ `cis ``a } `e `a `e `a `e ] | + < [ 'cis ''a > 'e 'a 'e 'a 'e ] | %%48 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %%49 - [ `d `a d `a d `a ] | + [ 'd 'a d 'a d 'a ] | %%50 - [ ``g `e `g `e `g `e ] | + [ ''g 'e 'g 'e 'g 'e ] | %%51 - [ `a `e `g `e `g `e ] | + [ ''a 'e 'g 'e 'g 'e ] | %%52 - [ ``d `d `fis `d `fis `d ] | + [ ''d 'd 'fis 'd 'fis 'd ] | %%53 - [ `d `g `bes `g `bes `g ] | + [ 'd 'g 'bes 'g 'bes 'g ] | %%54 - [ `d `fis `a `fis `a `fis ] | + [ 'd 'fis 'a 'fis 'a 'fis ] | %%55 - [ `a `e `g `e `g `e ] | + [ ''a 'e 'g 'e 'g 'e ] | %%56 - [ ``d ``a `d ``a `d ``a ] | + [ ''d ''a 'd ''a 'd ''a ] | %%57 - [ ``d ``a `d ``a `d ``a ] + [ ''d ''a 'd ''a 'd ''a ] %%58 - { `d2.^\fermata ``d2. } | -$ } + < 'd2.^\fermata ''d2. > | + } -tekst1 = music { - @ - \duration{4} +tekstI = \lyric{ + \meter 3/4; + \duration 4; _ _ _ _ _ _ _ _ _ @@ -343,7 +346,7 @@ tekst1 = music { [ Lei- se8 ]2/3 fleh-4. en8 [ mei- ne8 ]2/3 Lie- der8 _8 Durch4. die8 [ Nacht zu8 ]2/3 - dir;2 _ + dir;2 _ _ _ _ _ _ _ % 11 @@ -381,7 +384,7 @@ tekst1 = music { % 37 La\ss8. auch16 dir8. die16 Brust8. be-16 we- gen, _ - Lieb-4. chen,8 h\"o-8. re16 + Lieb-4. chen,8 h\"o-8. re16 mich!2 _ Be-8. bend16 harr' ich8 _8 dir8. ent-16 ge- gen!8 _8 @@ -396,12 +399,12 @@ tekst1 = music { _ _ _ _ _ _ % 57 _ _ _ _ _ _ - @ + } -tekst2 = music { - @ - \duration{4} +tekstII = \lyric{ + \meter 3/4; + \duration 4; _ _ _ _ _ _ _ _ _ @@ -437,7 +440,6 @@ tekst2 = music { Herz.2. _ _ _ _ _ _ - % volta 1 % 29 _ _ _ _ _ _ @@ -447,53 +449,37 @@ tekst2 = music { % volta 2 % 37 -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ % 47 -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ -% _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ % 57 -% _ _ _ _ _ _ - @ + _ _ _ _ _ _ + } -score { -% staff { -% lyric - % music { tekst1 } - % music { tekst2 } -% } -% staff { -% melodic -% music { melodie } -% } -% staff { -% melodic -% music { begeleiding } -% } - commands { - meter {3*4} - } - paper { - symboltables { table_sixteen } - width 195mm +\score{ + \staff{ lyricregs tekstI } + \staff{ lyricregs tekstII } + + \staff{ melodicregs melodie commands} + \staff{ melodicregs begeleiding commands } + \paper{ + \width 195\mm % on two pages... -% unitspace 10mm -% geometric 1.2 - unitspace 9mm - geometric 1.2 - output "standchen.out" + \unitspace 9\mm + \geometric 1.2 + \output "standchen.out" } - staff { midi music { melodie } } - staff { midi music { begeleiding } } - midi { - tempo 4:50 + \midi{ + \tempo 4:54 } }