X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=input%2Fmutopia%2FF.Schubert%2Fstandchen.ly;h=7eb9d157fc7d7453d09082cad6797710c679e775;hb=4c8187e65dd9708d7733692842acc696da121bf1;hp=75539d4c18a7349b76c28ddab6369940fa026a7d;hpb=3b516ac6541617751b2dbb810275049185ccf513;p=lilypond.git diff --git a/input/mutopia/F.Schubert/standchen.ly b/input/mutopia/F.Schubert/standchen.ly index 75539d4c18..7eb9d157fc 100644 --- a/input/mutopia/F.Schubert/standchen.ly +++ b/input/mutopia/F.Schubert/standchen.ly @@ -1,3 +1,4 @@ +#(ly:set-option 'old-relative) % #(ly:set-point-and-click 'line-column) @@ -41,7 +42,7 @@ instrument = "Piano" footer = "Mutopia-2001/04/27-xx" } -\version "1.7.3" +\version "2.1.7" dynamicUp = \property Voice.DynamicLineSpanner \override #'direction = #1 dynamicRevert = \property Voice.DynamicLineSpanner \revert #'direction @@ -50,30 +51,42 @@ dynamicRevert = \property Voice.DynamicLineSpanner \revert #'direction vocalVerse = \notes\relative c''{ \dynamicUp - \times 2/3 { [ g8( )as] g } c4. g8 | - \times 2/3 { [ f8( )g] f } c'4 f,8 r | - g4.-> f8 \times 2/3 { [ f( )es] d } | + \times 2/3 { g8[( as)] g } c4. g8 | + \times 2/3 { f8[( g)] f } c'4 f,8 r | + g4.-> f8 \times 2/3 { f[( es)] d } | es2 r4 | R2. | R2. | - \times 2/3 { [ g8( )as] g } es'4. g,8 | - \times 2/3 { [ f8( )g] f } d'4. c8 | - bes4. as8 \times 2/3 { [ as( )g] f } | + \times 2/3 { g8[( as)] g } es'4. g,8 | + \times 2/3 { f8[( g)] f } d'4. c8 | + bes4. as8 \times 2/3 { as[( g)] f } | g2 r4 | R2. | R2. | g8. b16 es4. d8 | c8. g16 es4. c8 | - \grace { [ as'32( bes ] } \times 2/3 { [ )as8( )g] as } c4. as8 | + \grace { + \property Voice.Stem \override #'stroke-style = #"grace" + as'32[( bes ] + \property Voice.Stem \revert #'stroke-style } + \times 2/3 { as8[)( g)] as } c4. as8 | g2. | - \grace { [ f32( g ] } \times 2/3 { [ )f8( )e] f } as4. f8 | + \grace { + \property Voice.Stem \override #'stroke-style = #"grace" + f32[( g ] + \property Voice.Stem \revert #'stroke-style } + \times 2/3 { f8[)( e)] f } as4. f8 | es!2. | g8. b16 es4. d8 | c8. g16 e4. c8 | - \grace { [ a'32( b ] } \times 2/3 { [ )a!8( ) gis] a } c4. a8 | + \grace { + \property Voice.Stem \override #'stroke-style = #"grace" + a'32[( b ] + \property Voice.Stem \revert #'stroke-style } + \times 2/3 { a!8[)( gis)] a } c4. a8 | g!2. | - \times 2/3 { [ d'8\f( )cis] d } f4. b,8 | + \times 2/3 { d'8[\f( cis)] d } f4. b,8 | c!2. | } @@ -83,13 +96,17 @@ vocalThrough = \notes\relative c{ c4 b r | g4. b8 d8. c16 | b2 r4 | - e4. d8 \times 2/3 { [ d( )c] b } | + e4. d8 \times 2/3 { d[( c)] b } | a8. b16 c4-> a8 r | R2. | R2. | - \grace { [ a32( b ] } \times 2/3 { [ )a!8( ) gis] a } c4. a8 | + \grace { + \property Voice.Stem \override #'stroke-style = #"grace" + a32[( b ] + \property Voice.Stem \revert #'stroke-style } + \times 2/3 { a!8[)( gis)] a } c4. a8 | g!2. | - \times 2/3 { [ d'8\f( )cis] d } f4. b,8 | + \times 2/3 { d'8[\f( cis)] d } f4. b,8 | c!2. ~ | % bug: slur on other staff fools lily into extending melisma c4 r c | @@ -139,10 +156,10 @@ lyricThrough = \lyrics{ } trebleIntro = \notes\relative c{ - r8^"\bf M\\\"a\\ss ig"\pp | - r8 | - r8 | - r8 | + r8^"\bf M\\\"a\\ss ig"\pp -. -. -. -. -. | + r8 -. -. -. -. -. | + r8 -. -. -. -. -. | + r8 -. -. -. -. -. | } trebleVerseOne = \notes\relative c{ @@ -151,194 +168,201 @@ trebleVerseOne = \notes\relative c{ r8 | r8 | r8 | - <)f8 d> - \times 2/3 < { [ f( es )d ] } { d c b } > | + 4.( 8) + \times 2/3 { ([ )] } + %10 - | + 2. | r8 | r8 | r8 | - r8 < { [ es g es g ] } { g bes g bes } { bes es bes es } > - <{ es'( ) d4.() f8}{ c' | bes4. as8 } > - \times 2/3 < { [ f( es )d ] } { as' g f } > | + r8 + [ + + + ] + ( + 4.() + 8) + + \times 2/3 { ([ )] } %16 - | + 2. | r8 | r8 | r8\pp | %20 r8 | \property Voice.Slur \override #'attachment = #'(stem . stem) - \grace { [ as'32( bes ] } \times 2/3 { [ )as8( g as] } c4.-> ) as8 | + \grace { + \property Voice.Stem \override #'stroke-style = #"grace" + as'32[( bes ] + \property Voice.Stem \revert #'stroke-style } + + \times 2/3 { as8[)( g as] } c4.-> as8) | \property Voice.Slur \revert #'attachment g2. | r8 | r8 | r8 | r8 | - \times 2/3 < { [ f'8\f( e f] } { f' e f } > - < {a4.- > )f8} { a'4. f8 } > | + \times 2/3 { \f( } + 4.-> 8) | } trebleEentje = \notes \relative c' \context Voice { \stemBoth - r4 | - ( c> | + 2 r4 | + 2\(\mf 8.(-> 16)\) | % urg: slurs with staccati are ugly - | - | - | - | - | - | + 4. 8-.( -. )-. | + 4. 8-.( -. )-. | + 2 4\pp | + 2\( 8.( 16)\) | + 4.\( 8(-. -. )\)-. | + 4. 8(-. -. )-. | %60 - r4 | + 2 r4 | } trebleThrough = \notes \relative c'{ \stemBoth - | + 2. | %61 R2. | - [ <\! b16\> b'16> ] | + 8.[\< 16 8. 16\>\! 8. 16] | %% score has double slur on chord. - < { c4( )b } { c'4 b } > \!r | + 4( ) r\! - [ d,-> > c16] | + 4. 8 8.->[ c16] | %65 - < { d,2.(\f )a'2} { e2. ~ e2 } { b'2.( )c,2 }> r4 | - \context Staff < - \context Voice=one { - \voiceOne - %urg - %a8. b16 c4-> () a8 r | - a8. b16 c4^> () a8 r | - %a8. b16 c4-> () a8 r | - a8. b16 c4^> () a8 r | - } - \context Voice=two { - \voiceTwo - | - | - } - > + 2.~(\f + 2) r4 + << + { a'8. b16 c4^> ( a8) r | + a8. b16 c4^> ( a8) r | + }\\{ + 4 2 | + 4 2 | + } >> % 4 bars copied from end verse1 r8 | %70 r8 | - \times 2/3 < { [ f'8\f( e f] } { f' e f } > - < { a4.-> )f8 } { a'4. f8 } > | - | - | + \times 2/3 { 8( } + + 4.-> 8) + 2. | + 2. | \property Voice . TextScript \override #'font-shape = #'italic - | + 2._"decresc." \property Voice . TextScript \revert #'font-shape %75 - | - | + 2. | + 2 4\pp | % four copied from begin eentje - c> | - | - | + 2( 8.-> 16) | + 4. 8(-. -. )-. | + 4. 8(-. -. )-. | %80 \property Voice . TextScript \override #'font-shape = #'italic - | + 2._"dim." \property Voice . TextScript \revert #'font-shape - | - | + 2. | + 2.\fermata | } bassIntro = \notes\relative c{ \dynamicUp %1 - r4 | - r4 | - r4 | - r4 | + 2 r4 | + 2 r4 | + 2 r4 | + 2 r4 | } bassVerseOne = \notes\relative c{ % \clef bass \dynamicUp %5 - r4 | - r4 | - r4 | - r4 | - [ ] | + 2 r4 | + 2 r4 | + 2 r4 | + 2 r4 | + 8 [ ] | %10 - [ ] | - r4 | - r4 | - r4 | - r4 | + 8 [ ] | + 2 r4 | + 2 r4 | + 2 r4 | + 2 r4 | %15 - bes'8 [ ] | - es,8 [ ] | - r4 | - r4 | - r4 | - r4 | - [ ] | - [ ] | - r4 | - r4 | - r4 | - r4 | - [ ] | - c,8 [ ] | + bes'8 [ ] | + es,8 [ ] | + 2 r4 | + 2 r4 | + 2 r4 | + 2 r4 | + 8 [ ] | + 8 [ ] | + 2 r4 | + 2 r4 | + 2 r4 | + 2 r4 | + 8 [ ] | + c,8 [ ] | } bassEentje = \notes\relative c{ \dynamicUp - [ ] | - c,8 [ ] | - [ ] | - c,8 [ ] | - [ ] | - c,8 [ ] | - [ ] | - c,8 [ ] | + 8 [ ] | + c,8 [ ] | + 8 [ ] | + c,8 [ ] | + 8 [ ] | + c,8 [ ] | + 8 [ ] | + c,8 [ ] | } bassThrough = \notes\relative c{ \dynamicUp %61 - [ b-> d-> > ] | - [ b-> d-> > ] | + 8^"cresc." [ -> ] | + 8 [ -> ] | % copied - [ b-> d-> > ] | - [ b-> d-> > ] | + 8 [ -> ] | + 8 [ -> ] | %65 - [ e> ] | - [ ] | - [ ] | - [ ] | + 8 [\> \!] | + 8 [ ] | + 8 [ ] | + 8 [ ] | % 4 bars copied from end verse1 - r4 | + 2\p r4 | %70 - r4 | - [ ] | - c,8\> [ < \! e g c> ] | + 2 r4 | + 8 [ ] | + c,8\> [ < e g c> \! ] | - [ ] | - [ ] | + 8 [ ] | + 8 [ ] | %75 - [ ] | - c,8 [ ] | - c,8 [ ] | - c,8 [ ] | - g,8 [ ] | + 8 [ ] | + c,8 [ ] | + c,8 [ ] | + c,8 [ ] | + g,8 [ ] | %80 - c,8 [ ] | - c,8 [ ] | - | + c,8 [ ] | + c,8 [ ] | + 2._\fermata | } global = \notes{ @@ -358,12 +382,12 @@ global = \notes{ allLyrics = \lyrics { % maybe should be bigger by default, in grob-description.scm ? - \property Lyrics . LyricText \override #'font-relative-size = #1 + \property Lyrics . LyricText \override #'font-size = #2 \property Lyrics . LyricHyphen \override #'maximum-length = #1.5 - \lyricVerseOne + \context LyricsVoice = "leise-1" { \lyricVerseOne \lyricVerseTwo \lyricThrough -} +} } lyricStaff = \context Lyrics { \allLyrics @@ -372,8 +396,7 @@ lyricStaff = \context Lyrics { vocals = \context Voice \notes { \clef treble % certainly no auto-beaming for vocals - \property Voice.autoBeaming = ##f - \property Staff.automaticMelismata= ##t + \autoBeamOff \dynamicUp % duh 1 != 3/4 @@ -385,11 +408,11 @@ vocals = \context Voice \notes { R1 * 3/4 * 6 } -vocalStaff = \context Staff = vocal< +vocalStaff = \context Staff = vocal<< \property Staff.midiInstrument = "synth voice" - \global - \vocals -> + \context Voice = "leise" << \global + \vocals >> +>> treble = { \clef treble @@ -401,11 +424,11 @@ treble = { \trebleThrough } -trebleStaff = \context Staff = treble< +trebleStaff = \context Staff = treble<< \property Staff.midiInstrument = "acoustic grand" \global \treble -> +>> bass = { \clef bass \bassIntro @@ -415,51 +438,52 @@ bass = { \bassThrough } -bassStaff = \context Staff = bass< +bassStaff = \context Staff = bass<< \property Staff.midiInstrument = "acoustic grand" \global \bass -> +>> -grandStaff = \context PianoStaff < +grandStaff = \context PianoStaff << \trebleStaff \bassStaff -> +>> \score{ - < + << %{ Transpose as you like for your voice Range untransposed is c' to f'' (for tenors and sopranos) - \transpose a gives a' to d'' (for basses, who sing an octave down) + \transpose c' a gives a' to d'' (for basses, who sing an octave down) \addlyrics - \notes \transpose a \vocalStaff + \notes \transpose c' a \vocalStaff \lyricStaff - \notes \transpose a \grandStaff + \notes \transpose c' a \grandStaff %} \addlyrics \vocalStaff \lyricStaff \grandStaff - > + >> \paper { % Use % textheight = 280.\mm % linewidth = 190.\mm % to get this on 3 pages of a4. - % Mandatory Mutopia settings yield 4 pages :-( + % Mandatory Mutopia settings yield 4 pages :( textheight = 270.0\mm linewidth = 180.0\mm - \translator { \HaraKiriStaffContext } + \translator { \RemoveEmptyStaffContext } } \midi{ \tempo 4 = 54 } } +