X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=input%2Fmutopia%2FF.Schubert%2Fmorgenlied.ly;fp=input%2Fmutopia%2FF.Schubert%2Fmorgenlied.ly;h=0000000000000000000000000000000000000000;hb=e90f0536f9be39ada0bef0aeb0d275dec3b2fb5b;hp=b7941a4f55b7b53909160aa73dc9f4a238eeca88;hpb=a8c9e8a7ca320ab0df5fd32e717fd62cd7635ce6;p=lilypond.git diff --git a/input/mutopia/F.Schubert/morgenlied.ly b/input/mutopia/F.Schubert/morgenlied.ly deleted file mode 100644 index b7941a4f55..0000000000 --- a/input/mutopia/F.Schubert/morgenlied.ly +++ /dev/null @@ -1,192 +0,0 @@ -\header { - title = "Sängers Morgenlied" - composer = "Franz Schubert (1797-1828)" - date = "27. Februar 1815" - source = "Edition Peters" - editor = "Paul Losse" - enteredby="Han-Wen Nienhuys" - maintainer="hanwen@xs4all.nl" - - texidoc = "The source is a rather tightly set Peters in Edition is - a heavy font. The Peters edition (4622c) was `herausgegeben' by - Paul Losse, whose name also appears on a 1956 edition of some - other music. Strictly speaking, his edititorial enhancements will - not be in the PD - but I am assuming there are no notable ones in - this small piece. - - The original compresses the entire music onto a single page, in 4 - systems. Lily does so too if you tune down spacing-increment, but - chooses line breaks differently. - - Further manual tweaks: the slur in measure 12 has been flattened -manually. The beam in measure 3, left-hand, technically is wrong, but -has been added following the original. The crescendo in measure 4 has -been lowered - -" - -} - -\version "2.12.0" -manuscriptBreak = { \break } - - - -#(set-global-staff-size (/ (* 5.8 72.27) 25.4)) - -\paper { -%#(set-global-staff-size (* 5.8 mm)) - line-width = #(* mm 160) - indent = 8\mm - interscoreline = 2.\mm - between-system-space = 15\mm - ragged-bottom = ##t - } - -modernAccidentals = { - \set Staff.extraNatural = ##f - \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0)) - \set Staff.autoCautionaries = #'() -} - - -melody = \relative c'' \repeat volta 2 \new Voice = "singer" { - \time 6/8 - \autoBeamOff - s1*0^\markup { \bold \large\larger\larger { \hspace #-3.0 Lieblich, etwas geschwind } } - R2. - r4 r8 c4 g8 | - e4 c8 - << - \new Voice { \stemUp f8. g16 } - { \stemDown f8.[ g16] } >> \stemNeutral a8 | - fis4 g8 c16[ b a g] f[ e] | - d4 f8 a16[ g fis g] f[ d] | - g4. r8 gis gis | - a4 a16.[ b32] c4 fis,8 | - g4.~ g8-\fermata g8 g | - as4 as8 g4 g8 | - fis4 fis8 r8 g g | - a!4 a8 g4 g8 | - fis4 fis8 d'16[ c b a] g[ f] | - e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] | - e4 g8 d4 a'16[ g] | - c,4 r8 r4 r8 | - - % TODO : make \fermata work. - R2.^\fermataMarkup -} - - -ignoreMelisma = \set ignoreMelismata = ##t -ignoreMelismaOff = \unset ignoreMelismata - - -firstVerse = \lyricmode { - \set stanza = "1." - - Sü -- ßes Licht! Aus - \ignoreMelisma - gol -- - \ignoreMelismaOff - - de -- nen Pfor -- ten brichst du __ \manuscriptBreak | - sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- | - \manuscriptBreak - heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak | - dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht. - } - -secondVerse = \lyricmode { - \set stanza = "2." - Ach, der Lie -- be sanf - -- tes We -- hen schwellt mir | - das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich | - nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht | - zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts. - } - -pianoRH = \relative c''' \repeat volta 2 { - #(set-accidental-style 'modern) - g16(_\p fis a g fis g f e d c b a ) | - 8( ) r8 r | - r8 c'( e,) f r a | - \once \override DynamicLineSpanner #'padding =#3 - r8 << { s8 s8 } << { fis(\> g)\! - } \\ { c,4 } >> >> r8 | - 4. r8 \clef bass | - e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis | - c, e a e c e a,-\f d fis d a d | - b d g d b g r4\fermata \clef treble g''8 | - as4.( g 4.) | fis4. r4 8 ( | - 4.) 4.( ) \sf | - r8 r | - r r | - r r | - c16(_\f b c e g b c b c e g ) | - 8 r r 8 r r\fermata | -} - -pianoLH = \relative c'' \repeat volta 2 { - #(set-accidental-style 'modern) - g16( fis a g fis g f e d c b a) | - \clef bass g4.( c,8) r r - \clef treble r4 8([ )] r | - \clef bass r8 dis( e) r c c | - f,4. r8 g g | - 4. 4. | - a,4. 4. | - g,8 r r g16 r16\fermata r8 g''8 | - as4.( g ) | - fis r4 8( | - 4.) - - \once \override Slur #'height-limit = #1.0 - - 4.( | 4.) | - c,4 r8 g4 r8 | - c4 r8 g4 r8 | - c4 r8 g4 r8 | - 8 | - r r 8 r r\fermata \clef treble - } - -\book { - \score { - << \time 6/8 - \new Staff << - \context Staff #(set-accidental-style 'modern) - \melody >> - \lyricsto "singer" \new Lyrics \firstVerse - \lyricsto "singer" \new Lyrics \secondVerse - \new PianoStaff << - \set PianoStaff.instrumentName = \markup { - \bold - \larger\larger\larger\larger \huge "2. " } - \new Staff \pianoRH - \new Staff \pianoLH - >> - >> - - \layout { - \context { - \Lyrics - \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 2.5) - \override LyricText #'font-size = #-1 - } - \context { - \Score - \override Beam #'thickness = #0.55 - \override SpacingSpanner #'spacing-increment = #1.0 - \override Slur #'height-limit = #1.5 - } - } - \midi { - \context { - \Score - tempoWholesPerMinute = #(ly:make-moment 70 4) - } - } - } -} -