X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=input%2Flsr%2Fdodecaphonic-style-accidentals-for-each-note-including-naturals.ly;h=581a0a7eaf7bd350d9cbb6e1b2f92bf413530b50;hb=1423508c355989fa26a8cfe5985b0d6e1ab0a538;hp=c9aa698cf89750c0b9c0620a96b2b17afeaee97b;hpb=c7e9415c57c69658706dd6f6aeb744403275ba0f;p=lilypond.git

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index c9aa698cf8..581a0a7eaf 100644
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,8 +1,11 @@
-%% Do not edit this file; it is auto-generated from input/new
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-\version "2.11.62"
+\version "2.13.1"
 
 \header {
+  lsrtags = "pitches"
+
+%% Translation of GIT committish: 674a5f874c07063ae56d55be25c55fc3b4bdb7bf
   doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
   texidoces = "
 En las obras de principios del s.XX, empezando por Schoenberg, Berg y
@@ -17,7 +20,8 @@ notación.
 
 "
 
- texidocde = "
+%% Translation of GIT committish: e75f1604a1b866c853dee42dbffcb7800c706a5f
+  texidocde = "
  In Werken des fürhen 20. Jahrhundert, angefangen mit Schönberg, Berg
  und Webern (die zweite Wiener Schule), wird jeder Ton der 
  Zwölftonleiter als gleichwertig erachtet, ohne hierarchische
@@ -27,20 +31,19 @@ notación.
  
  Dieser Schnipsel zeigt, wie derartige Notationsregeln zu erstellen sind.
  "
- 
-doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
+  doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
 
-  lsrtags = "pitches"
-  texidoc = "In early 20th century works, starting with Schoenberg,
-Berg and Webern (the \"Second\" Viennese school), every pitch in the
-twelve-tone scale has to be regarded as equal, without any hierarchy
-such as the classical (tonal) degrees.  Therefore, these composers
-print one accidental for each note, even at natural pitches, to
-emphasize their new approach to music theory and language.
+  texidoc = "
+In early 20th century works, starting with Schoenberg, Berg and Webern
+(the \"Second\" Viennese school), every pitch in the twelve-tone scale
+has to be regarded as equal, without any hierarchy such as the
+classical (tonal) degrees. Therefore, these composers print one
+accidental for each note, even at natural pitches, to emphasize their
+new approach to music theory and language.
 
 This snippet shows how to achieve such notation rules. 
-"
 
+"
   doctitle = "Dodecaphonic-style accidentals for each note including naturals"
 } % begin verbatim
 
@@ -53,8 +56,9 @@ This snippet shows how to achieve such notation rules.
   }
   \layout {
     \context {
-    \Staff
-    \remove "Key_engraver"
+      \Staff
+      \remove "Key_engraver"
     }
   }
 }
+