X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fweb%2Fintroduction.itexi;h=43f4e4fc3c3bc79f4d372f23b2d024e019ad5b42;hb=e2d7136f142d0b9238ebb38a6f0811df0d84b7db;hp=c7773944ae6699cb63c236d114eb71a853577dee;hpb=066e812530c4f455d8ad3d11583f76737511ef15;p=lilypond.git

diff --git a/Documentation/web/introduction.itexi b/Documentation/web/introduction.itexi
index c7773944ae..43f4e4fc3c 100644
--- a/Documentation/web/introduction.itexi
+++ b/Documentation/web/introduction.itexi
@@ -27,8 +27,10 @@ traditions of classical music engraving.
 
 @divEnd
 
+@divClass{link-headings}
+
 @divClass{column-left-top}
-@subheading Why use LilyPond?
+@subheading What LilyPond does
 
 @itemize
 
@@ -48,22 +50,20 @@ traditions of classical music engraving.
 @divEnd
 
 @divClass{column-right-top}
-@subheading Who uses it?
-
+@subheading LilyPond in use
 @itemize
 
 @item
 @ref{Productions}: Real-life use of LilyPond.
 
 @item
-@ref{Testimonials}: What do people say?
+@ref{Reviews}: What do people say?
 
 @end itemize
 @divEnd
 
 @divClass{column-center-bottom}
-@subheading Why not use LilyPond?
-
+@subheading How LilyPond works
 @itemize
 
 @item
@@ -75,6 +75,8 @@ traditions of classical music engraving.
 @end itemize
 @divEnd
 
+@divEnd
+
 @c TRANSLATORS, translations are not yet compiled in Info format, so
 @c it's not worth translating the right column of the following
 @c menu. -JM
@@ -85,7 +87,7 @@ traditions of classical music engraving.
 * Freedom::                     Freedom and the GPL.
 * Background::                  Computational aesthetics.
 * Productions::                 Real-life use of LilyPond.
-* Testimonials::                What do people say about it?
+* Reviews::                     What do people say about it?
 * Text input::                  You write music as text?!
 * Easier editing::              Other ways of working with LilyPond.
 @end menu
@@ -95,11 +97,10 @@ traditions of classical music engraving.
 
 @node Features
 @unnumberedsec Features
+@divClass{column-center-top}
 
 
-@subheading Why switch to LilyPond?
-
-
+@subheading Elegance
 @subsubheading Excellent classical engraving
 
 @imageFloat{flat-design,png,right}
@@ -114,7 +115,8 @@ best-engraved classical scores.  This is further explained in our
 @ref{Essay}.
 
 
-@subsubheading Less fiddling
+
+@subsubheading Effective layout choices
 
 Spend less time with tweaking the output; LilyPond gets the
 formatting correct right from the start.  It determines spacing by
@@ -123,6 +125,13 @@ layout.  Clashes between lyrics, notes, and chords are resolved
 and slurs and beams are sloped, automatically!
 
 
+@divEnd
+
+@divClass{color2}
+@subheading Ease of use
+
+@imageFloat{lilypond-book,png,right}
+
 @subsubheading Text-based input
 
 LilyPond takes ASCII input, which you can produce in your favorite
@@ -130,6 +139,14 @@ text editor, quickly and comfortably.  The input contains all the
 information, so there is no need to remember complex command sequences:
 simply save a file for later reference.
 
+@subsubheading Mix music and text
+
+Put fragments of music into texts without cutting and pasting
+pictures.  Integrate music into @LaTeX{} and HTML seamlessly, or add
+music to OpenOffice.org or LibreOffice with OOoLilyPond.  Plugins are
+also available to allow LilyPond code in various blogs and wikis, making
+online collaboration possible.
+
 
 @subsubheading Accessibility
 
@@ -141,16 +158,21 @@ who are totally blind can use screen-reading software to write
 LilyPond files -- an impossible task in graphical-based
 score-writing programs.
 
+@subsubheading Extensible design
 
-@subsubheading Mix music and text
+All settings can be changed to suit your personal typographical
+taste.  If that still is not enough, there is always the built-in
+scripting language Scheme, a dialect of the powerful language
+LISP.  Settings, variables and functions are all documented in the
+comprehensive program reference manual.
 
-@imageFloat{lilypond-book,png,right}
+@divEnd
 
-Put fragments of music into texts without cutting and pasting
-pictures.  Integrate music into @LaTeX{} or HTML seamlessly, or add
-music to OpenOffice.org with OOoLilyPond.
+@divClass{color3}
 
+@subheading Environment
 
+@imageFloat{frescobaldi-lilypond-editor-small,png,right}
 
 @subsubheading Free software
 
@@ -163,15 +185,6 @@ by a bug, or yearning for a feature? Simply add it yourself, or
 pay someone else to do it.
 
 
-@subsubheading Extensible design
-
-All settings can be changed to suit your personal typographical
-taste.  If that still is not enough, there is always the built-in
-scripting language Scheme, a dialect of the powerful language
-LISP.  Settings, variables and functions are all documented in the
-comprehensive program reference manual.
-
-
 @subsubheading Excellent support
 
 LilyPond runs on all popular platforms: GNU/Linux, MacOS X, and
@@ -181,7 +194,15 @@ questions on the lilypond-user mailing list, while the development
 team makes sure that problems are solved quickly.
 
 
+@subsubheading Enhanced editors
 
+
+Several developers, themselves active LilyPond users, have also
+written tools specifically aimed at making the process of editing
+LilyPond files faster and more effective.  For some examples, see
+@ref{Easier editing}.
+
+@divEnd
 @divClass{column-center-bottom}
 @subheading Where now?
 
@@ -196,7 +217,7 @@ already decided to try LilyPond, first read about our
 @unnumberedsec Examples
 
 LilyPond is a powerful and flexible tool for engraving tasks of
-all kinds. Please browse our gallery of examples and be inspired!
+all kinds.  Please browse our gallery of examples and be inspired!
 
 
 @newsItem
@@ -268,9 +289,10 @@ staff.
 @newsItem
 @subsubheading Schenker Graphs
 
-Standard output can be modified heavily. Here is an impressive
+Standard output can be modified heavily.  Here is an impressive
 Schenkerian analysis, created by Kris Schaffer, for an article
-in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal}
+in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal}.
+The colors have been added for better visibility.
 
 @exampleImage{bach-schenker}
 @newsEnd
@@ -410,7 +432,7 @@ documentation explaining how to use these features -- we can
 achieve our goal with only a fraction of the individual effort.
 
 @item
-@qq{Gift culture}: the Free Software (or @qq{Open Source})
+@qq{Gift culture}: the Free Software
 movement has created many great software projects, such as
 @uref{http://kernel.org/, GNU/Linux},
 @uref{http://www.getfirefox.com/, Mozilla Firefox}, and
@@ -419,7 +441,7 @@ benefitted from these projects, some developers want to @qq{give
 back} to the community.
 
 @item
-Work experience: contributing to open-source projects is a great way to
+Work experience: contributing to free software projects is a great way to
 practice programming, documentation writing, documentation translation,
 or design.  This experience has helped some developers gain job offers
 or scholarships.
@@ -476,25 +498,85 @@ Some highlights:
 @itemize
 
 @item
-@emph{Affaire étrangère}, an opera by
-@uref{http://valentin.villenave.net/,Valentin Villenave}
-to a French libretto by
-@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
-Trondheim}, premiered February 1, 2009 at
-@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
-Montpellier}, France.
+Joe Smeets created sheet music for the children's book @emph{Zing Mee}
+(@emph{Sing along}) by Annie M.G. published by Querido -- ISBN
+9789045106205:
+@uref{http://www.queridokinderenjeugdboeken.nl/web/Boek.htm?dbid=18954&typeofpage=134707, www.queridokinderenjeugdboeken.nl}; choir
+rehearsal scores for the Dutch translation of Benjamin Britten's
+@emph{Saint Nicolas} performed by @emph{Muziektheater Hollands Diep} in
+2011.
+@uref{http://www.muziektheaterhollandsdiep.nl/nl/voorstellingen/sint_nicolaas_leeft, www.muziektheaterhollandsdiep.nl}; and is currently
+working on the score and parts for an arrangement of Moussurgsky's
+@emph{Boris Godounov} for wind quartet, piano and percussion.  To be
+performed in 2014, again by @emph{Muziektheater Hollands Diep}.
+
+@item
+A critical edition of Tommaso Traetta's @emph{Enea nel Lazio (1760)},
+opera series with libretto by Vittorio Amedeo Cigna-Santi, in four
+parts:
+@uref{http://www.academia.edu/1987651/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_1_4_, Part One}
+@uref{http://www.academia.edu/1994533/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_2_4_, Part Two}
+@uref{http://www.academia.edu/1994558/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_3_4_, Part Three}
+@uref{http://www.academia.edu/1996242/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_4_4_, Part Four}
+Created by
+@uref{http://unito.academia.edu/LucaRossettoCasel, Luca Rossetto Casel}
+for his Ph.D. Thesis.
 
 @item
-@uref{http://www.mercurybaroque.org/02/02109.aspx, Mercury Baroque}'s
-performance of Lully's @emph{Armide}, May 15-16, 2009, in Houston,
-Texas (engraving by @uref{http://nicolas.sceaux.free.fr/,
-Nicolas Sceaux}).
+Mussorgsky's @emph{Pictures at an exhibition}, re-orchestrated and
+conducted by @uref{http://www.aurelienbello.com/,Aurélien Bello} with
+the @uref{http://www.junge-philharmonie-brandenburg.de/,
+Junge Philharmonie Brandenburg}
+on Oct 10 2011 and again on Apr 15-16 2012.
+
+@item
+@uref{http://www.kierenmacmillan.info/, Kieren MacMillan}, composer and
+musical director.  His many, recent works include; @emph{Go Thy Way},
+performed by the @uref{http://www.saltlakechoralartists.org/,
+Salt Lake Choral Artists} in March 2012; The
+@emph{Just Out of Reach Suite} performed
+by the
+@uref{http://www.herald-dispatch.com/news/marshall/x1883873762/Music-duo-Chrysalis-to-perform-at-Marshall-University-on-Jan-19,
+Chrysalis Duo} ; @emph{thrafsmata} performed in July 2011 by the
+@uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh
+New Music Ensemble}.
+
+@item
+@emph{Anonymous Student Compliment or Complaint}, by
+@uref{http://www.mikesolomon.org, Mike Solomon}, winner chosen from among
+172 entries from 22 countries of the
+@uref{http://leftcoastensemble.org, 2011 Left Coast Composition Contest}.
+Other works include, Norman (age 1) for clarinet solo, performed at the
+@uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}'s
+Electroacoustic Music Festival (FEMF), October 2010.
+
+@item
+A modern edition of the @emph{Serenata Erminia} by Alessandro Scarlatti,
+edited by Thomas Griffin, Musicologist (Rome, Italy).  Performed on 22
+October 2010 in the Galleria of the Palazzo Zevallos Stigliano, Naples,
+Italy.  @uref{http://www.ascarlatti2010.net, Alessandro Scarlatti 2010},
+in celebration of the composer's 350th birthday.
+
+@item
+@uref{http://www.mercurybaroque.org, Mercury Baroque}'s performance of
+Lully's @emph{Armide}, May 15-16, 2009, in Houston, Texas (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
 
 @item
 Instrumental excerpts from Rameau's @emph{Hippolyte et Aricie} at
 St. James's Church in Manhattan, May 8, 2009, by Frederick Renz
 and his ensemble @uref{http://www.earlymusicny.org/, Early Music
-New York} (engraving by Nicolas Sceaux).
+New York} (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
+
+@item
+@emph{Affaire étrangère}, an opera by
+@uref{http://valentin.villenave.net/,Valentin Villenave}
+to a French libretto by
+@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
+Trondheim}, premiered February 1, 2009 at
+@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
+Montpellier}, France.
 
 @end itemize
 @divEnd
@@ -527,8 +609,7 @@ high-quality scores of sacred music, available for immediate
 download or in traditional paper format.
 
 @item
-@uref{http://theshadylanepublishing.com/, The Shady Lane
-Publishing},
+@uref{http://www.shadylane.fr, The Shady Lane Publishing},
 a @qq{micro musical publishing house} whose goal is to promote a
 new form of musical economy closer to the musicians and music
 lovers.
@@ -539,11 +620,12 @@ lovers.
 
 @divEnd
 
+@contactUsAbout{concerts or sheet music}
 
 @divClass{column-center-bottom}
 @subheading Where now?
 
-Still not convinced?  Read some of our users' @ref{Testimonials}.
+Still not convinced?  Read some of our users' @ref{Reviews}.
 If you've already decided to try LilyPond, first read about our
 @ref{Text input}.
 @divEnd
@@ -551,8 +633,155 @@ If you've already decided to try LilyPond, first read about our
 @c TRANSLATORS, so far it's mostly from
 @c http://lilypond.org/web/switch/testimonials
 
-@node Testimonials
-@unnumberedsec Testimonials
+@node Reviews
+@unnumberedsec Reviews
+
+@divClass{column-left-top}
+@subheading Published articles
+
+@divClass{keep-bullets}
+@itemize
+
+@item
+April 2011
+
+@uref{http://www.linux-magazine.com,Linux Magazine} publishes an
+article titled
+@uref{http://www.linux-magazine.com/w3/issue/126/088-090_projects.pdf,
+Projects on the Move}.  It is an introductory article on MuseScore,
+LilyPond and Chordii.  Author Carla Schroder states @qq{LilyPond is
+driven from the command line, but don’t let the lack of a GUI scare
+you away; LilyPond is user-friendly and easy to learn}, and provides
+a hands-on example.
+
+@item
+May 2010
+
+Peter Kirn, on the Create Digital Music website, publishes a
+@uref{http://createdigitalmusic.com/2010/05/14/lilypond-free-beautiful-music-notation-engraving-for-anyone/,LilyPond
+review}.  He takes a balanced view on usage, praises LilyPond's
+high-quality notation and suggests to try it out.
+
+@item
+September 2009
+
+The German LinuxUser magazine wrote an
+@uref{http://www.linux-community.de/Internal/Artikel/Print-Artikel/LinuxUser/2009/10/Digitaler-Notenschluessel,
+article about LilyPond}.
+
+@item
+August 2009
+
+Ann Drinan, on the
+@uref{http://www.polyphonic.org/article.php?id=188, Polyphonic.org}
+website, presents comments by two orchestra librarians who
+talk about using software to maintain their libraries.
+
+@item
+June 2009
+
+In an @uref{http://news.lilynet.net/Free-Music-Now, article}
+published in the French @emph{National Conservatory Parent
+Association}'s yearly magazine, French composer and LilyPond
+contributor Valentin Villenave explains how Free licenses, and
+specifically LilyPond-engraved scores, are instrumental in
+making written music accessible to all.
+
+@item
+February 2008
+
+In @uref{http://www.musicbyandrew.ca/finale-lilypond-1.html,
+articles on his personal site}, Andrew Hawryluk compares Finale
+and LilyPond in general terms, and evaluates engraving
+capabilities of both pieces of software in detail.  The second
+article is an instructive analysis of engraving issues in
+Rachmaninoff's Piano Prelude No. 6, including comparisons with a
+hand-engraved reference edition.
+
+@item
+June 2006
+
+@uref{http://distrowatch.com,DistroWatch} awards LilyPond and
+@uref{http://distrowatch.com/weekly.php?issue=20060605,writes}
+@qq{Ladies and Gentleman, we are pleased to announce that, based
+on readers' requests, the DistroWatch May 2006 donation has been
+awarded to LilyPond (@euro{}190.00) and Lua (US$250.00).}
+
+@item
+December 2005
+
+@uref{http://linuxjournal.com,Linux Journal} publishes an article
+titled @uref{http://www.linuxjournal.com/article/8364, Make
+Stunning Schenker Graphs with GNU LilyPond}.  It is an in-depth
+but hands-on feature article with crisp LilyPond graphics.  Author
+Kris Shaffer remarks @qq{GNU LilyPond generates beautiful graphics
+that make commercial alternatives seem second-rate.}
+
+@item
+August 20, 2005
+
+The Belgian newspaper De Standaard investigates what drives Free
+Software authors in an article titled
+@uref{http://www.standaard.be/Artikel/Detail.aspx?artikelId=G42H5GD6,
+Delen van KENNIS zonder WINSTBEJAG} (Non-profit sharing of
+knowlegde) in its @q{DS2 bijlage}.  LilyPond is used as an example
+and the article is interspersed with quotes from an email
+interview with Jan Nieuwenhuizen.  This marks LilyPond's first
+appearance in mainstream printed press.
+
+@item
+June 2005
+
+A French article on the LilyPond 2.6 release appeared on
+@uref{http://linuxfr.org/2005/06/27/19210.html, linuxfr.org}.
+
+@item
+October 2004
+
+The editors of Computer!Totaal, a Dutch computer magazine,
+@uref{http://lilypond.org/website/pdf/computer-totaal.jpeg,
+describe LilyPond} in the October 2004 issue as: @qq{Wonderful
+free (open source) software [@dots{}] The sheet music produced by
+LilyPond is exceptionally pretty [@dots{}] a very powerful system that
+can do almost anything.}
+
+@item
+July, August 2004
+
+Dave Phillips wrote an introductory article for
+@uref{http://linuxjournal.com,Linux Journal}: At
+the sounding edge: LilyPond, parts
+@uref{http://www.linuxjournal.com/article/7657, one} and
+@uref{http://www.linuxjournal.com/article/7719, two}.
+
+@item
+March 2004
+
+Chris Cannam
+@uref{http://www.all-day-breakfast.com/cannam/linux-musician/lilypond.html,interviewed}
+Han-Wen Nienhuys and Jan Nieuwenhuizen on linuxmusician.com
+(original site defunct).  This interview was also reviewed in a
+@uref{http://slashdot.org/article.pl?sid=04/03/13/2054227&tid=,
+slashdot story}.
+
+@item
+February 2004
+
+Jazz singer Gail Selkirk writes about
+@uref{http://www.songbirdofswing.com/editorial_page/lilypond/,
+Diving into LilyPond}.  @qq{@dots{} you can make lead sheets or full
+orchestral parts, and the results can be stunning.}
+@uref{http://www.computermusic.co.uk/, Computer Music Special},
+issue CMS06.
+
+@end itemize
+
+@divEnd
+@divEnd
+
+
+@divClass{column-right-top}
+@subheading User testimonials
 
 @divClass{testimonial-item}
 @imageFloat{carter-brey,jpg, right}
@@ -596,12 +825,11 @@ the raw, untouched output.}
 work.  I've never seen anything approaching the output that I get
 from LilyPond -- I'm totally confident that my music publishing
 needs will be fulfilled beyond my expectations using this great
-application.  [..] basically untweaked LilyPond output [..] looks
-better than most recent @q{professional} publications I've compared
-it to (q.v., just about any Warner Bros. score, and even many of
-the most recent by @q{the old houses}). [..]}
-
-@qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
+application.  [@dots{}] basically untweaked LilyPond output
+[@dots{}] looks better than most recent @q{professional}
+publications I've compared it to (q.v., just about any Warner
+Bros. score, and even many of the most recent by @q{the old
+houses}). [@dots{}]} @qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
 @divEnd
 
 
@@ -638,7 +866,7 @@ time.  I'm convinced that no commercial product can come close.}
 @divClass{testimonial-item}
 @subsubheading David Bobroff, Bass Trombone, Iceland Symphony Orchestra
 
-@qq{I think LilyPond is great [..] The more I learn about LilyPond
+@qq{I think LilyPond is great [@dots{}] The more I learn about LilyPond
 the more I like it!}
 @divEnd
 
@@ -646,7 +874,7 @@ the more I like it!}
 @divClass{testimonial-item}
 @subsubheading Vaylor Trucks, Electric guitar player (Yes, @uref{http://www.allmanbrothersband.com/modules.php?op=modload&name=userpage&file=content&page_id=12, related to})
 
-@qq{I am super impressed with LilyPond [..]}
+@qq{I am super impressed with LilyPond [@dots{}]}
 
 @qq{THIS IS THE BEST PROGRAM EVER!!!}
 
@@ -659,7 +887,7 @@ the more I like it!}
 
 @qq{I had a kind of hate-passion relationship with it.  Passion
 because the first score I saw was so amazing! The description of
-LilyPond lies about its beautifulness, it is too modest! [..] as
+LilyPond lies about its beautifulness, it is too modest! [@dots{}] as
 LilyPond is getting always better, and as I look closer how things
 are done in scheme, I have less and less frustrations.  Anyway,
 what I mean is: thank you for providing LilyPond, it is really
@@ -684,6 +912,28 @@ potential.}
 @divEnd
 
 
+@divClass{testimonial-item}
+@subsubheading @uref{http://webusers.siba.fi/~mkuuskan/, Dr. Mika Kuuskankare}, researcher at the @uref{http://siba.fi, Sibelius Academy Finland}, composer and author of Expressive Notation Package (ENP)
+
+@qq{I have the deepest respect towards LilyPond and towards its creators
+and maintainers as I know from personal experience how difficult this
+kind of software can be.}
+@divEnd
+
+
+@divClass{testimonial-item}
+@subsubheading @uref{http://camerondh.blogspot.com, David Cameron}, Musician, professional typesetter and long time SCORE user
+
+@qq{My heartfelt thanks to everyone who contributes to this project.  I
+was a power SCORE user for big typesetting houses way back in the '90s,
+but I feel LilyPond finally makes it possible for me to get exactly what
+I want on the page, especially when it isn't "standard" practice.}
+@divEnd
+
+@divEnd
+
+@contactUsAbout{news articles or testimonals}
+
 @divClass{column-center-bottom}
 @subheading Where now?
 
@@ -729,8 +979,8 @@ entered with backslashes.
 @imageFloat{text-input-1-annotate,png,center}
 @imageFloat{text-input-1-output,png,center}
 
-Alterations are made with different names: add @code{-is} for
-sharp, and @code{-es} for flat (these are Dutch note names, other
+Alterations are made with different names: add @w{@code{-is}} for
+sharp, and @w{@code{-es}} for flat (these are Dutch note names, other
 languages are available).  LilyPond figures out where to put
 accidentals.
 
@@ -786,6 +1036,10 @@ correctly, when in fact it is working precisely as designed.
 
 More in-depth information is available in @ref{Manuals}.
 
+Ben Lemon, a LilyPond user, has created a range of
+@uref{http://benlemon.me/blog/music/lilypond/operation-lilypond/,video tutorials}
+on his blog and which are aimed at new users.
+
 
 @subsubheading Easier editing environments
 
@@ -803,6 +1057,7 @@ actually provide a GUI which allows direct manipulation of a
 graphical score.  For more information, see @ref{Easier editing}.
 
 
+
 @divClass{column-center-bottom}
 @subheading Where now?
 
@@ -815,32 +1070,34 @@ convinced?  Read about @ref{Easier editing}.
 @node Easier editing
 @unnumberedsec Easier editing
 
-@divClass{column-center-top}
-@subheading Graphical environment: Denemo
+@ignore
+GNU policy forbids us from linking to non-Free software, so don't
+add such links.
 
-@imageClickable{screenshot-denemo-small,png,
-  (click to enlarge),screenshot-denemo,png,right}
+In particular, don't link to:
+- the LilyPond bundle for TextMate (a commercial editor for MacOS).
+
+@end ignore
+
+@divClass{column-center-top}
+@subheading Tunefl
 
 @sourceimage{logo-linux,,,}
+@sourceimage{logo-freebsd,,,}
+@sourceimage{logo-macosx,,,}
 @sourceimage{logo-windows,,,}
 
-@uref{http://denemo.org}
-
-Denemo is a graphical editor which generates LilyPond source code,
-at release 2.8.7, and also allows audio playback.  It allows users
-to view the LilyPond source code in parallel to the graphical view.
-Extra LilyPond tweaks can be attached to notes, chords etc. and are
-stored with the Denemo file, so that users can continue to edit graphically.
-
-Moving the cursor in the LilyPond text moves the cursor in the graphical
-view, and any syntax errors in your LilyPond tweaks are highlighted in
-the text view when printed from there.
+@uref{http://www.tunefl.com}
 
+With tunefl you can typeset your scores directly online
+without needing to install LilyPond locally. It allows
+trying out all the program's features using a convenient
+web interface.
 
 @divEnd
 
 @divClass{column-center-top}
-@subheading Mixed environment: LilyPondTool
+@subheading LilyPondTool
 
 @imageClickable{lilypondtool-2.12-screenshot-400wide,png,
   (click to enlarge),lilypondtool-2.12-screenshot,png,right}
@@ -862,39 +1119,70 @@ viewer with advanced point-and-click support.
 @divEnd
 
 @divClass{column-center-top}
-@subheading Mixed environment: Frescobaldi
+@subheading Frescobaldi
 
 @imageClickable{frescobaldi-lilypond-editor-small,png,
   (click to enlarge),frescobaldi-lilypond-editor,png,right}
 
 @sourceimage{logo-linux,,,}
 @sourceimage{logo-freebsd,,,}
+@sourceimage{logo-windows,,,}
 
 @uref{http://www.frescobaldi.org}
 
-Frescobaldi is a dedicated LilyPond music and text editor with a
-built-in PDF previewer, a powerful score wizard and many editing
-features.  It is built on top of the KDE4 libraries and runs
-currently on all flavours of Linux and other UNIX-like operating
-systems.
+Frescobaldi is lightweight, yet powerful LilyPond music and text editor
+with a built-in PDF viewer.  It is easy to use and will run on all major
+operating systems (GNU/Linux, Mac OS X and Windows).
 
 @divEnd
 
 @divClass{column-center-top}
-@subheading Text environment: Emacs and Vim
+@subheading Denemo
+
+@imageClickable{screenshot-denemo-small,png,
+  (click to enlarge),screenshot-denemo,png,right}
+
+@sourceimage{logo-linux,,,}
+@sourceimage{logo-windows,,,}
+
+@uref{http://denemo.org}
+
+Denemo is a graphical editor which generates LilyPond source code,
+and also allows audio playback.  It allows users to view the
+LilyPond source code in parallel to the graphical view.  Extra
+LilyPond tweaks can be attached to notes, chords etc. and are stored
+with the Denemo file, so that users can continue to edit graphically.
+
+Moving the cursor in the LilyPond text moves the cursor in the graphical
+view, and any syntax errors in your LilyPond tweaks are highlighted in
+the text view when printed from there.
+
+@divEnd
+
+@divClass{column-center-top}
+@subheading Text editors
 
 @sourceimage{logo-linux,,,}
 @sourceimage{logo-freebsd,,,}
 @sourceimage{logo-macosx,,,}
 @sourceimage{logo-windows,,,}
 
+@uref{http://elysium.thsoft.hu}
+
+Elysium is a LilyPond IDE for Eclipse with an integrated, side-by-side
+view for source and score.  It includes rapid visual & auditive feedback
+without having to switch contexts, and comes with many wizard-driven
+templates.
+
 @uref{http://www.gnu.org/software/emacs/}
 
 Emacs is a text editor with language-sensitive capabilities for
 many different computer languages.  Emacs is a highly extensible
 editor and can be used as an Integrated Development Environment.
 There is a @q{lilypond mode} which supplies the language
-definitions for working with LilyPond source files.
+definitions for working with LilyPond source files.  A developer
+has written @uref{https://github.com/nsceaux/lyqi,lyqi}, an Emacs major
+mode.
 
 @uref{http://www.vim.org}
 
@@ -905,16 +1193,10 @@ As a general rule, if you are not already familiar with Emacs or
 Vim, then you would probably prefer to use a different editor for
 writing LilyPond input files.
 
-@divEnd
-
-@divClass{column-center-top}
-@subheading Other
-
-
-@subsubheading Text environment: TexShop
+More information on setting up Emacs and Vim can be found in
+@rprogram{Text editor support}.
 
 @sourceimage{logo-macosx,,,}
-
 @uref{http://www.uoregon.edu/~koch/texshop}
 
 The TexShop editor for MacOS@tie{}X can be extended to run LilyPond,
@@ -925,73 +1207,96 @@ using the extensions available at:
 @uref{http://users.dimi.uniud.it/~nicola.vitacolonna/home/content/lilypond-scripts}
 @end example
 
-@subsubheading TextMate
+@divEnd
 
-@sourceimage{logo-macosx,,,}
+@divClass{column-center-top}
+@subheading Programs that can export LilyPond code
 
-There is a LilyPond bundle for TextMate.  It may be installed by
-running:
 
-@example
-mkdir -p /Library/Application\ Support/TextMate/Bundles
-cd /Library/Application\ Support/TextMate/Bundles
-svn co http://svn.textmate.org/trunk/Bundles/LilyPond.tmbundle/
-@end example
+@subsubheading Score, tab and MIDI editors:
 
-@divEnd
+@itemize
 
-@divClass{column-center-top}
-@subheading Other programs can export LilyPond code
+@item
+@uref{http://www.jezra.net/projects/bwwtolily,bwwtolily} attempts to
+convert a @code{.bww} or @code{.bmw} file to LilyPond.  While not all of
+the embellishments may get converted properly (this is especially true
+with piobaireachd), the program will list them.
 
+@item
+@uref{http://www.canorus.org,Canorus}, a score editor, can also export
+to LilyPond, but is still beta-software. Testers are welcome, though.
 
-@subsubheading Graphical environments:
+@item
+@uref{http://enc2ly.sourceforge.net/en/,Enc2ly} is a GNU/Linux program
+which converts an @uref{http://www.gvox.com/,Encore} music score into
+a LilyPond one.
 
-@itemize
 @item
-@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and
-MIDI sequencer, which also has a score editor for single-staff
-editing.
+@uref{https://github.com/hanwen/go-enc2ly,go-enc2ly} is a Go tool that
+converts @uref{http://www.gvox.com/,Encore} files to LilyPond.  It was
+created using Felipe Castro's research and reverse engineering by
+tweaking existing .enc files and loading them using the 4.55 demo
+version.
+
+@item
+@uref{http://www.musescore.org,MuseScore}, a score editor, has
+incomplete LilyPond export but is being actively developed.
 
 @item
 @uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd},
-is based on the @uref{http://cairographics.org, Cairo} library and
-has experimental export for LilyPond.
+a score editor based on the @uref{http://www.cairographics.org,Cairo}
+library, it has experimental support for exporting to LilyPond.
 
 @item
-@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack
-tablature editor and player, provides a score view as well as tab,
-and can export to LilyPond.
+@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,NW2LY}
+is a C# program which converts a NoteWorthy composer song into LilyPond.
 
 @item
-@uref{http://musescore.org,MuseScore} has incomplete LilyPond
-export but is being actively developed.
+@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,Ripple}
+is a program that helps create scores and parts, including a mode for
+mixing different musical works together in a single score or part.
 
 @item
-@uref{http://canorus.org,Canorus} can also export to LilyPond, but
-is still beta-software. Testers are welcome, though.
+@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI
+sequencer, which also has a score editor for single-staff editing.
 
 @item
-@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a
-realtime monophonic MIDI to LilyPond converter.
+@uref{https://launchpad.net/rumor/,Rumor}, a realtime monophonic
+MIDI-to-LilyPond converter.
 
 @item
-@uref{http://strasheela.sourceforge.net, Strasheela} is @qq{a
-highly expressive constraint-based music composition system}.
+@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature
+editor and player, includes a score viewer and can export to LilyPond.
 
 @end itemize
 
-@subsubheading Command Line Tools:
+@subsubheading Algorithmic code generators
 
 @itemize
+
 @item
-@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a realtime
-monophonic MIDI to LilyPond converter.
+@uref{http://www.projectabjad.org/,Abjad}, a
+@uref{http://www.python.org/,Python} API for Formalized Score Control
+designed to help composers build up complex pieces of LilyPond notation
+in an iterative and incremental way.
 
 @item
-@uref{http://nicolas.sceaux.free.fr/lilypond/lyqi.html,lyqi}, an
-Emacs major mode.
+@uref{http://common-lisp.net/project/fomus/,FOMUS}, (FOrmat MUSic) is a
+music notation tool for computer music composers.  It is written in the
+Lisp programming language, and has been tested in a variety of
+interpreters.  A C++ port is also available.
+
+@item
+@uref{http://strasheela.sourceforge.net/strasheela/doc/index.html,Strasheela},
+an environment built on top of the
+@uref{http://www.mozart-oz.org/, Mozart/Oz} constraint programming
+language.
 
 @end itemize
+@divEnd
+
+@divClass{column-center-top}
 
 @subheading Other programs not being actively developed
 
@@ -999,25 +1304,21 @@ Emacs major mode.
 
 @item
 @uref{http://lilykde.googlecode.com/,LilyKDE} has been replaced by
-@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as
-LilyKDE3 for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
+@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as LilyKDE3
+for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
 
 @item
 @uref{http://noteedit.berlios.de,NoteEdit}, which imported
-@uref{http://www.musicxml.com/xml.html,MusicXML}, has been forked
+@uref{http://www.makemusic.com/musicxml,MusicXML}, has been forked
 into
 @uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd}
 and @uref{http://canorus.org,Canorus}.
 
-@item
-@uref{http://common-lisp.net/project/fomus/,FOMUS}, a LISP library
-to generate music notation a LISP library to generate music
-notation.
 
 @item
 @uref{http://lilycomp.sourceforge.net, LilyComp} is a graphical
 note entry program, acting much like a number-pad which produces
-lilypond notes.
+LilyPond notes.
 
 @end itemize
 
@@ -1035,7 +1336,7 @@ users even report that they can enter a full score in LilyPond
 faster than with a piano keyboard or mouse+GUI!  Perhaps you would
 like to review the @ref{Features}, @ref{Examples}, or the
 @ref{Freedom} that LilyPond provides, or read about users'
-@ref{Productions} and @ref{Testimonials}.  In addition, our
+@ref{Productions} and @ref{Reviews}.  In addition, our
 approach to the computational aesthetics of classical engraving is
 explained in our @ref{Background}.