X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Ftemplates.itely;h=b9fb828ebe3803ab8ef26a54de7975105fe34b4e;hb=5c14a087ca6cbd665fd631452b7b1283ba0387c3;hp=51c27f4f573c702492c11ef2d807cd6f39324ffd;hpb=2819ba86363def7f615b7fbbf03aecef761296c6;p=lilypond.git diff --git a/Documentation/user/templates.itely b/Documentation/user/templates.itely index 51c27f4f57..b9fb828ebe 100644 --- a/Documentation/user/templates.itely +++ b/Documentation/user/templates.itely @@ -1,5 +1,5 @@ @c -*- coding: utf-8; mode: texinfo; -*- -@c This file is part of lilypond.tely +@c This file is part of lilypond-learning.tely @ignore Translation of GIT committish: FILL-IN-HEAD-COMMITTISH @@ -7,6 +7,8 @@ version that you are working on. See TRANSLATION for details. @end ignore +@c \version "2.11.61" + @node Templates @appendix Templates @@ -14,7 +16,7 @@ This section of the manual contains templates with the LilyPond score already set up for you. Just add notes, run LilyPond, and enjoy beautiful printed scores! -@c bad node name for ancient notation to avoid confict +@c bad node name for ancient notation to avoid conflict @menu * Single staff:: * Piano templates:: @@ -22,533 +24,71 @@ beautiful printed scores! * Vocal ensembles:: * Ancient notation templates:: * Jazz combo:: -* Lilypond-book templates:: +* lilypond-book templates:: @end menu @node Single staff @appendixsec Single staff -@appendixsubsec Notes only -The first example gives you a staff with notes, suitable for a solo -instrument or a melodic fragment. Cut and paste this into a file, -add notes, and you're finished! +@appendixsubsec Notes only -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -melody = \relative c' { - \clef treble - \key c \major - \time 4/4 +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,addversion] +{single-staff-template-with-only-notes.ly} - a4 b c d -} - -\score { - \new Staff \melody - \layout { } - \midi {} -} -@end lilypond @appendixsubsec Notes and lyrics -The next example demonstrates a simple melody with lyrics. Cut and -paste, add notes, then words for the lyrics. This example turns off -automatic beaming, which is common for vocal parts. If you want to use -automatic beaming, you'll have to change or comment out the relevant -line. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -melody = \relative c' { - \clef treble - \key c \major - \time 4/4 - - a4 b c d -} - -text = \lyricmode { - Aaa Bee Cee Dee -} - -\score{ - << - \new Voice = "one" { - \autoBeamOff - \melody - } - \new Lyrics \lyricsto "one" \text - >> - \layout { } - \midi { } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,addversion] +{single-staff-template-with-notes-and-lyrics.ly} @appendixsubsec Notes and chords -Want to prepare a lead sheet with a melody and chords? Look no further! - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -melody = \relative c' { - \clef treble - \key c \major - \time 4/4 - - f4 e8[ c] d4 g | - a2 ~ a2 | -} - -harmonies = \chordmode { - c4:m f:min7 g:maj c:aug d2:dim b:sus -} - -\score { - << - \new ChordNames { - \set chordChanges = ##t - \harmonies - } - \new Staff \melody - >> - - \layout{ } - \midi { } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{single-staff-template-with-notes-and-chords.ly} @appendixsubsec Notes, lyrics, and chords. -This template allows you to prepare a song with melody, words, and chords. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -melody = \relative c' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -text = \lyricmode { - Aaa Bee Cee Dee -} - -harmonies = \chordmode { - a2 c2 -} +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{single-staff-template-with-notes,-lyrics,-and-chords.ly} -\score { - << - \new ChordNames { - \set chordChanges = ##t - \harmonies - } - \new Voice = "one" { - \autoBeamOff - \melody - } - \new Lyrics \lyricsto "one" \text - >> - \layout { } - \midi { } -} -@end lilypond @node Piano templates @appendixsec Piano templates -@appendixsubsec Solo piano - -Here is a simple piano staff. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -upper = \relative c'' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -lower = \relative c { - \clef bass - \key c \major - \time 4/4 - a2 c -} +@appendixsubsec Solo piano -\score { - \new PianoStaff << - \set PianoStaff.instrumentName = "Piano " - \new Staff = "upper" \upper - \new Staff = "lower" \lower - >> - \layout { } - \midi { } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{piano-template-simple.ly} @appendixsubsec Piano and melody with lyrics -Here is a typical song format: one staff with the melody and lyrics, with -piano accompaniment underneath. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -melody = \relative c'' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -text = \lyricmode { - Aaa Bee Cee Dee -} - -upper = \relative c'' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -lower = \relative c { - \clef bass - \key c \major - \time 4/4 - - a2 c -} - -\score { - << - \new Voice = "mel" { - \autoBeamOff - \melody - } - \new Lyrics \lyricsto mel \text - - \new PianoStaff << - \new Staff = "upper" \upper - \new Staff = "lower" \lower - >> - >> - \layout { - \context { \RemoveEmptyStaffContext } - } - \midi { } -} -@end lilypond - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{piano-template-with-melody-and-lyrics.ly} @appendixsubsec Piano centered lyrics -Instead of having a full staff for the melody and lyrics, you can place -the lyrics between the piano staff (and omit the separate melody staff). - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -upper = \relative c'' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -lower = \relative c { - \clef bass - \key c \major - \time 4/4 - - a2 c -} - -text = \lyricmode { - Aaa Bee Cee Dee -} - -\score { - \new GrandStaff << - \new Staff = upper { \new Voice = "singer" \upper } - \new Lyrics \lyricsto "singer" \text - \new Staff = lower { - \clef bass - \lower - } - >> - \layout { - \context { \GrandStaff \accepts "Lyrics" } - \context { \Lyrics \consists "Bar_engraver" } - } - \midi { } -} -@end lilypond - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{piano-template-with-centered-lyrics.ly} @appendixsubsec Piano centered dynamics -Many piano scores have the dynamics centered between the two -staffs. This requires a bit of tweaking to implement, but -since the template is right here, you don't have to do the -tweaking yourself. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -upper = \relative c'' { - \clef treble - \key c \major - \time 4/4 - - a b c d -} - -lower = \relative c { - \clef bass - \key c \major - \time 4/4 - - a2 c -} - -dynamics = { - s2\fff\> s4 - s\!\pp -} - -pedal = { - s2\sustainDown s2\sustainUp -} - -\score { - \new PianoStaff << - \new Staff = "upper" \upper - \new Dynamics = "dynamics" \dynamics - \new Staff = "lower" << - \clef bass - \lower - >> - \new Dynamics = "pedal" \pedal - >> - \layout { - \context { - \type "Engraver_group" - \name Dynamics - \alias Voice % So that \cresc works, for example. - \consists "Output_property_engraver" - - \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) - pedalSustainStrings = #'("Ped." "*Ped." "*") - pedalUnaCordaStrings = #'("una corda" "" "tre corde") - - \consists "Piano_pedal_engraver" - \consists "Script_engraver" - \consists "Dynamic_engraver" - \consists "Text_engraver" - - \override TextScript #'font-size = #2 - \override TextScript #'font-shape = #'italic - \override DynamicText #'extra-offset = #'(0 . 2.5) - \override Hairpin #'extra-offset = #'(0 . 2.5) - - \consists "Skip_event_swallow_translator" - - \consists "Axis_group_engraver" - } - \context { - \PianoStaff - \accepts Dynamics - } - } -} -\score { - \new PianoStaff << - \new Staff = "upper" << \upper \dynamics >> - \new Staff = "lower" << \lower \dynamics >> - \new Dynamics = "pedal" \pedal - >> - \midi { - \context { - \type "Performer_group" - \name Dynamics - \consists "Piano_pedal_performer" - } - \context { - \PianoStaff - \accepts Dynamics - } - } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{piano-template-with-centered-dynamics.ly} @node String quartet @appendixsec String quartet -@appendixsubsec String quartet - -This template demonstrates a string quartet. It also uses a @code{\global} -section for time and key signatures. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" - -global= { - \time 4/4 - \key c \major -} - -violinOne = \new Voice { \relative c''{ - \set Staff.instrumentName = "Violin 1 " - - c2 d e1 -\bar "|." }} -violinTwo = \new Voice { \relative c''{ - \set Staff.instrumentName = "Violin 2 " - - g2 f e1 - -\bar "|." }} -viola = \new Voice { \relative c' { - \set Staff.instrumentName = "Viola " - \clef alto - - e2 d c1 - -\bar "|." }} -cello = \new Voice { \relative c' { - \set Staff.instrumentName = "Cello " - \clef bass - - c2 b a1 - -\bar "|."}} +@appendixsubsec String quartet -\score { - \new StaffGroup << - \new Staff << \global \violinOne >> - \new Staff << \global \violinTwo >> - \new Staff << \global \viola >> - \new Staff << \global \cello >> - >> - \layout { } - \midi { } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{string-quartet-template-simple.ly} @appendixsubsec String quartet parts -The previous example produces a nice string quartet, but what if you -needed to print parts? This template demonstrates how to use the -@code{\tag} feature to easily split a piece into individual parts. - -You need to split this template into separate files; the filenames -are contained in comments at the beginning of each file. @code{piece.ly} -contains all the music definitions. The other files -- @code{score.ly}, -@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly}, and -@code{vlc.ly} -- produce the appropiate part. - -@verbatim -%%%%% piece.ly -\version "2.9.13" - -global= { - \time 4/4 - \key c \major -} - -Violinone = \new Voice { \relative c''{ - \set Staff.instrumentName = "Violin 1 " - - c2 d e1 - -\bar "|." }} %********************************* -Violintwo = \new Voice { \relative c''{ - \set Staff.instrumentName = "Violin 2 " - - g2 f e1 - -\bar "|." }} %********************************* -Viola = \new Voice { \relative c' { - \set Staff.instrumentName = "Viola " - \clef alto - - e2 d c1 - -\bar "|." }} %********************************* -Cello = \new Voice { \relative c' { - \set Staff.instrumentName = "Cello " - \clef bass - - c2 b a1 - -\bar "|."}} %********************************** - -music = { - << - \tag #'score \tag #'vn1 \new Staff { << \global \Violinone >> } - \tag #'score \tag #'vn2 \new Staff { << \global \Violintwo>> } - \tag #'score \tag #'vla \new Staff { << \global \Viola>> } - \tag #'score \tag #'vlc \new Staff { << \global \Cello>> } - >> -} - - - -%%%%% score.ly -\version "2.9.13" -\include "piece.ly" -#(set-global-staff-size 14) -\score { - \new StaffGroup \keepWithTag #'score \music - \layout { } - \midi { } -} - - -%%%%% vn1.ly -\version "2.9.13" -\include "piece.ly" -\score { - \keepWithTag #'vn1 \music - \layout { } -} - - -%%%%% vn2.ly -\version "2.9.13" -\include "piece.ly" -\score { - \keepWithTag #'vn2 \music - \layout { } -} - - -%%%%% vla.ly -\version "2.9.13" -\include "piece.ly" -\score { - \keepWithTag #'vla \music - \layout { } -} - - -%%%%% vlc.ly -\version "2.9.13" -\include "piece.ly" -\score { - \keepWithTag #'vlc \music - \layout { } -} -@end verbatim +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{string-quartet-template-with-separate-parts.ly} @node Vocal ensembles @@ -556,868 +96,44 @@ music = { @appendixsubsec SATB vocal score -Here is a standard four-part SATB vocal score. With larger ensembles, -it's often useful to include a section which is included in all -parts. For example, the time signature and key signatures are almost -always the same for all parts. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -global = { - \key c \major - \time 4/4 -} - -sopMusic = \relative c'' { - c4 c c8[( b)] c4 -} -sopWords = \lyricmode { - hi hi hi hi -} - -altoMusic = \relative c' { - e4 f d e -} -altoWords =\lyricmode { - ha ha ha ha -} - -tenorMusic = \relative c' { - g4 a f g -} -tenorWords = \lyricmode { - hu hu hu hu -} - -bassMusic = \relative c { - c4 c g c -} -bassWords = \lyricmode { - ho ho ho ho -} - -\score { - \new ChoirStaff << - \new Lyrics = sopranos { s1 } - \new Staff = women << - \new Voice = - "sopranos" { \voiceOne << \global \sopMusic >> } - \new Voice = - "altos" { \voiceTwo << \global \altoMusic >> } - >> - \new Lyrics = "altos" { s1 } - \new Lyrics = "tenors" { s1 } - \new Staff = men << - \clef bass - \new Voice = - "tenors" { \voiceOne <<\global \tenorMusic >> } - \new Voice = - "basses" { \voiceTwo <<\global \bassMusic >> } - >> - \new Lyrics = basses { s1 } - - \context Lyrics = sopranos \lyricsto sopranos \sopWords - \context Lyrics = altos \lyricsto altos \altoWords - \context Lyrics = tenors \lyricsto tenors \tenorWords - \context Lyrics = basses \lyricsto basses \bassWords - >> - - \layout { - \context { - % a little smaller so lyrics - % can be closer to the staff - \Staff - \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) - } - } -} -@end lilypond - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{vocal-ensemble-template.ly} @appendixsubsec SATB vocal score and automatic piano reduction -This template adds an automatic piano reduction to the SATB vocal -score. This demonstrates one of the strengths of LilyPond -- you -can use a music definition more than once. If you make any changes -to the vocal notes (say, tenorMusic), then the changes will also -apply to the piano reduction. - -@lilypond[quote,verbatim,ragged-right] -\version "2.9.13" -global = { - \key c \major - \time 4/4 -} - -sopMusic = \relative c'' { - c4 c c8[( b)] c4 -} -sopWords = \lyricmode { - hi hi hi hi -} - -altoMusic = \relative c' { - e4 f d e -} -altoWords =\lyricmode { - ha ha ha ha -} - -tenorMusic = \relative c' { - g4 a f g -} -tenorWords = \lyricmode { - hu hu hu hu -} - -bassMusic = \relative c { - c4 c g c -} -bassWords = \lyricmode { - ho ho ho ho -} - -\score { - << - \new ChoirStaff << - \new Lyrics = sopranos { s1 } - \new Staff = women << - \new Voice = - "sopranos" { \voiceOne << \global \sopMusic >> } - \new Voice = - "altos" { \voiceTwo << \global \altoMusic >> } - >> - \new Lyrics = "altos" { s1 } - \new Lyrics = "tenors" { s1 } - \new Staff = men << - \clef bass - \new Voice = - "tenors" { \voiceOne <<\global \tenorMusic >> } - \new Voice = - "basses" { \voiceTwo <<\global \bassMusic >> } - >> - \new Lyrics = basses { s1 } - - \context Lyrics = sopranos \lyricsto sopranos \sopWords - \context Lyrics = altos \lyricsto altos \altoWords - \context Lyrics = tenors \lyricsto tenors \tenorWords - \context Lyrics = basses \lyricsto basses \bassWords - >> - \new PianoStaff << - \new Staff << - \set Staff.printPartCombineTexts = ##f - \partcombine - << \global \sopMusic >> - << \global \altoMusic >> - >> - \new Staff << - \clef bass - \set Staff.printPartCombineTexts = ##f - \partcombine - << \global \tenorMusic >> - << \global \bassMusic >> - >> - >> - >> - \layout { - \context { - % a little smaller so lyrics - % can be closer to the staff - \Staff - \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) - } - } -} -@end lilypond +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{vocal-ensemble-template-with-automatic-piano-reduction.ly} @appendixsubsec SATB with aligned contexts -Here all the lyrics lines are placed using @code{alignAboveContext} -and @code{alignBelowContext}. - -@lilypond[quote,verbatim,ragged-right] -\version "2.10.0" -global = { - \key c \major - \time 4/4 -} - -sopMusic = \relative c'' { - c4 c c8[( b)] c4 -} -sopWords = \lyricmode { - hi hi hi hi -} - -altoMusic = \relative c' { - e4 f d e -} -altoWords =\lyricmode { - ha ha ha ha -} - -tenorMusic = \relative c' { - g4 a f g -} -tenorWords = \lyricmode { - hu hu hu hu -} +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly} -bassMusic = \relative c { - c4 c g c -} -bassWords = \lyricmode { - ho ho ho ho -} -\score { - \new ChoirStaff << - \new Staff = women << - \new Voice = - "sopranos" { \voiceOne << \global \sopMusic >> } - \new Voice = - "altos" { \voiceTwo << \global \altoMusic >> } - >> - \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords - \new Lyrics \with {alignBelowContext=women} \lyricsto altos \altoWords -% we could remove the line about this with the line below, since we want -% the alto lyrics to be below the alto Voice anyway. -% \new Lyrics \lyricsto altos \altoWords - - \new Staff = men << - \clef bass - \new Voice = - "tenors" { \voiceOne <<\global \tenorMusic >> } - \new Voice = - "basses" { \voiceTwo <<\global \bassMusic >> } - >> - - \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords - \new Lyrics \with {alignBelowContext=men} \lyricsto basses \bassWords -% again, we could replace the line above this with the line below. -% \new Lyrics \lyricsto basses \bassWords - >> - - \layout { - \context { - % a little smaller so lyrics - % can be closer to the staff - \Staff - \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) - } - } -} - - -\score { - \new ChoirStaff << - \new Staff = women << - \new Voice = - "sopranos" { \voiceOne << \global \sopMusic >> } - \new Voice = - "altos" { \voiceTwo << \global \altoMusic >> } - >> - - \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords - \new Lyrics \lyricsto altos \altoWords - - \new Staff = men << - \clef bass - \new Voice = - "tenors" { \voiceOne <<\global \tenorMusic >> } - \new Voice = - "basses" { \voiceTwo <<\global \bassMusic >> } - >> - - \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords - \new Lyrics \lyricsto basses \bassWords - >> - - \layout { - \context { - % a little smaller so lyrics - % can be closer to the staff - \Staff - \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) - } - } -} -@end lilypond - - -@c bad node name to avoid node name confict +@c bad node name to avoid node name conflict @node Ancient notation templates @appendixsec Ancient notation templates @appendixsubsec Transcription of mensural music -When transcribing mensural music, an incipit at the beginning of the -piece is useful to indicate the original key and tempo. While today -musicians are used to bar lines in order to faster recognize rhythmic -patterns, bar lines were not yet invented during the period of -mensural music; in fact, the meter often changed after every few -notes. As a compromise, bar lines are often printed between the -staves rather than on the staves. - -@lilypond[quote,verbatim,line-width=11.0\cm] -\version "2.9.13" - -global = { - \set Score.skipBars = ##t - - % incipit - \once \override Score.SystemStartBracket #'transparent = ##t - \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing - \key f \major - \time 2/2 - \once \override Staff.TimeSignature #'style = #'neomensural - \override Voice.NoteHead #'style = #'neomensural - \override Voice.Rest #'style = #'neomensural - \set Staff.printKeyCancellation = ##f - \cadenzaOn % turn off bar lines - \skip 1*10 - \once \override Staff.BarLine #'transparent = ##f - \bar "||" - \skip 1*1 % need this extra \skip such that clef change comes - % after bar line - \bar "" - - % main - \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect? - \cadenzaOff % turn bar lines on again - \once \override Staff.Clef #'full-size-change = ##t - \set Staff.forceClef = ##t - \key g \major - \time 4/4 - \override Voice.NoteHead #'style = #'default - \override Voice.Rest #'style = #'default - - % FIXME: setting printKeyCancellation back to #t must not - % occur in the first bar after the incipit. Dto. for forceClef. - % Therefore, we need an extra \skip. - \skip 1*1 - \set Staff.printKeyCancellation = ##t - \set Staff.forceClef = ##f - - \skip 1*7 % the actual music - - % let finis bar go through all staves - \override Staff.BarLine #'transparent = ##f - - % finis bar - \bar "|." -} - -discantusNotes = { - \transpose c' c'' { - \set Staff.instrumentName = "Discantus " - - % incipit - \clef "neomensural-c1" - c'1. s2 % two bars - \skip 1*8 % eight bars - \skip 1*1 % one bar - - % main - \clef "treble" - d'2. d'4 | - b e' d'2 | - c'4 e'4.( d'8 c' b | - a4) b a2 | - b4.( c'8 d'4) c'4 | - \once \override NoteHead #'transparent = ##t c'1 | - b\breve | - } -} - -discantusLyrics = \lyricmode { - % incipit - IV- - - % main - Ju -- bi -- | - la -- te De -- | - o, om -- - nis ter -- | - ra, __ om- | - "..." | - -us. | -} - -altusNotes = { - \transpose c' c'' { - \set Staff.instrumentName = "Altus " - - % incipit - \clef "neomensural-c3" - r1 % one bar - f1. s2 % two bars - \skip 1*7 % seven bars - \skip 1*1 % one bar - - % main - \clef "treble" - r2 g2. e4 fis g | % two bars - a2 g4 e | - fis g4.( fis16 e fis4) | - g1 | - \once \override NoteHead #'transparent = ##t g1 | - g\breve | - } -} - -altusLyrics = \lyricmode { - % incipit - IV- - - % main - Ju -- bi -- la -- te | % two bars - De -- o, om -- | - nis ter -- ra, | - "..." | - -us. | -} - -tenorNotes = { - \transpose c' c' { - \set Staff.instrumentName = "Tenor " - - % incipit - \clef "neomensural-c4" - r\longa % four bars - r\breve % two bars - r1 % one bar - c'1. s2 % two bars - \skip 1*1 % one bar - \skip 1*1 % one bar - - % main - \clef "treble_8" - R1 | - R1 | - R1 | - r2 d'2. d'4 b e' | % two bars - \once \override NoteHead #'transparent = ##t e'1 | - d'\breve | - } -} - -tenorLyrics = \lyricmode { - % incipit - IV- - - % main - Ju -- bi -- la -- te | % two bars - "..." | - -us. | -} - -bassusNotes = { - \transpose c' c' { - \set Staff.instrumentName = "Bassus " - - % incipit - \clef "bass" - r\maxima % eight bars - f1. s2 % two bars - \skip 1*1 % one bar - - % main - \clef "bass" - R1 | - R1 | - R1 | - R1 | - g2. e4 | - \once \override NoteHead #'transparent = ##t e1 | - g\breve | - } -} - -bassusLyrics = \lyricmode { - % incipit - IV- - - % main - Ju -- bi- | - "..." | - -us. | -} - -\score { - \new StaffGroup = choirStaff << - \new Voice = - "discantusNotes" << \global \discantusNotes >> - \new Lyrics = - "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics } - \new Voice = - "altusNotes" << \global \altusNotes >> - \new Lyrics = - "altusLyrics" \lyricsto altusNotes { \altusLyrics } - \new Voice = - "tenorNotes" << \global \tenorNotes >> - \new Lyrics = - "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics } - \new Voice = - "bassusNotes" << \global \bassusNotes >> - \new Lyrics = - "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics } - >> - \layout { - \context { - \Score - - % no bars in staves - \override BarLine #'transparent = ##t - - % incipit should not start with a start delimiter - \remove "System_start_delimiter_engraver" - } - \context { - \Voice - - % no slurs - \override Slur #'transparent = ##t - - % Comment in the below "\remove" command to allow line - % breaking also at those barlines where a note overlaps - % into the next bar. The command is commented out in this - % short example score, but especially for large scores, you - % will typically yield better line breaking and thus improve - % overall spacing if you comment in the following command. - %\remove "Forbid_line_break_engraver" - } - } -} -@end lilypond - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{ancient-notation-template----modern-transcription-of-mensural-music.ly} @appendixsubsec Gregorian transcription template -This example demonstrates how to do modern transcription of Gregorian -music. Gregorian music has no measure, no stems; it uses only half and -quarter noteheads, and special marks, indicating rests of different length. - -@lilypond[quote,verbatim,ragged-right] -\include "gregorian-init.ly" -\version "2.9.13" - -chant = \relative c' { - \set Score.timing = ##f - f4 a2 \divisioMinima - g4 b a2 f2 \divisioMaior - g4( f) f( g) a2 \finalis -} - -verba = \lyricmode { - Lo -- rem ip -- sum do -- lor sit a -- met -} - -\score { - \new Staff << - \new Voice = "melody" { - \chant - } - \new Lyrics = "one" \lyricsto melody \verba - >> - - \layout { - \context { - \Staff - \remove "Time_signature_engraver" - \remove "Bar_engraver" - \override Stem #'transparent = ##t - } - \context { - \Voice - \override Stem #'length = #0 - } - \context { - \Score - barAlways = ##t - } - } -} -@end lilypond - +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{ancient-notation-template----modern-transcription-of-gregorian-music.ly} @node Jazz combo @appendixsec Jazz combo -This is a much more complicated template, for a jazz ensemble. Note that all -instruments are notated in @code{\key c \major}. This refers to the key in -concert pitch; LilyPond will automatically transpose the key if the music -is within a @code{\transpose} section. - -@c TODO must clean up this jazz combo example -@c - transpositions stated in names (ie "trumpet in Bb" or whatever) -@c - one global section, instead of "global" (time) and "key" -@c - does it need those wierd macros? sl, nsl, etc. -@c - maybe ask Amelie Zapf to clean it up, or whether I should just -@c make whatever changes I feel like. - -@c FIXME: produces a warning ; key change merge. -@c The `line-width' argument is for the \header. - -@lilypond[quote,verbatim,ragged-right,line-width] -\version "2.9.13" -\header { - title = "Song" - subtitle = "(tune)" - composer = "Me" - meter = "moderato" - piece = "Swing" - tagline = \markup { - \column { - "LilyPond example file by Amelie Zapf," - "Berlin 07/07/2003" - } - } - texidoc = "Jazz tune for combo - (horns, guitar, piano, bass, drums)." -} - -#(set-global-staff-size 16) -\include "english.ly" - -%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%% - -sl = { - \override NoteHead #'style = #'slash - \override Stem #'transparent = ##t -} -nsl = { - \revert NoteHead #'style - \revert Stem #'transparent -} -cr = \override NoteHead #'style = #'cross -ncr = \revert NoteHead #'style - -%% insert chord name style stuff here. - -jzchords = { } - - -%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%% - -global = { - \time 4/4 -} - -Key = { \key c \major } - -% ############ Horns ############ - -% ------ Trumpet ------ -trpt = \transpose c d \relative c'' { - \Key - c1 c c -} -trpharmony = \transpose c' d { - \jzchords -} -trumpet = { - \global - \set Staff.instrumentName = #"Trumpet" - \clef treble - << - \trpt - >> -} - -% ------ Alto Saxophone ------ -alto = \transpose c a \relative c' { - \Key - c1 c c -} -altoharmony = \transpose c' a { - \jzchords -} -altosax = { - \global - \set Staff.instrumentName = #"Alto Sax" - \clef treble - << - \alto - >> -} - -% ------ Baritone Saxophone ------ -bari = \transpose c a' \relative c { - \Key - c1 c \sl d4^"Solo" d d d \nsl -} -bariharmony = \transpose c' a \chordmode { - \jzchords s1 s d2:maj e:m7 -} -barisax = { - \global - \set Staff.instrumentName = #"Bari Sax" - \clef treble - << - \bari - >> -} - -% ------ Trombone ------ -tbone = \relative c { - \Key - c1 c c -} -tboneharmony = \chordmode { - \jzchords -} -trombone = { - \global - \set Staff.instrumentName = #"Trombone" - \clef bass - << - \tbone - >> -} - -% ############ Rhythm Section ############# - -% ------ Guitar ------ -gtr = \relative c'' { - \Key - c1 \sl b4 b b b \nsl c1 -} -gtrharmony = \chordmode { - \jzchords - s1 c2:min7+ d2:maj9 -} -guitar = { - \global - \set Staff.instrumentName = #"Guitar" - \clef treble - << - \gtr - >> -} - -%% ------ Piano ------ -rhUpper = \relative c'' { - \voiceOne - \Key - c1 c c -} -rhLower = \relative c' { - \voiceTwo - \Key - e1 e e -} - -lhUpper = \relative c' { - \voiceOne - \Key - g1 g g -} -lhLower = \relative c { - \voiceTwo - \Key - c1 c c -} - -PianoRH = { - \clef treble - \global - \set Staff.midiInstrument = "acoustic grand" - << - \new Voice = "one" \rhUpper - \new Voice = "two" \rhLower - >> -} -PianoLH = { - \clef bass - \global - \set Staff.midiInstrument = "acoustic grand" - << - \new Voice = "one" \lhUpper - \new Voice = "two" \lhLower - >> -} - -piano = { - << - \set PianoStaff.instrumentName = #"Piano" - \new Staff = "upper" \PianoRH - \new Staff = "lower" \PianoLH - >> -} - -% ------ Bass Guitar ------ -Bass = \relative c { - \Key - c1 c c -} -bass = { - \global - \set Staff.instrumentName = #"Bass" - \clef bass - << - \Bass - >> -} - -% ------ Drums ------ -up = \drummode { - hh4 4 hh hh 4 - hh4 4 - hh4 4 - hh4 4 -} - -down = \drummode { - bd4 s bd s bd s bd s bd s bd s -} - -drumContents = { - \global - << - \set DrumStaff.instrumentName = #"Drums" - \new DrumVoice { \voiceOne \up } - \new DrumVoice { \voiceTwo \down } - >> -} +@lilypondfile[verbatim,lilyquote,ragged-right,texidoc] +{jazz-combo-template.ly} -%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%% -\score { - << - \new StaffGroup = "horns" << - \new Staff = "trumpet" \trumpet - \new Staff = "altosax" \altosax - \new ChordNames = "barichords" \bariharmony - \new Staff = "barisax" \barisax - \new Staff = "trombone" \trombone - >> - - \new StaffGroup = "rhythm" << - \new ChordNames = "chords" \gtrharmony - \new Staff = "guitar" \guitar - \new PianoStaff = "piano" \piano - \new Staff = "bass" \bass - \new DrumStaff { \drumContents } - >> - >> - - \layout { - \context { \RemoveEmptyStaffContext } - \context { - \Score - \override BarNumber #'padding = #3 - \override RehearsalMark #'padding = #2 - skipBars = ##t - } - } - \midi { } -} -@end lilypond @ignore - This isn't very useful, and only duplicates material in "global issues". And if this info changes, this section often gets forgotten. @@ -1436,7 +152,7 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print @ The `line-width' is for \header. @li lypond[quote,verbatim,ragged-right,line-width] -\version "2.9.13" +\version "2.11.61" \header { dedication = "dedication" title = "Title" @@ -1485,11 +201,11 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print @end ignore -@node Lilypond-book templates -@appendixsec Lilypond-book templates +@node lilypond-book templates +@appendixsec lilypond-book templates These templates are for use with @code{lilypond-book}. If you're not familiar -with this program, please refer to @ref{LilyPond-book}. +with this program, please refer to @rprogram{LilyPond-book}. @appendixsubsec LaTeX @@ -1541,3 +257,60 @@ d4 c b a @@bye @end example + + +@appendixsubsec xelatex + +@verbatim +\documentclass{article} +\usepackage{ifxetex} +\ifxetex +%xetex specific stuff +\usepackage{xunicode,fontspec,xltxtra} +\setmainfont[Numbers=OldStyle]{Times New Roman} +\setsansfont{Arial} +\else +%This can be empty if you are not going to use pdftex +\usepackage[T1]{fontenc} +\usepackage[utf8]{inputenc} +\usepackage{mathptmx}%Times +\usepackage{helvet}%Helvetica +\fi +%Here you can insert all packages that pdftex also understands +\usepackage[ngerman,finnish,english]{babel} +\usepackage{graphicx} + +\begin{document} +\title{A short document with LilyPond and xelatex} +\maketitle + +Normal \textbf{font} commands inside the \emph{text} work, +because they \textsf{are supported by \LaTeX{} and XeteX.} +If you want to use specific commands like \verb+\XeTeX+, you +should include them again in a \verb+\ifxetex+ environment. +You can use this to print the \ifxetex \XeTeX{} command \else +XeTeX command \fi which is not known to normal \LaTeX . + +In normal text you can easily use LilyPond commands, like this: + +\begin{lilypond} +{a2 b c'8 c' c' c'} +\end{lilypond} + +\noindent +and so on. + +The fonts of snippets set with LilyPond will have to be set from +inside +of the snippet. For this you should read the AU on how to use +lilypond-book. + +\selectlanguage{ngerman} +Auch Umlaute funktionieren ohne die \LaTeX -Befehle, wie auch alle +anderen +seltsamen Zeichen: __ ______, wenn sie von der Schriftart +unterst__tzt werden. +\end{document} +@end verbatim + +