X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Frepeats.itely;h=689fd36009ae18c245af1c601b8498d24734e62d;hb=1423508c355989fa26a8cfe5985b0d6e1ab0a538;hp=47e6a3927bc0b5b2d3a3fd071bff0bc38b8d3517;hpb=efd938cb2bc0a76cd288e9bceba2e5b1b790723c;p=lilypond.git

diff --git a/Documentation/user/repeats.itely b/Documentation/user/repeats.itely
index 47e6a3927b..689fd36009 100644
--- a/Documentation/user/repeats.itely
+++ b/Documentation/user/repeats.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.51"
+@c \version "2.12.0"
 
 @node Repeats
 @section Repeats
@@ -22,14 +22,14 @@ repeats:
 @item volta
 The repeated music is not written out but enclosed between repeat bar
 lines.  If the repeat is at the beginning of a piece, a repeat bar
-line is only printed at the endof the repeat.  Alternative endings
+line is only printed at the end of the repeat.  Alternative endings
 (volte) are printed left to right with brackets.  This is the standard
 notation for repeats with alternatives.
 
 @item unfold
 The repeated music is fully written out, as many times as
 specified by @var{repeatcount}.  This is useful when
-entering repetitious music. 
+entering repetitious music.
 
 @item percent
 These are beat or measure repeats.  They look like single slashes or
@@ -42,8 +42,8 @@ This is used to write tremolo beams.
 
 
 @menu
-* Long repeats::                
-* Short repeats::               
+* Long repeats::
+* Short repeats::
 @end menu
 
 @node Long repeats
@@ -55,9 +55,9 @@ repeat signs; or written out repeats, used to input repetitious music.
 Repeat signs can also be controlled manually.
 
 @menu
-* Normal repeats::              
-* Manual repeat marks::         
-* Written-out repeats::  
+* Normal repeats::
+* Manual repeat marks::
+* Written-out repeats::
 @end menu
 
 @cindex volta
@@ -65,6 +65,10 @@ Repeat signs can also be controlled manually.
 @cindex seconda volta
 @cindex volta, prima
 @cindex volta, seconda
+@cindex repeat, normal
+@cindex normal repeat
+@cindex repeat with alternate endings
+@cindex alternate endings
 @funindex \repeat
 @funindex \alternative
 @funindex \partial
@@ -79,9 +83,10 @@ The syntax for a normal repeat is
 @end example
 
 where @var{musicexpr} is a music expression.  Alternate endings can be
-produced using @code{\alternative}.  If there are more repeats than
-there are alternate endings, the earliest repeats are given the first
-alternative.
+produced using @code{\alternative}.  In order to delimit the alternate
+endings, the group of alternatives must be enclosed in a set of
+braces.  If there are more repeats than there are alternate endings,
+the earliest repeats are given the first alternative.
 
 Normal repeats without alternate endings:
 
@@ -103,6 +108,14 @@ c1
 @end lilypond
 
 
+@cindex repeat with upbeat
+@cindex upbeat in a repeat
+@cindex anacrucis in a repeat
+@cindex repeat with anacrucis
+@cindex repeat with pickup
+@cindex pickup in a repeat
+@funindex \partial
+
 Repeats with upbeats can be entered in two ways:
 
 @lilypond[verbatim,quote,relative=2]
@@ -119,7 +132,7 @@ e |
 or
 
 @lilypond[verbatim,quote,relative=2]
-\partial 4 
+\partial 4
 \repeat volta 4 { e4 | c2 d | e2 f | }
 \alternative {
   { \partial 4*3 g4 g g }
@@ -155,7 +168,6 @@ c1
 
 
 @seealso
-
 Music Glossary: @rglos{repeat}, @rglos{volta}.
 
 Notation Reference: @ref{Bar lines}, @ref{Modifying context plug-ins}.
@@ -166,9 +178,18 @@ Internals Reference: @rinternals{VoltaBracket},
 @rinternals{RepeatedMusic}, @rinternals{VoltaRepeatedMusic},
 @rinternals{UnfoldedRepeatedMusic}.
 
+
 @knownissues
 
 @cindex repeat, ambiguous
+@cindex nested repeat
+@cindex repeat, nested
+@cindex repeat timing information
+@cindex repeat and measure number
+@cindex timing information and repeats
+@cindex measure number and repeats
+@cindex repeat and slur
+@cindex slur and repeat
 
 A nested repeat like
 
@@ -194,7 +215,18 @@ example, by setting @code{Score.measurePosition} or entering
 @node Manual repeat marks
 @unnumberedsubsubsec Manual repeat marks
 
+@cindex manual repeat mark
+@cindex repeat, manual
+@cindex start repeat
+@cindex repeat, start
+@cindex end repeat
+@cindex repeat, end
+@cindex repeat number, changing
+@cindex repeat volta, changing
+@cindex volta bracket
+@cindex bracket, volta
 @funindex repeatCommands
+@funindex start-repeat
 
 @warning{These methods are only used for displaying unusual repeat
 constructs, and may produce unexpected behavior.  In most cases,
@@ -211,7 +243,7 @@ Print a @code{|:} bar line.
 
 @lilypond[verbatim,quote,relative=2]
 c1
-\set Score.repeatCommands = #'( start-repeat )
+\set Score.repeatCommands = #'(start-repeat)
 d4 e f g
 c1
 @end lilypond
@@ -225,7 +257,7 @@ Print a @code{:|} bar line:
 @lilypond[verbatim,quote,relative=2]
 c1
 d4 e f g
-\set Score.repeatCommands = #'( end-repeat )
+\set Score.repeatCommands = #'(end-repeat)
 c1
 @end lilypond
 
@@ -235,9 +267,9 @@ be explicitly terminated, or it will not be printed.
 
 @lilypond[verbatim,quote,relative=2]
 f4 g a b
-\set Score.repeatCommands = #'( ( volta "2" ) )
+\set Score.repeatCommands = #'((volta "2"))
 g4 a g a
-\set Score.repeatCommands = #'( ( volta #f ) )
+\set Score.repeatCommands = #'((volta #f))
 c1
 @end lilypond
 
@@ -247,23 +279,27 @@ Multiple repeat commands may occur at the same point:
 
 @lilypond[verbatim,quote,relative=2]
 f4 g a b
-\set Score.repeatCommands = #'( ( volta "2, 5" ) end-repeat )
+\set Score.repeatCommands = #'((volta "2, 5") end-repeat)
 g4 a g a
 c1
-\set Score.repeatCommands = #'( ( volta #f ) ( volta "95" ) end-repeat )
+\set Score.repeatCommands = #'((volta #f) (volta "95") end-repeat)
 b1
+\set Score.repeatCommands = #'((volta #f))
 @end lilypond
 
+@cindex volta bracket with text
+@cindex text in volta bracket
+
 Text can be included with the volta bracket.  The text can be a
 number or numbers or markup text, see @ref{Formatting text}.  The
 simplest way to use markup text is to define the markup first,
-then include the the markup in a Scheme list.
+then include the markup in a Scheme list.
 
 @lilypond[verbatim,quote]
 voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
 \relative c'' {
   c1
-  \set Score.repeatCommands = #(list (list 'volta voltaAdLib) 'start-repeat)
+  \set Score.repeatCommands = #(list(list 'volta voltaAdLib) 'start-repeat)
   c4 b d e
   \set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat)
   f1
@@ -277,8 +313,8 @@ voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
 {printing-a-repeat-sign-at-the-beginning-of-a-piece.ly}
 
-@seealso
 
+@seealso
 Notation Reference:
 @ref{Bar lines},
 @ref{Formatting text}.
@@ -298,6 +334,13 @@ Internals Reference:
 @cindex written-out repeats
 @cindex repetitious music
 @cindex repeats, written-out
+@cindex repeat, unfold
+@cindex unfold music
+@cindex unfold repeat
+@cindex unfold repeat with alternate endings
+@cindex unfold music with alternate endings
+@cindex alternate ending in written-out repeats
+@funindex unfold
 
 By using the @code{unfold} command, repeats can be used to simplify
 the writing out of repetitious music.  The syntax is
@@ -306,11 +349,8 @@ the writing out of repetitious music.  The syntax is
 \repeat unfold @var{repeatcount} @var{musicexpr}
 @end example
 
-where @var{musicexpr} is a music expression.  Unfold repeats can be
-made with or without alternate endings.  If there are more repeats
-than there are alternate endings, the first alternative ending is
-applied to the earliest endings.  Unfold repeats without alternate
-endings:
+where @var{musicexpr} is a music expression and @var{repeatcount} is
+the number of times @var{musicexpr} is repeated.
 
 @lilypond[verbatim,quote,relative=2]
 c1
@@ -318,7 +358,9 @@ c1
 c1
 @end lilypond
 
-Unfold repeats with alternate endings:
+Unfold repeats can be made with alternate endings.  If there are
+more repeats than there are alternate endings, the first
+alternative ending is applied to the earliest endings.
 
 @lilypond[verbatim,quote,relative=2]
 c1
@@ -330,13 +372,14 @@ c1
 c1
 @end lilypond
 
-@seealso
 
+@seealso
 Snippets: @rlsr{Repeats}.
 
 Internals Reference: @rinternals{RepeatedMusic},
 @rinternals{UnfoldedRepeatedMusic}.
 
+
 @node Short repeats
 @subsection Short repeats
 
@@ -345,8 +388,8 @@ take two basic forms: repeats of a single note to two measures,
 represented by slashes or percent signs; and tremolos.
 
 @menu
-* Percent repeats::             
-* Tremolo repeats::             
+* Percent repeats::
+* Tremolo repeats::
 @end menu
 
 @node Percent repeats
@@ -354,6 +397,11 @@ represented by slashes or percent signs; and tremolos.
 
 @cindex percent repeats
 @cindex measure repeats
+@cindex repeat, percent
+@cindex repeat, measure
+@cindex repeat, short
+@funindex \repeat percent
+@funindex percent
 
 Repeated short patterns of notes are supported.  The music is printed
 once, and the pattern is replaced with a special sign.  Patterns that
@@ -364,7 +412,7 @@ one or two measures are replaced by percent-like signs.  The syntax is
 @code{\repeat percent @var{number} @var{musicexpr}}
 @end example
 
-where @var{musicexpr} is a music expression. 
+where @var{musicexpr} is a music expression.
 
 @lilypond[verbatim,quote,relative=2]
 \repeat percent 4 { c4 }
@@ -377,11 +425,14 @@ where @var{musicexpr} is a music expression.
 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
 {percent-repeat-counter.ly}
 
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{percent-repeat-count-visibility.ly}
+
 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
 {isolated-percent-repeats.ly}
 
-@seealso
 
+@seealso
 Music Glossary: @rglos{percent repeat}, @rglos{simile}.
 
 Snippets: @rlsr{Repeats}.
@@ -391,6 +442,7 @@ Internals Reference: @rinternals{RepeatSlash},
 @rinternals{DoublePercentRepeatCounter},
 @rinternals{PercentRepeatCounter}, @rinternals{PercentRepeatedMusic}.
 
+
 @knownissues
 
 Only three kinds of percent repeats are supported: a single slash
@@ -406,14 +458,18 @@ durations, are supported.
 @node Tremolo repeats
 @unnumberedsubsubsec Tremolo repeats
 
-Tremolos can take two forms: alternation between two chords or two
-notes, and rapid repetition of a single
-note or chord. Tremolos consisting of an alternation are indicated by
-adding beams between the notes or chords being alternated, while
-tremolos consisting of the rapid repetition of a single note are
-indicated by adding beams or slashes to a single note.
-
 @cindex tremolo beams
+@cindex tremolo
+@cindex repeat, tremolo
+@funindex \repeat tremolo
+@funindex tremolo
+
+Tremolos can take two forms: alternation between two chords or two
+notes, and rapid repetition of a single note or chord. Tremolos
+consisting of an alternation are indicated by adding beams between the
+notes or chords being alternated, while tremolos consisting of the
+rapid repetition of a single note are indicated by adding beams or
+slashes to a single note.
 
 To place tremolo marks between notes, use @code{\repeat} with
 tremolo style:
@@ -433,7 +489,7 @@ note, but @code{\repeat tremolo 9} is not.
 The duration of the tremolo equals the duration of the
 braced expression multiplied by the number of repeats:
 @code{\repeat tremolo 8 @{ c16 d16 @}} gives a whole note tremolo,
-notated as two whole notes joined by tremolo beams. 
+notated as two whole notes joined by tremolo beams.
 
 There are two ways to put tremolo marks on a single note.  The
 @code{\repeat tremolo} syntax is also used here, in which case
@@ -445,6 +501,7 @@ the note should not be surrounded by braces:
 
 @cindex tremolo marks
 @funindex tremoloFlags
+@funindex :
 
 The same output can be obtained by adding
 @q{@code{:}[@var{number}]} after the note.  The number indicates
@@ -458,7 +515,14 @@ c2:8 c:32
 c: c:
 @end lilypond
 
-@seealso
 
+@seealso
 Snippets: @rlsr{Repeats}.
 
+@cindex tremolo, cross-staff
+@cindex cross-staff tremolo
+
+@knownissues
+
+Cross-staff tremolos do not work well.
+