X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=fe10fc4ac8a0d0f52315e7e15de92af1b1617a15;hb=56eb926496cecca3a8fafa00855494224e785e21;hp=9fd5d48b0832a375f5b835c9db177fc6071bd36c;hpb=ece9bf410c93b5f0bdcf6d8ce6dd88a93001ad42;p=lilypond.git diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely index 9fd5d48b08..fe10fc4ac8 100644 --- a/Documentation/user/notation-appendices.itely +++ b/Documentation/user/notation-appendices.itely @@ -7,24 +7,45 @@ version that you are working on. See TRANSLATION for details. @end ignore -@c \version "2.11.38" +@c \version "2.12.0" @node Notation manual tables @appendix Notation manual tables +@c Please do not delete the following @ignore block. +@ignore +Note for editors and translators: In the following menu, two entries +are needed to link to a pair of automatically generated sections. +Please keep them and, if using emacs, do not run +texinfo-all-menus-update without manually restoring them back. These +menu entries are: + +* Text markup commands:: +* Text markup list commands:: + +and they should go just after +* Note head styles:: + +and just before +* List of articulations:: +@end ignore + @menu -* Chord name chart:: -* MIDI instruments:: -* List of colors:: -* The Feta font:: -* Note head styles:: -* Text markup commands:: -* Text markup list commands:: -* List of articulations:: -* All context properties:: -* Layout properties:: -* Identifiers:: -* Scheme functions:: +* Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: +* MIDI instruments:: +* List of colors:: +* The Feta font:: +* Note head styles:: +* Text markup commands:: +* Text markup list commands:: +* List of articulations:: +* Percussion notes:: +* All context properties:: +* Layout properties:: +* Identifiers:: +* Scheme functions:: @end menu @@ -37,6 +58,359 @@ names, along with the pitches they represent. @lilypondfile{chord-names-jazz.ly} +@node Common chord modifiers +@appendixsec Common chord modifiers + +The following table shows chord modifiers that can be used in +@code{\chordmode} to generate standard chord structures. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Chord type} +@tab +@b{Intervals} +@tab +@b{Modifier(s)} +@tab +@b{Example} + + +@item +Major +@tab +Major third, perfect fifth +@tab +@code{5} or nothing +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:5 +} +@end lilypond + +@item +Minor +@tab +Minor third, perfect fifth +@tab +@code{m} or @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m +} +@end lilypond + +@item +Augmented +@tab +Major third, augmented fifth +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug +} +@end lilypond + +@item +Diminished +@tab +Minor third, diminished fifth +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim +} +@end lilypond + +@item +Dominant seventh +@tab +Major triad, minor seventh +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7 +} +@end lilypond + +@item +Major seventh +@tab +Major triad, major seventh +@tab +@code{maj7} or @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Minor seventh +@tab +Minor triad, minor seventh +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Diminished seventh +@tab +Diminished triad, diminished seventh +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Augmented seventh +@tab +Augmented triad, minor seventh +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +Half-diminished seventh +@tab +Diminished triad, minor seventh +@tab +@code{m7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7.5- +} +@end lilypond + +@item +Minor-major seventh +@tab +Minor triad, major seventh +@tab +@code{maj7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7.5- +} +@end lilypond + +@item +Major sixth +@tab +Major triad, sixth +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:6 +} +@end lilypond + +@item +Minor sixth +@tab +Minor triad, sixth +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Dominant ninth +@tab +Dominant seventh, major ninth +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:9 +} +@end lilypond + +@item +Major ninth +@tab +Major seventh, major ninth +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Minor ninth +@tab +Minor seventh, major ninth +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Dominant eleventh +@tab +Dominant ninth, perfect eleventh +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:11 +} +@end lilypond + +@item +Major eleventh +@tab +Major ninth, perfect eleventh +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Minor eleventh +@tab +Minor ninth, perfect eleventh +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Dominant thirteenth +@tab +Dominant ninth, major thirteenth +@tab +@code{13} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13 +} +@end lilypond + +@item +Dominant thirteenth +@tab +Dominant eleventh, major thirteenth +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Major thirteenth +@tab +Major eleventh, major thirteenth +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Minor thirteenth +@tab +Minor eleventh, major thirteenth +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +Suspended second +@tab +Major second, perfect fifth +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +Suspended fourth +@tab +Perfect fourth, perfect fifth +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + +@node Predefined fretboard diagrams +@appendixsec Predefined fretboard diagrams + +The chart below shows the predefined fretboard diagrams. + +@lilypondfile{display-predefined-fretboards.ly} + @node MIDI instruments @appendixsec MIDI instruments @@ -47,7 +421,7 @@ The following is a list of names that can be used for the acoustic grand contrabass lead 7 (fifths) bright acoustic tremolo strings lead 8 (bass+lead) electric grand pizzicato strings pad 1 (new age) -honky-tonk orchestral strings pad 2 (warm) +honky-tonk orchestral harp pad 2 (warm) electric piano 1 timpani pad 3 (polysynth) electric piano 2 string ensemble 1 pad 4 (choir) harpsichord string ensemble 2 pad 5 (bowed) @@ -212,18 +586,10 @@ The following styles may be used for note heads. @lilypondfile[noindent]{note-head-style.ly} -@node Text markup commands -@appendixsec Text markup commands - @include markup-commands.tely -@node Text markup list commands -@appendixsec Text markup list commands - @include markup-list-commands.tely - - @node List of articulations @appendixsec List of articulations @@ -257,10 +623,14 @@ The following styles may be used for note heads. @cindex coda @cindex varcoda -Here is a chart showing all scripts available, -@lilypondfile[ragged-right,quote]{script-chart.ly} +@lilypondfile[quote,texidoc]{script-chart.ly} + + +@node Percussion notes +@appendixsec Percussion notes +@lilypondfile[quote]{percussion-chart.ly} @node All context properties