X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=fe10fc4ac8a0d0f52315e7e15de92af1b1617a15;hb=2a4c0bc077867d99fe30c67c3ff10ba3ff7ecc47;hp=db23c8606636815384bb416474592cf06fc9d41e;hpb=90b574e8cd3b93ae2148facfa475109694d395da;p=lilypond.git diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely index db23c86066..fe10fc4ac8 100644 --- a/Documentation/user/notation-appendices.itely +++ b/Documentation/user/notation-appendices.itely @@ -7,7 +7,7 @@ version that you are working on. See TRANSLATION for details. @end ignore -@c \version "2.11.51" +@c \version "2.12.0" @node Notation manual tables @appendix Notation manual tables @@ -31,21 +31,21 @@ and just before @end ignore @menu -* Chord name chart:: -* Common chord modifiers:: -* Predefined fretboard diagrams:: -* MIDI instruments:: -* List of colors:: -* The Feta font:: -* Note head styles:: -* Text markup commands:: +* Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: +* MIDI instruments:: +* List of colors:: +* The Feta font:: +* Note head styles:: +* Text markup commands:: * Text markup list commands:: -* List of articulations:: -* Percussion notes:: -* All context properties:: -* Layout properties:: -* Identifiers:: -* Scheme functions:: +* List of articulations:: +* Percussion notes:: +* All context properties:: +* Layout properties:: +* Identifiers:: +* Scheme functions:: @end menu @@ -198,11 +198,11 @@ Half-diminished seventh @tab Diminished triad, minor seventh @tab -@code{dim5m7} +@code{m7.5-} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { - c1:dim5m7 + c1:m7.5- } @end lilypond @@ -211,11 +211,11 @@ Minor-major seventh @tab Minor triad, major seventh @tab -@code{7m5} +@code{maj7.5-} @tab @lilypond[line-width=3\cm,noragged-right, notime] \chordmode { - c1:7m5 + c1:maj7.5- } @end lilypond @@ -261,7 +261,7 @@ Dominant seventh, major ninth @item Major ninth @tab -TODO +Major seventh, major ninth @tab @code{maj9} @tab @@ -274,7 +274,7 @@ TODO @item Minor ninth @tab -TODO +Minor seventh, major ninth @tab @code{m9} @tab @@ -300,7 +300,7 @@ Dominant ninth, perfect eleventh @item Major eleventh @tab -TODO +Major ninth, perfect eleventh @tab @code{maj11} @tab @@ -313,7 +313,7 @@ TODO @item Minor eleventh @tab -TODO +Minor ninth, perfect eleventh @tab @code{m11} @tab @@ -323,6 +323,19 @@ TODO } @end lilypond +@item +Dominant thirteenth +@tab +Dominant ninth, major thirteenth +@tab +@code{13} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13 +} +@end lilypond + @item Dominant thirteenth @tab @@ -339,7 +352,7 @@ Dominant eleventh, major thirteenth @item Major thirteenth @tab -TODO +Major eleventh, major thirteenth @tab @code{maj13.11} @tab @@ -352,7 +365,7 @@ TODO @item Minor thirteenth @tab -TODO +Minor eleventh, major thirteenth @tab @code{m13.11} @tab @@ -365,7 +378,7 @@ TODO @item Suspended second @tab -TODO +Major second, perfect fifth @tab @code{sus2} @tab @@ -378,7 +391,7 @@ TODO @item Suspended fourth @tab -TODO +Perfect fourth, perfect fifth @tab @code{sus4} @tab @@ -408,7 +421,7 @@ The following is a list of names that can be used for the acoustic grand contrabass lead 7 (fifths) bright acoustic tremolo strings lead 8 (bass+lead) electric grand pizzicato strings pad 1 (new age) -honky-tonk orchestral strings pad 2 (warm) +honky-tonk orchestral harp pad 2 (warm) electric piano 1 timpani pad 3 (polysynth) electric piano 2 string ensemble 1 pad 4 (choir) harpsichord string ensemble 2 pad 5 (bowed) @@ -610,9 +623,8 @@ The following styles may be used for note heads. @cindex coda @cindex varcoda -Here is a chart showing all scripts available, -@lilypondfile[quote]{script-chart.ly} +@lilypondfile[quote,texidoc]{script-chart.ly} @node Percussion notes