X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=a2b055025fad47c2a9bc7291586c99c0980a1175;hb=456d20f8f4a581e3ac77b0e1d912b90f682af08e;hp=1a13a081a5587fc4d465a2141bd5e00210abf3a3;hpb=6880ab535d8a3db11acce28ab0ae85d8210d00e1;p=lilypond.git

diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely
index 1a13a081a5..a2b055025f 100644
--- a/Documentation/user/notation-appendices.itely
+++ b/Documentation/user/notation-appendices.itely
@@ -7,25 +7,45 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.51"
+@c \version "2.12.0"
 
 @node Notation manual tables
 @appendix Notation manual tables
 
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
 @menu
-* Chord name chart::            
+* Chord name chart::
 * Common chord modifiers::
-* MIDI instruments::            
-* List of colors::              
-* The Feta font::               
-* Note head styles::            
-* Text markup commands::        
-* Text markup list commands::   
-* List of articulations::       
-* All context properties::      
-* Layout properties::           
-* Identifiers::                 
-* Scheme functions::            
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
 @end menu
 
 
@@ -63,7 +83,7 @@ Major third, perfect fifth
 @tab
 @code{5} or nothing
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:5
 }
@@ -76,7 +96,7 @@ Minor third, perfect fifth
 @tab
 @code{m} or @code{m5}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m
 }
@@ -89,7 +109,7 @@ Major third, augmented fifth
 @tab
 @code{aug}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:aug
 }
@@ -102,7 +122,7 @@ Minor third, diminished fifth
 @tab
 @code{dim}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:dim
 }
@@ -115,7 +135,7 @@ Major triad, minor seventh
 @tab
 @code{7}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:7
 }
@@ -128,7 +148,7 @@ Major triad, major seventh
 @tab
 @code{maj7} or @code{maj}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj7
 }
@@ -141,7 +161,7 @@ Minor triad, minor seventh
 @tab
 @code{m7}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m7
 }
@@ -154,7 +174,7 @@ Diminished triad, diminished seventh
 @tab
 @code{dim7}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:dim7
 }
@@ -167,7 +187,7 @@ Augmented triad, minor seventh
 @tab
 @code{aug7}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:aug7
 }
@@ -178,11 +198,11 @@ Half-diminished seventh
 @tab
 Diminished triad, minor seventh
 @tab
-@code{dim5m7}
+@code{m7.5-}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
-  c1:dim5m7
+  c1:m7.5-
 }
 @end lilypond
 
@@ -191,11 +211,11 @@ Minor-major seventh
 @tab
 Minor triad, major seventh
 @tab
-@code{7m5}
+@code{maj7.5-}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
-  c1:7m5
+  c1:maj7.5-
 }
 @end lilypond
 
@@ -206,7 +226,7 @@ Major triad, sixth
 @tab
 @code{6}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:6
 }
@@ -219,7 +239,7 @@ Minor triad, sixth
 @tab
 @code{m6}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m6
 }
@@ -232,7 +252,7 @@ Dominant seventh, major ninth
 @tab
 @code{9}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:9
 }
@@ -241,11 +261,11 @@ Dominant seventh, major ninth
 @item
 Major ninth
 @tab
-TODO
+Major seventh, major ninth
 @tab
 @code{maj9}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj9
 }
@@ -254,11 +274,11 @@ TODO
 @item
 Minor ninth
 @tab
-TODO
+Minor seventh, major ninth
 @tab
 @code{m9}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m9
 }
@@ -271,7 +291,7 @@ Dominant ninth, perfect eleventh
 @tab
 @code{11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:11
 }
@@ -280,11 +300,11 @@ Dominant ninth, perfect eleventh
 @item
 Major eleventh
 @tab
-TODO
+Major ninth, perfect eleventh
 @tab
 @code{maj11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj11
 }
@@ -293,16 +313,29 @@ TODO
 @item
 Minor eleventh
 @tab
-TODO
+Minor ninth, perfect eleventh
 @tab
 @code{m11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m11
 }
 @end lilypond
 
+@item
+Dominant thirteenth
+@tab
+Dominant ninth, major thirteenth
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:13
+}
+@end lilypond
+
 @item
 Dominant thirteenth
 @tab
@@ -310,7 +343,7 @@ Dominant eleventh, major thirteenth
 @tab
 @code{13.11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:13.11
 }
@@ -319,11 +352,11 @@ Dominant eleventh, major thirteenth
 @item
 Major thirteenth
 @tab
-TODO
+Major eleventh, major thirteenth
 @tab
 @code{maj13.11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj13.11
 }
@@ -332,11 +365,11 @@ TODO
 @item
 Minor thirteenth
 @tab
-TODO
+Minor eleventh, major thirteenth
 @tab
 @code{m13.11}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m13.11
 }
@@ -345,11 +378,11 @@ TODO
 @item
 Suspended second
 @tab
-TODO
+Major second, perfect fifth
 @tab
 @code{sus2}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:sus2
 }
@@ -358,11 +391,11 @@ TODO
 @item
 Suspended fourth
 @tab
-TODO
+Perfect fourth, perfect fifth
 @tab
 @code{sus4}
 @tab
-@lilypond[line-width=1.5\cm]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:sus4
 }
@@ -371,6 +404,13 @@ TODO
 
 @end multitable
 
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+The chart below shows the predefined fretboard diagrams.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
 @node MIDI instruments
 @appendixsec MIDI instruments
 
@@ -585,8 +625,13 @@ The following styles may be used for note heads.
 
 Here is a chart showing all scripts available,
 
-@lilypondfile[ragged-right,quote]{script-chart.ly}
+@lilypondfile[quote]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
 
+@lilypondfile[quote]{percussion-chart.ly}
 
 
 @node All context properties