X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=3989a3525e764f357bda4a52a7e29635ccfdf8bd;hb=1423508c355989fa26a8cfe5985b0d6e1ab0a538;hp=83d9fc28abef537e9d9cd56bd0db2faa946c744c;hpb=5956be580d291c1460f1c4b5f6e4a1c3e6549602;p=lilypond.git diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely index 83d9fc28ab..bba5f751b1 100644 --- a/Documentation/user/notation-appendices.itely +++ b/Documentation/user/notation-appendices.itely @@ -1,16 +1,51 @@ -\version "2.3.16" -@c Note: -*-texinfo-*- +@c -*- coding: utf-8; mode: texinfo; -*- @c This file is part of lilypond.tely +@ignore + Translation of GIT committish: FILL-IN-HEAD-COMMITTISH -@node Notation manual details -@appendix Notation manual details + When revising a translation, copy the HEAD committish of the + version that you are working on. See TRANSLATION for details. +@end ignore + +@c \version "2.12.0" + +@node Notation manual tables +@appendix Notation manual tables + +@c Please do not delete the following @ignore block. +@ignore +Note for editors and translators: In the following menu, two entries +are needed to link to a pair of automatically generated sections. +Please keep them and, if using emacs, do not run +texinfo-all-menus-update without manually restoring them back. These +menu entries are: + +* Text markup commands:: +* Text markup list commands:: + +and they should go just after +* Note head styles:: + +and just before +* List of articulations:: +@end ignore @menu -* Chord name chart:: -* MIDI instruments:: -* The Feta font:: -* All context properties:: -* Layout properties:: +* Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: +* MIDI instruments:: +* List of colors:: +* The Feta font:: +* Note head styles:: +* Text markup commands:: +* Text markup list commands:: +* List of articulations:: +* Percussion notes:: +* All context properties:: +* Layout properties:: +* Identifiers:: +* Scheme functions:: @end menu @@ -23,71 +58,834 @@ names, along with the pitches they represent. @lilypondfile{chord-names-jazz.ly} +@node Common chord modifiers +@appendixsec Common chord modifiers + +The following table shows chord modifiers that can be used in +@code{\chordmode} to generate standard chord structures. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Chord type} +@tab +@b{Intervals} +@tab +@b{Modifier(s)} +@tab +@b{Example} + + +@item +Major +@tab +Major third, perfect fifth +@tab +@code{5} or nothing +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:5 +} +@end lilypond + +@item +Minor +@tab +Minor third, perfect fifth +@tab +@code{m} or @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m +} +@end lilypond + +@item +Augmented +@tab +Major third, augmented fifth +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug +} +@end lilypond + +@item +Diminished +@tab +Minor third, diminished fifth +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim +} +@end lilypond + +@item +Dominant seventh +@tab +Major triad, minor seventh +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7 +} +@end lilypond + +@item +Major seventh +@tab +Major triad, major seventh +@tab +@code{maj7} or @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Minor seventh +@tab +Minor triad, minor seventh +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Diminished seventh +@tab +Diminished triad, diminished seventh +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Augmented seventh +@tab +Augmented triad, minor seventh +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +Half-diminished seventh +@tab +Diminished triad, minor seventh +@tab +@code{m7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7.5- +} +@end lilypond + +@item +Minor-major seventh +@tab +Minor triad, major seventh +@tab +@code{maj7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7.5- +} +@end lilypond + +@item +Major sixth +@tab +Major triad, sixth +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:6 +} +@end lilypond + +@item +Minor sixth +@tab +Minor triad, sixth +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Dominant ninth +@tab +Dominant seventh, major ninth +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:9 +} +@end lilypond + +@item +Major ninth +@tab +Major seventh, major ninth +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Minor ninth +@tab +Minor seventh, major ninth +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Dominant eleventh +@tab +Dominant ninth, perfect eleventh +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:11 +} +@end lilypond + +@item +Major eleventh +@tab +Major ninth, perfect eleventh +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Minor eleventh +@tab +Minor ninth, perfect eleventh +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Dominant thirteenth +@tab +Dominant ninth, major thirteenth +@tab +@code{13} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13 +} +@end lilypond + +@item +Dominant thirteenth +@tab +Dominant eleventh, major thirteenth +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Major thirteenth +@tab +Major eleventh, major thirteenth +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Minor thirteenth +@tab +Minor eleventh, major thirteenth +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +Suspended second +@tab +Major second, perfect fifth +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +Suspended fourth +@tab +Perfect fourth, perfect fifth +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + +@node Predefined fretboard diagrams +@appendixsec Predefined fretboard diagrams + +The chart below shows the predefined fretboard diagrams. + +@lilypondfile{display-predefined-fretboards.ly} + @node MIDI instruments @appendixsec MIDI instruments The following is a list of names that can be used for the @code{midiInstrument} property. -@example -"acoustic grand" "contrabass" "lead 7 (fifths)" -"bright acoustic" "tremolo strings" "lead 8 (bass+lead)" -"electric grand" "pizzicato strings" "pad 1 (new age)" -"honky-tonk" "orchestral strings" "pad 2 (warm)" -"electric piano 1" "timpani" "pad 3 (polysynth)" -"electric piano 2" "string ensemble 1" "pad 4 (choir)" -"harpsichord" "string ensemble 2" "pad 5 (bowed)" -"clav" "synthstrings 1" "pad 6 (metallic)" -"celesta" "synthstrings 2" "pad 7 (halo)" -"glockenspiel" "choir aahs" "pad 8 (sweep)" -"music box" "voice oohs" "fx 1 (rain)" -"vibraphone" "synth voice" "fx 2 (soundtrack)" -"marimba" "orchestra hit" "fx 3 (crystal)" -"xylophone" "trumpet" "fx 4 (atmosphere)" -"tubular bells" "trombone" "fx 5 (brightness)" -"dulcimer" "tuba" "fx 6 (goblins)" -"drawbar organ" "muted trumpet" "fx 7 (echoes)" -"percussive organ" "french horn" "fx 8 (sci-fi)" -"rock organ" "brass section" "sitar" -"church organ" "synthbrass 1" "banjo" -"reed organ" "synthbrass 2" "shamisen" -"accordion" "soprano sax" "koto" -"harmonica" "alto sax" "kalimba" -"concertina" "tenor sax" "bagpipe" -"acoustic guitar (nylon)" "baritone sax" "fiddle" -"acoustic guitar (steel)" "oboe" "shanai" -"electric guitar (jazz)" "english horn" "tinkle bell" -"electric guitar (clean)" "bassoon" "agogo" -"electric guitar (muted)" "clarinet" "steel drums" -"overdriven guitar" "piccolo" "woodblock" -"distorted guitar" "flute" "taiko drum" -"guitar harmonics" "recorder" "melodic tom" -"acoustic bass" "pan flute" "synth drum" -"electric bass (finger)" "blown bottle" "reverse cymbal" -"electric bass (pick)" "shakuhachi" "guitar fret noise" -"fretless bass" "whistle" "breath noise" -"slap bass 1" "ocarina" "seashore" -"slap bass 2" "lead 1 (square)" "bird tweet" -"synth bass 1" "lead 2 (sawtooth)" "telephone ring" -"synth bass 2" "lead 3 (calliope)" "helicopter" -"violin" "lead 4 (chiff)" "applause" -"viola" "lead 5 (charang)" "gunshot" -"cello" "lead 6 (voice)" -@end example +@example +acoustic grand contrabass lead 7 (fifths) +bright acoustic tremolo strings lead 8 (bass+lead) +electric grand pizzicato strings pad 1 (new age) +honky-tonk orchestral harp pad 2 (warm) +electric piano 1 timpani pad 3 (polysynth) +electric piano 2 string ensemble 1 pad 4 (choir) +harpsichord string ensemble 2 pad 5 (bowed) +clav synthstrings 1 pad 6 (metallic) +celesta synthstrings 2 pad 7 (halo) +glockenspiel choir aahs pad 8 (sweep) +music box voice oohs fx 1 (rain) +vibraphone synth voice fx 2 (soundtrack) +marimba orchestra hit fx 3 (crystal) +xylophone trumpet fx 4 (atmosphere) +tubular bells trombone fx 5 (brightness) +dulcimer tuba fx 6 (goblins) +drawbar organ muted trumpet fx 7 (echoes) +percussive organ french horn fx 8 (sci-fi) +rock organ brass section sitar +church organ synthbrass 1 banjo +reed organ synthbrass 2 shamisen +accordion soprano sax koto +harmonica alto sax kalimba +concertina tenor sax bagpipe +acoustic guitar (nylon) baritone sax fiddle +acoustic guitar (steel) oboe shanai +electric guitar (jazz) english horn tinkle bell +electric guitar (clean) bassoon agogo +electric guitar (muted) clarinet steel drums +overdriven guitar piccolo woodblock +distorted guitar flute taiko drum +guitar harmonics recorder melodic tom +acoustic bass pan flute synth drum +electric bass (finger) blown bottle reverse cymbal +electric bass (pick) shakuhachi guitar fret noise +fretless bass whistle breath noise +slap bass 1 ocarina seashore +slap bass 2 lead 1 (square) bird tweet +synth bass 1 lead 2 (sawtooth) telephone ring +synth bass 2 lead 3 (calliope) helicopter +violin lead 4 (chiff) applause +viola lead 5 (charang) gunshot +cello lead 6 (voice) +@end example + + +@node List of colors +@appendixsec List of colors + +@subsubheading Normal colors + +Usage syntax is detailed in @ref{Coloring objects}. + +@cindex List of colors +@cindex Colors, list of + +@verbatim +black white red green +blue cyan magenta yellow +grey darkred darkgreen darkblue +darkcyan darkmagenta darkyellow +@end verbatim + + +@subsubheading X color names + +X color names come several variants: + +Any name that is spelled as a single word with capitalization +(e.g. @q{LightSlateBlue}) can also be spelled as space separated +words without capitalization (e.g. @q{light slate blue}). + +The word @q{grey} can always be spelled @q{gray} (e.g. @q{DarkSlateGray}). + +Some names can take a numerical suffix (e.g. @q{LightSalmon4}). + + +@subsubheading Color Names without a numerical suffix: + +@verbatim +snow GhostWhite WhiteSmoke gainsboro FloralWhite +OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond +bisque PeachPuff NavajoWhite moccasin cornsilk +ivory LemonChiffon seashell honeydew MintCream +azure AliceBlue lavender LavenderBlush MistyRose +white black DarkSlateGrey DimGrey SlateGrey +LightSlateGrey grey LightGrey MidnightBlue navy +NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue +LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue +DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue +LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise +turquoise cyan LightCyan CadetBlue MediumAquamarine +aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen +MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen +green chartreuse MediumSpringGreen GreenYellow LimeGreen +YellowGreen ForestGreen OliveDrab DarkKhaki khaki +PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold +LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed +SaddleBrown sienna peru burlywood beige +wheat SandyBrown tan chocolate firebrick +brown DarkSalmon salmon LightSalmon orange +DarkOrange coral LightCoral tomato OrangeRed +red HotPink DeepPink pink LightPink +PaleVioletRed maroon MediumVioletRed VioletRed magenta +violet plum orchid MediumOrchid DarkOrchid +DarkViolet BlueViolet purple MediumPurple thistle +DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed +LightGreen +@end verbatim + + +@subsubheading Color names with a numerical suffix + +In the following names the suffix N can be a number in the range 1-4: + +@verbatim +snowN seashellN AntiqueWhiteN bisqueN PeachPuffN +NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN +LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN +blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN +LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN +CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN +SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN +OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN +yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN +IndianRedN siennaN burlywoodN wheatN tanN +chocolateN firebrickN brownN salmonN LightSalmonN +orangeN DarkOrangeN coralN tomatoN OrangeRedN +redN DeepPinkN HotPinkN pinkN LightPinkN +PaleVioletRedN maroonN VioletRedN magentaN orchidN +plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN +thistleN +@end verbatim + + +@subsubheading Grey Scale + +A grey scale can be obtained using: + +@example +greyN +@end example + +@noindent +Where N is in the range 0-100. + @node The Feta font @appendixsec The Feta font -The following symbols are available in the Feta font and may be +@cindex Feta font +@cindex Font, Feta + +The following symbols are available in the Emmentaler font and may be accessed directly using text markup such as @code{g^\markup @{ -\musicglyph #"scripts-segno" @}}, see @ref{Text markup}. +\musicglyph #"scripts.segno" @}}, see @ref{Formatting text}. + + +@menu +* Clef glyphs:: +* Time Signature glyphs:: +* Number glyphs:: +* Accidental glyphs:: +* Default Notehead glyphs:: +* Special Notehead glyphs:: +* Shape-note Notehead glyphs:: +* Rest glyphs:: +* Flag glyphs:: +* Dot glyphs:: +* Dynamic glyphs:: +* Script glyphs:: +* Arrowhead glyphs:: +* Bracket-tip glyphs:: +* Pedal glyphs:: +* Accordion glyphs:: +* Vaticana glyphs:: +* Medicaea glyphs:: +* Hufnagel glyphs:: +* Mensural glyphs:: +* Neomensural glyphs:: +* Petrucci glyphs:: +* Solesmes glyphs:: +@end menu + + +@node Clef glyphs +@unnumberedsubsec Clef glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #clefs +@end lilypond + + +@node Time Signature glyphs +@unnumberedsubsec Time Signature glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #timesig +@end lilypond -@lilypondfile[noindent]{feta16list.ly} +@node Number glyphs +@unnumberedsubsec Number glyphs +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #numbers +@end lilypond -@lilypondfile[noindent]{parmesan16list.ly} +@node Accidental glyphs +@unnumberedsubsec Accidental glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #accidentals +@end lilypond + + +@node Default Notehead glyphs +@unnumberedsubsec Default Notehead glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #default-noteheads +@end lilypond + + +@node Special Notehead glyphs +@unnumberedsubsec Special Notehead glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #special-noteheads +@end lilypond + + +@node Shape-note Notehead glyphs +@unnumberedsubsec Shape-note Notehead glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #shape-note-noteheads +@end lilypond + + +@node Rest glyphs +@unnumberedsubsec Rest glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #rests +@end lilypond + + +@node Flag glyphs +@unnumberedsubsec Flag glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #flags +@end lilypond + + +@node Dot glyphs +@unnumberedsubsec Dot glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #dots +@end lilypond + + +@node Dynamic glyphs +@unnumberedsubsec Dynamic glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #dynamics +@end lilypond + + +@node Script glyphs +@unnumberedsubsec Script glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #scripts +@end lilypond + + +@node Arrowhead glyphs +@unnumberedsubsec Arrowhead glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #arrowheads +@end lilypond + + +@node Bracket-tip glyphs +@unnumberedsubsec Bracket-tip glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #brackettips +@end lilypond + + +@node Pedal glyphs +@unnumberedsubsec Pedal glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #pedal +@end lilypond + + +@node Accordion glyphs +@unnumberedsubsec Accordion glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #accordion +@end lilypond + + +@node Vaticana glyphs +@unnumberedsubsec Vaticana glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #vaticana +@end lilypond + + +@node Medicaea glyphs +@unnumberedsubsec Medicaea glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #medicaea +@end lilypond + + +@node Hufnagel glyphs +@unnumberedsubsec Hufnagel glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #hufnagel +@end lilypond + + +@node Mensural glyphs +@unnumberedsubsec Mensural glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #mensural +@end lilypond + + +@node Neomensural glyphs +@unnumberedsubsec Neomensural glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #neomensural +@end lilypond + + +@node Petrucci glyphs +@unnumberedsubsec Petrucci glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #petrucci +@end lilypond + + +@node Solesmes glyphs +@unnumberedsubsec Solesmes glyphs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #solesmes +@end lilypond + + +@node Note head styles +@appendixsec Note head styles + +@cindex note head styles +The following styles may be used for note heads. + +@lilypondfile[noindent]{note-head-style.ly} + +@include markup-commands.tely + +@include markup-list-commands.tely + +@node List of articulations +@appendixsec List of articulations + +@cindex accent +@cindex marcato +@cindex staccatissimo +@cindex espressivo +@cindex fermata +@cindex stopped +@cindex staccato +@cindex portato +@cindex tenuto +@cindex upbow +@cindex downbow +@cindex foot marks +@cindex organ pedal marks +@cindex turn +@cindex open +@cindex stopped +@cindex flageolet +@cindex reverseturn +@cindex trill +@cindex prall +@cindex mordent +@cindex prallprall +@cindex prallmordent +@cindex prall, up +@cindex prall, down +@cindex thumb marking +@cindex segno +@cindex coda +@cindex varcoda + + +@lilypondfile[quote,texidoc]{script-chart.ly} + + +@node Percussion notes +@appendixsec Percussion notes + +@lilypondfile[quote]{percussion-chart.ly} @node All context properties @@ -101,3 +899,15 @@ accessed directly using text markup such as @code{g^\markup @{ @include layout-properties.tely + +@node Identifiers +@appendixsec Identifiers + +@include identifiers.tely + + +@node Scheme functions +@appendixsec Scheme functions + +@include scheme-functions.tely +