X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=0158773c578ae7f6a500a044a5113369f033edd0;hb=419ab1be077ad383bc5a3eda3c3e982507ab3e17;hp=3989a3525e764f357bda4a52a7e29635ccfdf8bd;hpb=8d231e4be9553f8c75044227e2b6eabb03567e96;p=lilypond.git diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely index 3989a3525e..0158773c57 100644 --- a/Documentation/user/notation-appendices.itely +++ b/Documentation/user/notation-appendices.itely @@ -7,17 +7,20 @@ version that you are working on. See TRANSLATION for details. @end ignore +@c \version "2.11.51" + @node Notation manual tables @appendix Notation manual tables @menu * Chord name chart:: +* Common chord modifiers:: * MIDI instruments:: * List of colors:: * The Feta font:: * Note head styles:: -* Overview of text markup commands:: -* Overview of text markup list commands:: +* Text markup commands:: +* Text markup list commands:: * List of articulations:: * All context properties:: * Layout properties:: @@ -35,6 +38,339 @@ names, along with the pitches they represent. @lilypondfile{chord-names-jazz.ly} +@node Common chord modifiers +@appendixsec Common chord modifiers + +The following table shows chord modifiers that can be used in +@code{\chordmode} to generate standard chord structures. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Chord type} +@tab +@b{Intervals} +@tab +@b{Modifier(s)} +@tab +@b{Example} + + +@item +Major +@tab +Major third, perfect fifth +@tab +@code{5} or nothing +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:5 +} +@end lilypond + +@item +Minor +@tab +Minor third, perfect fifth +@tab +@code{m} or @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m +} +@end lilypond + +@item +Augmented +@tab +Major third, augmented fifth +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:aug +} +@end lilypond + +@item +Diminished +@tab +Minor third, diminished fifth +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:dim +} +@end lilypond + +@item +Dominant seventh +@tab +Major triad, minor seventh +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:7 +} +@end lilypond + +@item +Major seventh +@tab +Major triad, major seventh +@tab +@code{maj7} or @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Minor seventh +@tab +Minor triad, minor seventh +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Diminished seventh +@tab +Diminished triad, diminished seventh +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Augmented seventh +@tab +Augmented triad, minor seventh +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +Half-diminished seventh +@tab +Diminished triad, minor seventh +@tab +@code{dim5m7} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:dim5m7 +} +@end lilypond + +@item +Minor-major seventh +@tab +Minor triad, major seventh +@tab +@code{7m5} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:7m5 +} +@end lilypond + +@item +Major sixth +@tab +Major triad, sixth +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:6 +} +@end lilypond + +@item +Minor sixth +@tab +Minor triad, sixth +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Dominant ninth +@tab +Dominant seventh, major ninth +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:9 +} +@end lilypond + +@item +Major ninth +@tab +TODO +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Minor ninth +@tab +TODO +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Dominant eleventh +@tab +Dominant ninth, perfect eleventh +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:11 +} +@end lilypond + +@item +Major eleventh +@tab +TODO +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Minor eleventh +@tab +TODO +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Dominant thirteenth +@tab +Dominant eleventh, major thirteenth +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Major thirteenth +@tab +TODO +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Minor thirteenth +@tab +TODO +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +Suspended second +@tab +TODO +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +Suspended fourth +@tab +TODO +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + @node MIDI instruments @appendixsec MIDI instruments @@ -110,9 +446,9 @@ darkcyan darkmagenta darkyellow X color names come several variants: -Any name that is spelled as a single word with capitalisation +Any name that is spelled as a single word with capitalization (e.g. @q{LightSlateBlue}) can also be spelled as space separated -words without capitalisation (e.g. @q{light slate blue}). +words without capitalization (e.g. @q{light slate blue}). The word @q{grey} can always be spelled @q{gray} (e.g. @q{DarkSlateGray}). @@ -197,7 +533,7 @@ Where N is in the range 0-100. The following symbols are available in the Emmentaler font and may be accessed directly using text markup such as @code{g^\markup @{ -\musicglyph #"scripts.segno" @}}, see @ref{Text markup}. +\musicglyph #"scripts.segno" @}}, see @ref{Formatting text}. @lilypondfile[noindent]{font-table.ly} @@ -210,19 +546,8 @@ The following styles may be used for note heads. @lilypondfile[noindent]{note-head-style.ly} - -@node Overview of text markup commands -@appendixsec Overview of text markup commands - -The following commands can all be used inside @code{\markup @{ @}}. - @include markup-commands.tely -@node Overview of text markup list commands -@appendixsec Overview of text markup list commands - -The following commands can all be used with @code{\markuplines}. - @include markup-list-commands.tely @node List of articulations