X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fsnippets%2Fnew%2Fdodecaphonic-style-accidentals-for-each-note-including-naturals.ly;fp=Documentation%2Fsnippets%2Fnew%2Fdodecaphonic-style-accidentals-for-each-note-including-naturals.ly;h=cb3e2ffa39080d2f28f9b822b8704b8c418a8076;hb=941dff9d2a67080e0dd8474f1e70f0c72ace6424;hp=0000000000000000000000000000000000000000;hpb=5a22d6233a39d3164e1ca043244794c268be4ad0;p=lilypond.git diff --git a/Documentation/snippets/new/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/Documentation/snippets/new/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly new file mode 100644 index 0000000000..cb3e2ffa39 --- /dev/null +++ b/Documentation/snippets/new/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly @@ -0,0 +1,23 @@ +\version "2.14.0" + +\header { + lsrtags = "pitches" + texidoc = " +In early 20th century works, starting with Schoenberg, Berg and Webern +(the @qq{Second} Viennese school), every pitch in the twelve-tone scale +has to be regarded as equal, without any hierarchy such as the +classical (tonal) degrees. Therefore, these composers print one +accidental for each note, even at natural pitches, to emphasize their +new approach to music theory and language. + +This snippet shows how to achieve such notation rules. + +" + doctitle = "Dodecaphonic-style accidentals for each note including naturals" +} + +\markup { + This snippet is deprecated as of version 2.12 and + will be removed from the documentation in 2.14. +} +