X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fsnippets%2Fdodecaphonic-style-accidentals-for-each-note-including-naturals.ly;h=e6d4d380d09bc26a1d8ce3951f0d0f1665cbdbc5;hb=ea0b270e14781707ab52683acddf9302bbe337f3;hp=9e21edc34c950a1d9e6df25e2482ee19a65e013c;hpb=a82dc4a0cca57f285e818f6c227c8428a3c02a71;p=lilypond.git

diff --git a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 9e21edc34c..e6d4d380d0 100644
--- a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,11 +1,14 @@
-% Do not edit this file; it is automatically
+% DO NOT EDIT this file manually; it is automatically
 % generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
 % This file is in the public domain.
-%% Note: this file works from version 2.13.4
-\version "2.13.31"
+%% Note: this file works from version 2.14.0
+\version "2.14.0"
 
 \header {
-%% Translation of GIT committish: 0b55335aeca1de539bf1125b717e0c21bb6fa31b
+%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
   doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
   texidoces = "
 En las obras de principios del s.XX, empezando por Schoenberg, Berg y
@@ -34,9 +37,9 @@ notación.
  "
   doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
 
-%% Translation of GIT committish: 58a29969da425eaf424946f4119e601545fb7a7e
+%% Translation of GIT committish: 3b125956b08d27ef39cd48bfa3a2f1e1bb2ae8b4
   texidocfr = "
-Au début du XXème siècle, Schoenberg, Berg et Webern -- la « Seconde »
+Au début du XXe siècle, Schoenberg, Berg et Webern -- la « Seconde »
 école de Vienne -- imaginèrent de donner une importance comparable aux
 douze notes de la gamme chromatique, et éviter ainsi toute tonalité.
 Pour ce faire, ces compositions font apparaître une altération à chaque