X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fsnippets%2Fancient-notation-template----modern-transcription-of-mensural-music.ly;fp=Documentation%2Fsnippets%2Fancient-notation-template----modern-transcription-of-mensural-music.ly;h=df5e844eb1e1c97992b8e0eea95e90b99bf91334;hb=e90f0536f9be39ada0bef0aeb0d275dec3b2fb5b;hp=0000000000000000000000000000000000000000;hpb=a8c9e8a7ca320ab0df5fd32e717fd62cd7635ce6;p=lilypond.git

diff --git a/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
new file mode 100644
index 0000000000..df5e844eb1
--- /dev/null
+++ b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
@@ -0,0 +1,315 @@
+%% DO NOT EDIT this file manually; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%
+%% This file is in the public domain.
+\version "2.14.0"
+
+\header {
+%% Translation of GIT committish: 4077120c18ac1dc490501b3d7d5886bc93e61a42
+  texidocit = "
+Quando si trascrive musica mensurale, può essere utile inserire all'inizio del
+pezzo un incipit che indichi l'intonazione e il tempo originali. Le stanghette
+di battuta, a cui i musicisti di oggi sono abituati e che aiutano a riconoscere
+più velocemente gli schemi ritmici, durante l'epoca della musica mensurale non
+erano ancora state introdotte; infatti il metro cambiava spesso ogni poche
+note.  Come compromesso, le stanghette vengono spesso inserite tra i righi
+invece che al loro interno.
+
+"
+  doctitleit = "Modello per notazione antica -- trascrizione moderna di musica mensurale"
+
+  lsrtags = "ancient-notation, template"
+
+
+
+
+%% Translation of GIT committish: 70f5f30161f7b804a681cd080274bfcdc9f4fe8c
+  texidoces = "
+Al transcribir música mensural, es útil un «incipit» al compienzo
+de la pieza para indicar la tonalidad y el tempo
+originales. Aunque los músicos actuales están acostumbrados a las
+barras de compás para reconocer con más facilidad los patrones
+rítmicos, durante el período de la música mensural aún no se
+habíen inventado las líneas divisorias; de hecho, la medida solía
+cambiar a cada pocas notas. Como compromiso, a menudo las líneas
+divisorias se imprimen entre los pentagramas en vez de hacerlo
+encima de ellos.
+
+"
+  doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
+
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+  texidocde = "
+Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
+Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
+Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
+heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
+zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
+Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
+ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
+zwischen den Systemen geschrieben.
+"
+
+doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
+
+
+%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
+  texidocfr = "
+Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
+d'indiquer la tonalité et le tempo d'origine.  Si les musiciens sont de
+nos jours habitués aux barres de mesures qui présentent la structure
+rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
+pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
+changer au fil des notes.  Un compromis consiste à imprimer des barres
+entre les portées plutôt que sur chacune d'elles.
+
+"
+  doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
+
+  texidoc = "
+When transcribing mensural music, an incipit at the beginning of the
+piece is useful to indicate the original key and tempo. While today
+musicians are used to bar lines in order to faster recognize rhythmic
+patterns, bar lines were not yet invented during the period of mensural
+music; in fact, the meter often changed after every few notes. As a
+compromise, bar lines are often printed between the staves rather than
+on the staves.
+
+"
+  doctitle = "Ancient notation template -- modern transcription of mensural music"
+} % begin verbatim
+
+global = {
+  \set Score.skipBars = ##t
+
+  % incipit
+  \once \override Score.SystemStartBracket #'transparent = ##t
+  \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+  \key f \major
+  \time 2/2
+  \once \override Staff.TimeSignature #'style = #'neomensural
+  \override Voice.NoteHead #'style = #'neomensural
+  \override Voice.Rest #'style = #'neomensural
+  \set Staff.printKeyCancellation = ##f
+  \cadenzaOn % turn off bar lines
+  \skip 1*10
+  \once \override Staff.BarLine #'transparent = ##f
+  \bar "||"
+  \skip 1*1 % need this extra \skip such that clef change comes
+            % after bar line
+  \bar ""
+
+  % main
+  \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
+  \cadenzaOff % turn bar lines on again
+  \once \override Staff.Clef #'full-size-change = ##t
+  \set Staff.forceClef = ##t
+  \key g \major
+  \time 4/4
+  \override Voice.NoteHead #'style = #'default
+  \override Voice.Rest #'style = #'default
+
+  % FIXME: setting printKeyCancellation back to #t must not
+  % occur in the first bar after the incipit.  Dto. for forceClef.
+  % Therefore, we need an extra \skip.
+  \skip 1*1
+  \set Staff.printKeyCancellation = ##t
+  \set Staff.forceClef = ##f
+
+  \skip 1*7 % the actual music
+
+  % let finis bar go through all staves
+  \override Staff.BarLine #'transparent = ##f
+
+  % finis bar
+  \bar "|."
+}
+
+discantusNotes = {
+  \transpose c' c'' {
+    \set Staff.instrumentName = #"Discantus  "
+
+    % incipit
+    \clef "neomensural-c1"
+    c'1. s2   % two bars
+    \skip 1*8 % eight bars
+    \skip 1*1 % one bar
+
+    % main
+    \clef "treble"
+    d'2. d'4 |
+    b e' d'2 |
+    c'4 e'4.( d'8 c' b |
+    a4) b a2 |
+    b4.( c'8 d'4) c'4 |
+    \once \override NoteHead #'transparent = ##t c'1 |
+    b\breve |
+  }
+}
+
+discantusLyrics = \lyricmode {
+  % incipit
+  IV-
+
+  % main
+  Ju -- bi -- |
+  la -- te De -- |
+  o, om --
+  nis ter -- |
+  ra, __ om- |
+  "..." |
+  -us. |
+}
+
+altusNotes = {
+  \transpose c' c'' {
+    \set Staff.instrumentName = #"Altus  "
+
+    % incipit
+    \clef "neomensural-c3"
+    r1        % one bar
+    f1. s2    % two bars
+    \skip 1*7 % seven bars
+    \skip 1*1 % one bar
+
+    % main
+    \clef "treble"
+    r2 g2. e4 fis g | % two bars
+    a2 g4 e |
+    fis g4.( fis16 e fis4) |
+    g1 |
+    \once \override NoteHead #'transparent = ##t g1 |
+    g\breve |
+  }
+}
+
+altusLyrics = \lyricmode {
+  % incipit
+  IV-
+
+  % main
+  Ju -- bi -- la -- te | % two bars
+  De -- o, om -- |
+  nis ter -- ra, |
+  "..." |
+  -us. |
+}
+
+tenorNotes = {
+  \transpose c' c' {
+    \set Staff.instrumentName = #"Tenor  "
+
+    % incipit
+    \clef "neomensural-c4"
+    r\longa   % four bars
+    r\breve   % two bars
+    r1        % one bar
+    c'1. s2   % two bars
+    \skip 1*1 % one bar
+    \skip 1*1 % one bar
+
+    % main
+    \clef "treble_8"
+    R1 |
+    R1 |
+    R1 |
+    r2 d'2. d'4 b e' | % two bars
+    \once \override NoteHead #'transparent = ##t e'1 |
+    d'\breve |
+  }
+}
+
+tenorLyrics = \lyricmode {
+  % incipit
+  IV-
+
+  % main
+  Ju -- bi -- la -- te | % two bars
+  "..." |
+  -us. |
+}
+
+bassusNotes = {
+  \transpose c' c' {
+    \set Staff.instrumentName = #"Bassus  "
+
+    % incipit
+    \clef "bass"
+    r\maxima  % eight bars
+    f1. s2    % two bars
+    \skip 1*1 % one bar
+
+    % main
+    \clef "bass"
+    R1 |
+    R1 |
+    R1 |
+    R1 |
+    g2. e4 |
+    \once \override NoteHead #'transparent = ##t e1 |
+    g\breve |
+  }
+}
+
+bassusLyrics = \lyricmode {
+  % incipit
+  IV-
+
+  % main
+  Ju -- bi- |
+  "..." |
+  -us. |
+}
+
+\score {
+  \new StaffGroup = choirStaff <<
+    \new Voice =
+      "discantusNotes" << \global \discantusNotes >>
+    \new Lyrics =
+      "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
+    \new Voice =
+      "altusNotes" << \global \altusNotes >>
+    \new Lyrics =
+      "altusLyrics" \lyricsto altusNotes { \altusLyrics }
+    \new Voice =
+      "tenorNotes" << \global \tenorNotes >>
+    \new Lyrics =
+      "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
+    \new Voice =
+      "bassusNotes" << \global \bassusNotes >>
+    \new Lyrics =
+      "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+  >>
+  \layout {
+    \context {
+      \Score
+
+      % no bars in staves
+      \override BarLine #'transparent = ##t
+
+      % incipit should not start with a start delimiter
+      \remove "System_start_delimiter_engraver"
+    }
+    \context {
+      \Voice
+
+      % no slurs
+      \override Slur #'transparent = ##t
+
+      % Comment in the below "\remove" command to allow line
+      % breaking also at those barlines where a note overlaps
+      % into the next bar.  The command is commented out in this
+      % short example score, but especially for large scores, you
+      % will typically yield better line breaking and thus improve
+      % overall spacing if you comment in the following command.
+      %\remove "Forbid_line_break_engraver"
+    }
+  }
+}
+
+
+
+