X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Fwind.itely;h=9a86ca6d670ed6f5650e02c842bb5b3297153dad;hb=2055f35c47a045a50a01ff4dba8524322cfc3b48;hp=caea699274ded73565953a1e8f28cfb9d4c7c058;hpb=671a0bcf734837eb45a942d377ac81e5d1450496;p=lilypond.git diff --git a/Documentation/notation/wind.itely b/Documentation/notation/wind.itely index caea699274..9a86ca6d67 100644 --- a/Documentation/notation/wind.itely +++ b/Documentation/notation/wind.itely @@ -7,15 +7,15 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.12.0" +@c \version "2.14.0" @node Wind instruments @section Wind instruments @lilypondfile[quote]{wind-headword.ly} -This section includes some elements of music notation that arise when -writing for winds. +This section includes elements of music notation that arise when +writing specifically for wind instruments. @menu * Common notation for wind instruments:: @@ -26,7 +26,7 @@ writing for winds. @node Common notation for wind instruments @subsection Common notation for wind instruments -This section discusses some issues common to most wind instruments. +This section discusses notation common to most wind instruments. @menu * References for wind instruments:: @@ -46,14 +46,13 @@ tonguing: @item Legato playing is indicated by @ref{Slurs}. @item Different types of tonguings, ranging from legato to non-legato to staccato are usually shown by articulation marks, sometimes combined -with slurs, see @ref{Articulations and ornamentations} and @ref{List of -articulations}. +with slurs, see @ref{Articulations and ornamentations} and +@ref{List of articulations}. @item Flutter tonguing is usually indicated by placing a tremolo mark and a text markup on the note. See @ref{Tremolo repeats}. @end itemize -There are also other aspects of musical notation that can apply to wind -instruments: +Other aspects of musical notation that can apply to wind instruments: @itemize @item Many wind instruments are transposing instruments, see @@ -63,16 +62,18 @@ winds may perform keyed or valved glissandi. See @ref{Glissando}. @item Harmonic series glissandi, which are possible on all brass instruments but common for French Horns, are usually written out as @ref{Grace notes}. -@item Pitch inflections at the end of a note are discussed in @ref{Falls -and doits}. +@item Pitch inflections at the end of a note are discussed in +@ref{Falls and doits}. @item Key slaps or valve slaps are often shown by the @code{cross} style of @ref{Special note heads}. @item Woodwinds can overblow low notes to sound harmonics. These are -shown by the @code{flageolet} articulation. See @ref{List of articulations}. +shown by the @code{flageolet} articulation. +See @ref{List of articulations}. @item The use of brass mutes is usually indicated by a text markup, but where there are many rapid changes it is better to use the -@code{stopped} and @code{open} articulations. See @ref{Articulations and -ornamentations} and @ref{List of articulations}. +@code{stopped} and @code{open} articulations. +See @ref{Articulations and ornamentations} and +@ref{List of articulations}. @item Stopped horns are indicated by the @code{stopped} articulation. See @ref{Articulations and ornamentations}. @end itemize @@ -104,7 +105,7 @@ Snippets: @unnumberedsubsubsec Fingerings All wind instruments other than the trombone require the use of several -fingers to produce each pitch. Some fingering helps are shown in +fingers to produce each pitch. Some fingering examples are shown in the snippets below. Woodwind diagrams can be produced and are described in @@ -130,7 +131,7 @@ Snippets: @node Bagpipes @subsection Bagpipes -This section includes extra information for writing for bagpipes. +This section discusses notation common bagpipes. @menu * Bagpipe definitions:: @@ -150,15 +151,15 @@ This section includes extra information for writing for bagpipes. @funindex \showKeySignature @funindex showKeySignature -LilyPond contains special definitions for music for the Scottish -highland bagpipe; to use them, add +LilyPond contains special definitions for Scottish, Highland Bagpipe +music; to use them, add @example \include "bagpipe.ly" @end example @noindent -at the top of your input file. This lets you add the special grace notes +to the top of your input file. This lets you add the special grace notes common to bagpipe music with short commands. For example, you could write @code{\taor} instead of @@ -166,7 +167,7 @@ write @code{\taor} instead of \grace @{ \small G32[ d G e] @} @end example -@code{bagpipe.ly} also contains pitch definitions for the bagpipe +@file{bagpipe.ly} also contains pitch definitions for the bagpipe notes in the appropriate octaves, so you do not need to worry about @code{\relative} or @code{\transpose}. @@ -245,7 +246,7 @@ notation. @node Woodwinds @subsection Woodwinds -This section describes notation specifically for woodwinds. +This section discusses notation specifically for woodwind instruments. @menu * Woodwind diagrams:: @@ -255,10 +256,7 @@ This section describes notation specifically for woodwinds. @subsubsection Woodwind diagrams Woodwind diagrams can be used to indicate the fingering to be used -to play specific notes. Woodwind diagrams are available for most woodwind -instruments. - -Woodwind diagrams are available for the following instruments: +for specific notes and are available for the following instruments: @itemize @item piccolo @@ -272,95 +270,125 @@ Woodwind diagrams are available for the following instruments: @end itemize @noindent -The diagrams and the scheme instrument names are shown in the snippet below. - Woodwind diagrams are created as markups: -@lilypond[verbatim, quote, relative=2] -c1^ \markup \woodwind-diagram #'piccolo #'((lh . (gis)) - (cc . (one three)) - (rh . (ees))) +@lilypond[verbatim,quote,relative=2] +c1^\markup { + \woodwind-diagram #'piccolo #'((lh . (gis)) + (cc . (one three)) + (rh . (ees))) +} @end lilypond Keys can be open, partially-covered, ring-depressed, or fully covered: -@lilypond [verbatim, quote, relative=2] +@lilypond[verbatim,quote,relative=2] \textLengthOn -c1^ \markup \center-column { - "one quarter" - \woodwind-diagram #'flute #'((cc . (one1q)) - (lh . ()) - (rh . ())) +c1^\markup { + \center-column { + "one quarter" + \woodwind-diagram #'flute #'((cc . (one1q)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "one half" - \woodwind-diagram #'flute #'((cc . (one1h)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "one half" + \woodwind-diagram #'flute #'((cc . (one1h)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "three quarter" - \woodwind-diagram #'flute #'((cc . (one3q)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "three quarter" + \woodwind-diagram #'flute #'((cc . (one3q)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "ring" - \woodwind-diagram #'flute #'((cc . (oneR)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "ring" + \woodwind-diagram #'flute #'((cc . (oneR)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "full" - \woodwind-diagram #'flute #'((cc . (oneF two)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "full" + \woodwind-diagram #'flute #'((cc . (oneF two)) + (lh . ()) + (rh . ())) + } } @end lilypond -Trills are indicated in the woodwind diagrams as shaded keys: +Trills are indicated as shaded keys: -@lilypond [verbatim, quote, relative=2] -c1^ \markup \woodwind-diagram #'bass-clarinet - #'((cc . (threeT four)) - (lh . ()) - (rh . (b fis))) +@lilypond[verbatim,quote,relative=2] +c1^\markup { + \woodwind-diagram #'bass-clarinet + #'((cc . (threeT four)) + (lh . ()) + (rh . (b fis))) +} @end lilypond A variety of trills can be displayed: -@lilypond [verbatim, quote, relative=2] +@lilypond[verbatim,quote,relative=2] \textLengthOn -c1^ \markup \center-column { - "one quarter to ring" - \woodwind-diagram #'flute #'((cc . (one1qTR)) - (lh . ()) - (rh . ())) +c1^\markup { + \center-column { + "one quarter to ring" + \woodwind-diagram #'flute #'((cc . (one1qTR)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "ring to shut" - \woodwind-diagram #'flute #'((cc . (oneTR)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "ring to shut" + \woodwind-diagram #'flute #'((cc . (oneTR)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "ring to open" - \woodwind-diagram #'flute #'((cc . (oneRT)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "ring to open" + \woodwind-diagram #'flute #'((cc . (oneRT)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "open to shut" - \woodwind-diagram #'flute #'((cc . (oneT)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "open to shut" + \woodwind-diagram #'flute #'((cc . (oneT)) + (lh . ()) + (rh . ())) + } } -c1^ \markup \center-column { - "one quarter to three quarters" - \woodwind-diagram #'flute #'((cc . (one1qT3q)) - (lh . ()) - (rh . ())) + +c1^\markup { + \center-column { + "one quarter to three quarters" + \woodwind-diagram #'flute #'((cc . (one1qT3q)) + (lh . ()) + (rh . ())) + } } @end lilypond @@ -368,7 +396,7 @@ The list of all possible keys and settings for a given instrument can be displayed on the console or in the log file, although they will not show up in the music output: -@lilypond[verbatim, quote] +@lilypond[verbatim,quote] #(print-keys-verbose 'flute) @@ -386,13 +414,13 @@ require Scheme ability and may not be accessible to all users. @lilypondfile[verbatim,lilyquote,texidoc,doctitle] {woodwind-diagrams-listing.ly} -@lilypondfile[verbatim, lilyquote, texidoc, doctitle] +@lilypondfile[verbatim,lilyquote,texidoc,doctitle] {graphical-and-text-woodwind-diagrams.ly} -@lilypondfile[verbatim, lilyquote, texidoc, doctitle] +@lilypondfile[verbatim,lilyquote,texidoc,doctitle] {changing-the-size-of-woodwind-diagrams.ly} -@lilypondfile[verbatim, lilyquote, texidoc, doctitle] +@lilypondfile[verbatim,lilyquote,texidoc,doctitle] {woodwind-diagrams-key-lists.ly} @seealso @@ -406,5 +434,3 @@ Snippets: @rlsr{Winds}. Internals Reference: @rinternals{TextScript}, @rinternals{instrument-specific-markup-interface}. - -@knownissues