X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Fstaff.itely;h=dbb035a58ef3a96f3da53b699309a3ce160583f9;hb=d36171e34d236d890f5dc511b895037188c6c7cb;hp=bb59664769fd0a5e1b406e71f8016482eb4f521e;hpb=94644b3a701073c99eabb88d95b20cd3f3ac5af0;p=lilypond.git diff --git a/Documentation/notation/staff.itely b/Documentation/notation/staff.itely index bb59664769..dbb035a58e 100644 --- a/Documentation/notation/staff.itely +++ b/Documentation/notation/staff.itely @@ -7,7 +7,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.19.2" +@c \version "2.19.21" @node Staff notation @section Staff notation @@ -350,15 +350,15 @@ turned on with a @code{\paper} option. \score { \new StaffGroup << \new Staff { - \relative c'' { - c4 c c c + \relative { + c''4 c c c \break c4 c c c } } \new Staff { - \relative c'' { - c4 c c c + \relative { + c''4 c c c \break c4 c c c } @@ -577,8 +577,8 @@ Internals Reference: staff in the appropriate location: @lilypond[verbatim,quote] -\new Staff \relative c'' { - c4 b d c +\new Staff \relative { + c''4 b d c << { c4 b d c } \new Staff { e4 d f e } @@ -600,8 +600,8 @@ to align the ossia staff. This method is most appropriate when only a few ossia staves are needed. @lilypond[verbatim,quote] -\new Staff = "main" \relative c'' { - c4 b d c +\new Staff = "main" \relative { + c''4 b d c << { c4 b d c } @@ -634,8 +634,8 @@ example. } { \stopStaff s1*6 } - \new Staff \relative c' { - c4 b c2 + \new Staff \relative { + c'4 b c2 << { e4 f e2 } \context Staff = "ossia" { @@ -668,12 +668,12 @@ break. For more information about \remove "Time_signature_engraver" \hide Clef \magnifyStaff #2/3 - } \relative c'' { + } \relative { R1*3 - c4 e8 d c2 + c''4 e8 d c2 } - \new Staff \relative c' { - c4 b c2 + \new Staff \relative { + c'4 b c2 e4 f e2 g4 a g2 \break c4 b c2 @@ -741,7 +741,7 @@ alternative, @code{\stopStaff} may be used. \new Staff \with { \remove "Staff_symbol_engraver" } -\relative c''' { a8 f e16 d c b a2 } +\relative { a''8 f e16 d c b a2 } @end lilypond @@ -762,9 +762,9 @@ elements.} } } -\relative c' << +\relative << \new Staff { - e4 f g a \break + e'4 f g a \break b1 \break a4 b c2 } @@ -994,8 +994,8 @@ setFlute = { shortInstrumentName = #"Flt." midiInstrument = #"flute" } -\relative c'' { - g1 g g g \break +\relative { + g'1 g g g \break g1 g \prepPiccolo R R \break \setPiccolo g1 g g g \break @@ -1050,12 +1050,12 @@ quoted voice, as defined with @code{\addQuote}, and a music expression for the duration of the quote. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - a4 gis g gis | b4^"quoted" r8 ais\p a4( f) +fluteNotes = \relative { + a'4 gis g gis | b4^"quoted" r8 ais\p a4( f) } -oboeNotes = \relative c'' { - c4 cis c b \quoteDuring #"flute" { s1 } +oboeNotes = \relative { + c''4 cis c b \quoteDuring #"flute" { s1 } } \addQuote "flute" { \fluteNotes } @@ -1073,12 +1073,12 @@ instead of spacer or multimeasure rests then the quote will appear as polyphony and may produce unexpected results. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - a4 gis g gis | b4^"quoted" r8 ais\p a4( f) +fluteNotes = \relative { + a'4 gis g gis | b4^"quoted" r8 ais\p a4( f) } -oboeNotes = \relative c'' { - c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a } +oboeNotes = \relative { + c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a } } \addQuote "flute" { \fluteNotes } @@ -1102,8 +1102,8 @@ clarinetNotes = \relative c'' { b4 ais a ais | cis4^"quoted" r8 bis\p b4( f) } -oboeNotes = \relative c'' { - c4 cis c b \quoteDuring #"clarinet" { s1 } +oboeNotes = \relative { + c''4 cis c b \quoteDuring #"clarinet" { s1 } } \addQuote "clarinet" { \clarinetNotes } @@ -1133,13 +1133,13 @@ of these objects from the quoted music are displayed by using the @code{quotedEventTypes} context property. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - a2 g2 | +fluteNotes = \relative { + a'2 g2 | b4\<^"quoted" r8 ais a4\f( c->) } -oboeNotes = \relative c'' { - c2. b4 | +oboeNotes = \relative { + c''2. b4 | \quoteDuring #"flute" { s1 } } @@ -1276,8 +1276,8 @@ corresponds to the first and second voices respectively, determining how the cue notes are printed in relation to the other voice. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - r2. c4 | d8 c d e fis2 | g2 d | +fluteNotes = \relative { + r2. c''4 | d8 c d e fis2 | g2 d | } oboeNotes = \relative c'' { @@ -1310,8 +1310,8 @@ or else the entire music expression would belong to the @code{CueVoice} context.} @lilypond[verbatim,quote] -oboeNotes = \relative c'' { - r2 r8 d16(\f f e g f a) +oboeNotes = \relative { + r2 r8 d''16(\f f e g f a) g8 g16 g g2. } \addQuote "oboe" { \oboeNotes } @@ -1331,8 +1331,8 @@ this can be done manually but the original clef should also be restored manually at the end of the cue notes. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - r2. c4 d8 c d e fis2 g2 d2 +fluteNotes = \relative { + r2. c''4 d8 c d e fis2 g2 d2 } bassoonNotes = \relative c { @@ -1358,8 +1358,8 @@ clef that needs to be printed for the cue notes but will automatically print the original clef once the cue notes have finished. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - r2. c4 d8 c d e fis2 g2 d2 +fluteNotes = \relative { + r2. c''4 d8 c d e fis2 g2 d2 } bassoonNotes = \relative c { @@ -1392,10 +1392,10 @@ represent the sound of a concert middle C. This is useful for taking cues from an instrument in a completely different register. @lilypond[verbatim,quote] -piccoloNotes = \relative c''' { +piccoloNotes = \relative { \clef "treble^8" R1 - c8 c c e g2 + c'''8 c c e g2 c4 g g2 } @@ -1430,8 +1430,8 @@ changes and a label identifying the source instrument, can be tagged for selective inclusion in the score; see @ref{Using tags}. @lilypond[verbatim,quote] -fluteNotes = \relative c'' { - r2. c4 d8 c d e fis2 g2 d2 +fluteNotes = \relative { + r2. c''4 d8 c d e fis2 g2 d2 } bassoonNotes = \relative c {