X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Fsimultaneous.itely;h=700a00fc5e39a4c19d75417f46fe0724efc85b20;hb=7404fd9d0d16a12b5f065268f5a6196024496aca;hp=4ded8656e032fd3c70dbebe2e335158d66857305;hpb=d1268d3c8de1cbfee0c878265450f9a4b3492805;p=lilypond.git diff --git a/Documentation/notation/simultaneous.itely b/Documentation/notation/simultaneous.itely index 4ded8656e0..700a00fc5e 100644 --- a/Documentation/notation/simultaneous.itely +++ b/Documentation/notation/simultaneous.itely @@ -7,13 +7,13 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.14.0" +@c \version "2.17.6" @node Simultaneous notes @section Simultaneous notes -@lilypondfile[quote]{simultaneous-headword.ly} +@lilypondfile[quote,ragged-right,line-width=16\cm]{simultaneous-headword.ly} Polyphony in music refers to having more than one voice occurring in a piece of music. Polyphony in LilyPond refers to having more @@ -67,7 +67,8 @@ The notes within the chord themselves can also be followed by articulation and ornamentation. @lilypond[verbatim,quote,relative=2] -1 c-^ e>2 4 8. 16 +1 c-^ e>2 4 +8. 16 @end lilypond However some notation, such as dynamics, hairpins and slurs must be @@ -75,7 +76,8 @@ attached to the chord, rather than notes within the chord, otherwise they will not print. @lilypond[verbatim,quote,relative=2] -1 \f ( ) \< \! +1 \f ( ) +\< \! @end lilypond @cindex chords, empty @@ -298,7 +300,7 @@ warning: ignoring too many clashing note columns will appear during compilation. This message can be suppressed by: @example -\override NoteColumn #'ignore-collision = ##t +\override NoteColumn.ignore-collision = ##t @end example However, this not only suppresses the warning but will prevent any @@ -382,7 +384,7 @@ multiple staves. @funindex \oneVoice @funindex oneVoice -@strong{@i{Explicitly instantiating voices}} +@subsubsubheading Explicitly instantiating voices The basic structure needed to achieve multiple independent voices in a single staff is illustrated in the following example: @@ -406,7 +408,7 @@ automatically moved to avoid collisions. The @code{\oneVoice} command returns all the voice settings to the neutral default directions. -@strong{@i{Temporary polyphonic passages}} +@subsubsubheading Temporary polyphonic passages A temporary polyphonic passage can be created with the following construct: @@ -453,7 +455,7 @@ during and after a polyphonic section: Here, the @code{\voiceOne} and @code{\voiceTwo} commands are required to define the settings of each voice. -@strong{@i{The double backslash construct}} +@subsubsubheading The double backslash construct The @code{<< @{...@} \\ @{...@} >>} construct, where the two (or more) expressions are separated by double backslashes, behaves @@ -498,7 +500,7 @@ In all but the simplest works it is advisable to create explicit @code{Voice} contexts as explained in @rlearning{Contexts and engravers} and @rlearning{Explicitly instantiating voices}. -@strong{@i{Voice order}} +@subsubsubheading Voice order When entering multiple voices in the input file, use the following order: @@ -537,7 +539,7 @@ upstems, and the even-numbered voices are given downstems: @warning{Lyrics, spanners (such as slurs, ties, hairpins etc.) cannot be created @q{across} voices.} -@strong{@i{Identical rhythms}} +@subsubsubheading Identical rhythms In the special case that we want to typeset parallel pieces of music that have the same rhythm, we can combine them into a single @@ -842,13 +844,13 @@ Internals Reference: @cindex collisions, ignoring @knownissues -Using @code{\override NoteColumn #'ignore-collision = ##t} will cause +Using @code{\override NoteColumn.ignore-collision = ##t} will cause differently headed notes in different voices to merge incorrectly. @lilypond[quote,relative=1,verbatim] \mergeDifferentlyHeadedOn << { c16 a' b a } \\ { c,2 } >> -\override NoteColumn #'ignore-collision = ##t +\override NoteColumn.ignore-collision = ##t << { c16 a' b a } \\ { c,2 } >> @end lilypond