X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Finput.itely;h=c109df7b28ec497d7826252853cd8fde669786dd;hb=8211950f0931c4d8a0e18ee9e436e489bd583dbd;hp=ccfad7c9a70c32b5a69914df692a02e27cb72f0f;hpb=99ce5fc4bd1169e8fa33855b3a13bc68f08fbe0b;p=lilypond.git diff --git a/Documentation/notation/input.itely b/Documentation/notation/input.itely index ccfad7c9a7..c109df7b28 100644 --- a/Documentation/notation/input.itely +++ b/Documentation/notation/input.itely @@ -277,7 +277,7 @@ Lilypond provides facilities to allow you to control what file names are used by the various back-ends when producing output files. In the previous section, we saw how Lilypond prevents name-clashes when -producing several ouputs from a single source file. You also have the +producing several outputs from a single source file. You also have the ability to specify your own suffixes for each @code{\book} block, so for example you can produce files called @file{eightminiatures-Romanze.pdf}, @file{eightminiatures-Menuetto.pdf} @@ -1765,7 +1765,7 @@ inside a music expression. @end verbatim Markups used for formatting the table of contents are defined in the -@code{\paper} block. There two @q{pre-defined} markups already +@code{\paper} block. There are two @q{pre-defined} markups already available; @itemize @@ -1846,7 +1846,7 @@ is defined for entering act names in a table of contents of an opera; @noindent A new markup variable (called @code{tocActMarkup}) is defined in the -@code{\paper} block ; +@code{\paper} block; @verbatim \paper { @@ -2659,7 +2659,7 @@ By default, each music fragment will be output as a separate @code{EPS} file, but other formats such as @code{PDF} or @code{PNG} can also be created if required. The extracted music is output as if had been literally @q{cut} from the original printed score so if a fragment runs -over one or more lines, a separate ouput file for each line will be +over one or more lines, a separate output file for each line will be generated. @seealso @@ -3536,7 +3536,7 @@ Notes that do not have any articulations attached to them may also be shortened; so to compensate for this, restrict the use of the @code{\articulate} function to shorter segments of music or modify the values of the variables defined in the @file{articulate} script to -compenstate for the note-shortening behavior.} +compentate for the note-shortening behavior.}