X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Ffretted-strings.itely;h=235ab931587fe347af7392a7cec212a58f8a592c;hb=e7aa6c445f463844dbaa52d38ea4aac2882b5601;hp=f01e968b13c40a97e87acc3c6bfffaef58836f7f;hpb=cf039a0cae992c1437514440478e136c5051e653;p=lilypond.git

diff --git a/Documentation/notation/fretted-strings.itely b/Documentation/notation/fretted-strings.itely
index f01e968b13..235ab93158 100644
--- a/Documentation/notation/fretted-strings.itely
+++ b/Documentation/notation/fretted-strings.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.15.16"
+@c \version "2.19.2"
 
 @node Fretted string instruments
 @section Fretted string instruments
@@ -76,7 +76,6 @@ in @ref{Collision resolution}.
 
 @end itemize
 
-
 @seealso
 Notation Reference:
 @ref{Fingering instructions},
@@ -98,25 +97,25 @@ Notation Reference:
 @cindex fingering vs. string numbers
 
 The string on which a note should be played may be indicated by
-appending @code{\@var{number}} to a note inside a chord construct
-@code{<>}.
-
-@warning{String numbers @strong{must} be defined inside a chord
-construct even if there is only a single note.}
+appending @code{\@var{number}} to a note.
 
 @lilypond[verbatim,quote,relative=0]
 \clef "treble_8"
-<c\5>4 <e\4> <g\3>2
+c4\5 e\4 g2\3
 <c,\5 e\4 g\3>1
 @end lilypond
 
 When fingerings and string indications are used together, their
-placement is controlled by the order in which the two items appear
-in the code:
+placement can be controlled by the order in which the two items appear
+in the code @emph{only} if they appear inside of an explicit chord:
+applied to whole chords or single notes @emph{outside} of chords,
+fingerings are placed using a different mechanism.
 
 @lilypond[verbatim,quote,relative=1]
 \clef "treble_8"
-<g\3-0>2
+g4\3-0
+g-0\3
+<g\3-0>
 <g-0\3>
 @end lilypond
 
@@ -128,7 +127,6 @@ in the code:
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {allowing-fingerings-to-be-printed-inside-the-staff.ly}
 
-
 @seealso
 Notation Reference:
 @ref{Fingering instructions}.
@@ -182,7 +180,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -208,7 +206,7 @@ symbols = {
   c4-.^"Allegro" d( e)
   f4-.\f g a^\fermata
   \mark \default
-  c8_.\<\( c16 c~ c2\!
+  c8_.\<\( c16 c~ 2\!
   c'2.\prall\)
 }
 
@@ -223,19 +221,23 @@ symbols = {
 @cindex fret
 
 @funindex minimumFret
+@funindex restrainOpenStrings
 
 By default pitches are assigned to the lowest playing position on the
 fret-board (first position).  Open strings are automatically preferred.
-If you would like a certain pitch to be played on a specific string
-you can add a string number indication to the pitch name.  If you
-define pitch names and string numbers without a chord construct
-(@code{<>}) the string number indications do not appear in traditional
-notation.  It is much more comfortable to define the playing position
-by using the value of @code{minimumFret}.  The default value for
-minimumFret is 0.
+If you would like a certain pitch to be played on a specific string you
+can add a string number indication to the pitch name.  If you don't want
+to have string number indications appear in traditional notation, you
+can override the respective stencil.  Usually it will be more
+comfortable to define the playing position by using the value of
+@code{minimumFret}.  The default value for minimumFret is 0.
 
+Even when @code{minimumFret} is set, open strings are used whenever
+possible.  This behaviour can be changed by setting @code{restrainOpenStrings}
+to @code{#t}.
 
 @lilypond[quote,ragged-right,verbatim]
+\layout { \omit Voice.StringNumber }
 \new StaffGroup <<
    \new Staff \relative c {
      \clef "treble_8"
@@ -248,6 +250,7 @@ minimumFret is 0.
      c16 d e f g4
      c,16\5 d\5 e\4 f\4 g4\4
      \set TabStaff.minimumFret = #5
+     \set TabStaff.restrainOpenStrings = ##t
      c,16 d e f g4
    }
 >>
@@ -271,7 +274,7 @@ as @code{\tabChordRepeats}.
 
 @lilypond[quote,verbatim]
 guitar = \relative c' {
-  r8 <gis-6 cis-6 b-0>~ q4 q8~ q q4
+  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
 }
 
 \new StaffGroup <<
@@ -292,7 +295,7 @@ the second alternative of a repeat.
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~
+    2 g2~
   }
   \alternative {
      { g4 f2. }
@@ -307,11 +310,11 @@ ties = \relative c' {
 \score {
   <<
     \new StaffGroup  <<
-      \context Staff {
+      \new Staff {
         \clef "treble_8"
         \ties
       }
-      \context TabStaff {
+      \new TabStaff {
         \ties
       }
     >>
@@ -332,7 +335,7 @@ engraving fret numbers in parentheses:
 ties = \relative c' {
   \repeat volta 2 {
     e2. f4~
-    f2 g2~ }
+    2 g2~ }
   \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
@@ -346,11 +349,11 @@ ties = \relative c' {
 \score {
   <<
     \new StaffGroup  <<
-      \context Staff {
+      \new Staff {
         \clef "treble_8"
         \ties
       }
-      \context TabStaff {
+      \new TabStaff {
       \hideSplitTiedTabNotes
         \ties
       }
@@ -365,9 +368,6 @@ ties = \relative c' {
 
 @cindex harmonic indications in tablature notation
 @cindex tablature and harmonic indications
-@cindex slides in tablature notation
-@cindex tablature and slides
-@cindex chord glissandi
 @funindex \harmonic
 @funindex \harmonicByFret
 @funindex \harmonicByRatio
@@ -376,6 +376,7 @@ Harmonic indications can be added to tablature notation as sounding
 pitches:
 
 @lilypond[verbatim,quote]
+\layout { \omit Voice.StringNumber }
 firstHarmonic = {
   d'4\4\harmonic
   g'4\3\harmonic
@@ -383,7 +384,10 @@ firstHarmonic = {
 }
 \score {
   <<
-    \new Staff { \firstHarmonic }
+    \new Staff {
+      \clef "treble_8"
+      \firstHarmonic
+    }
     \new TabStaff { \firstHarmonic }
   >>
 }
@@ -405,7 +409,10 @@ fretHarmonics = {
 }
 \score {
   <<
-    \new Staff { \fretHarmonics }
+    \new Staff {
+      \clef "treble_8"
+      \fretHarmonics
+    }
     \new TabStaff { \fretHarmonics }
   >>
 }
@@ -422,7 +429,10 @@ ratioHarmonics = {
 }
 \score {
   <<
-    \new Staff { \ratioHarmonics }
+    \new Staff {
+      \clef "treble_8"
+      \ratioHarmonics
+    }
     \new TabStaff { \ratioHarmonics }
   >>
 }
@@ -441,12 +451,29 @@ ratioHarmonics = {
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {fretted-string-harmonics-in-tablature.ly}
 
+@cindex slides in tablature notation
+@cindex tablature and slides
+
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {slides-in-tablature.ly}
 
+@cindex chord glissandi
+
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {chord-glissando-in-tablature.ly}
 
+@cindex hammer on
+@cindex pull off
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{hammer-on-and-pull-off.ly}
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{hammer-on-and-pull-off-using-voices.ly}
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{hammer-on-and-pull-off-using-chords.ly}
+
 @seealso
 Notation Reference:
 @ref{Chord repetition},
@@ -487,6 +514,7 @@ melodia = \partcombine { e4 g g g } { e4 e e e }
 
 Guitar special effects are limited to harmonics and slides.
 
+
 @node Custom tablatures
 @unnumberedsubsubsec Custom tablatures
 
@@ -522,14 +550,17 @@ written.
 
 @lilypond[quote,ragged-right,verbatim]
 <<
-  \new Staff {
+  \new Voice \with {
+    \omit StringNumber
+  } {
     \clef "bass_8"
     \relative c, {
       c4 d e f
     }
   }
-  \new TabStaff {
-    \set TabStaff.stringTunings = #bass-tuning
+  \new TabStaff \with {
+    stringTunings = #bass-tuning
+  } {
     \relative c, {
       c4 d e f
     }
@@ -541,7 +572,7 @@ The default string tuning is @code{guitar-tuning}, which
 is the standard EADGBE tuning.  Some other predefined tunings are
 @code{guitar-open-g-tuning}, @code{mandolin-tuning} and
 @code{banjo-open-g-tuning}.  The predefined string tunings
-are found in @file{ly/string-tuning-init.ly}.
+are found in @file{ly/string-tunings-init.ly}.
 
 @funindex stringTuning
 @funindex \stringTuning
@@ -575,7 +606,7 @@ mynotes = {
     \mynotes
   }
   \new TabStaff {
-    \set stringTunings = \stringTuning <c' g' d'' a''>
+    \set Staff.stringTunings = \stringTuning <c' g' d'' a''>
     \mynotes
   }
 >>
@@ -591,7 +622,7 @@ for predefined fret diagrams
 The previous example could also be written as follows:
 
 @lilypond[quote,verbatim]
-"custom-tuning" = \stringTuning <c' g' d'' a''>
+custom-tuning = \stringTuning <c' g' d'' a''>
 
 mynotes = {
   c'4 e' g' c'' |
@@ -635,7 +666,7 @@ you can use
 \layout @{
   \context @{
     \TabStaff
-    stringTunings = \stringTuning \notemode @{ <c' g' d'' a''> @}
+    stringTunings = \stringTuning <c' g' d'' a''>
   @}
 @}
 @end example
@@ -667,7 +698,7 @@ Notation Reference:
 @ref{Scheme functions}.
 
 Installed Files:
-@file{ly/string-tuning-init.ly}
+@file{ly/string-tunings-init.ly},
 @file{scm/tablature.scm}.
 
 Snippets:
@@ -681,6 +712,7 @@ Automatic tablature calculations do not work properly in most
 cases for instruments where string pitches do not vary
 monotonically with string number, such as ukuleles.
 
+
 @node Fret diagram markups
 @unnumberedsubsubsec Fret diagram markups
 
@@ -706,12 +738,12 @@ In addition, open and unplayed (muted) strings can be indicated.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
@@ -730,12 +762,12 @@ the fret-diagram markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
      \chordmode {
        f1 g
      }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram #"c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
@@ -758,12 +790,12 @@ can be changed in the fret-diagram markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
      \chordmode {
        f1 g
      }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram #"s:1.5;c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
@@ -781,12 +813,12 @@ markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       a1
     }
   }
-  \context Staff {
+  \new Staff {
     % An 'A' chord for ukulele
     a'1^\markup {
       \fret-diagram #"w:4;4-2-2;3-1-1;2-o;1-o;"
@@ -800,12 +832,12 @@ can be controlled by the fret-diagram markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"f:1;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
@@ -822,12 +854,12 @@ markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"d:0.35;6-x;5-3;4-2;3-o;2-1;1-o;"
@@ -852,12 +884,12 @@ Mute strings, open strings, and fret numbers can be indicated.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-terse #"x;3;2;o;1;o;"
@@ -873,12 +905,12 @@ Barre indicators can be included in the fret-diagram-terse markup string.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       f1 g
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram-terse #"1-(;3;3;2;1;1-);"
@@ -895,14 +927,13 @@ Fingering indications can be included in the fret-diagram-terse markup string.
 @c Need to use override to enable fingerings to show this -- can we do so?
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
-    \override Voice.TextScript
-      #'(fret-diagram-details finger-code) = #'below-string
+  \new Staff {
+    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;"
@@ -928,12 +959,12 @@ element of the list indicates an item to be placed on the fret diagram.
 
 @lilypond[quote, verbatim]
 <<
-    \context ChordNames {
+    \new ChordNames {
       \chordmode {
         c1 d:m
       }
     }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-verbose #'(
@@ -969,15 +1000,14 @@ capo will be the lowest fret in the fret diagram.
 @c \override is necessary to make fingering visible
 @lilypond[quote, verbatim]
 <<
-    \context ChordNames {
+    \new ChordNames {
       \chordmode {
         f1 g c
       }
     }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
-    \override Voice.TextScript
-      #'(fret-diagram-details finger-code) = #'below-string
+    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
     <f, c f a c' f'>1^\markup {
       \fret-diagram-verbose #'(
         (place-fret 6 1)
@@ -999,7 +1029,7 @@ capo will be the lowest fret in the fret diagram.
         (place-fret 1 3 3)
       )
     }
-    <c e g c' e'>1^\markup {
+    <c g c' e' g'>1^\markup {
       \fret-diagram-verbose #'(
         (capo 3)
         (mute 6)
@@ -1091,7 +1121,6 @@ Internals Reference:
 @node Predefined fret diagrams
 @unnumberedsubsubsec Predefined fret diagrams
 
-
 @cindex fret diagrams
 @cindex fret diagrams, ukulele
 @cindex fret diagrams, mandolin
@@ -1106,7 +1135,7 @@ are stored in a lookup table:
 
 @lilypond[verbatim, ragged-right, quote]
 \include "predefined-guitar-fretboards.ly"
-\context FretBoards {
+\new FretBoards {
   \chordmode {
     c1 d
   }
@@ -1123,7 +1152,7 @@ diagrams can be added for other instruments or other tunings
 by following the examples found in
 @file{predefined-guitar-fretboards.ly}.
 
-Fret diagrams for the ukulele are contained in the file
+Fret diagrams for the ukulele are contained in the file @*
 @file{predefined-ukulele-fretboards.ly}.
 
 @lilypond[verbatim, ragged-right, quote]
@@ -1136,12 +1165,12 @@ myChords = \chordmode { a1 a:m a:aug }
 }
 
 \new FretBoards {
-  \set stringTunings = #ukulele-tuning
+  \set Staff.stringTunings = #ukulele-tuning
   \myChords
 }
 @end lilypond
 
-Fret diagrams for the mandolin are contained in the file
+Fret diagrams for the mandolin are contained in the file @*
 @file{predefined-mandolin-fretboards.ly}.
 
 @lilypond[verbatim, ragged-right, quote]
@@ -1154,7 +1183,7 @@ myChords = \chordmode { c1 c:m7.5- c:aug }
 }
 
 \new FretBoards {
-  \set stringTunings = #mandolin-tuning
+  \set Staff.stringTunings = #mandolin-tuning
   \myChords
 }
 @end lilypond
@@ -1165,7 +1194,7 @@ either as simultaneous music or using chord mode (see
 
 @lilypond[verbatim, ragged-right,quote]
 \include "predefined-guitar-fretboards.ly"
-\context FretBoards {
+\new FretBoards {
   \chordmode { c1 }
   <c' e' g'>1
 }
@@ -1189,10 +1218,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1216,10 +1245,10 @@ mychordlist = {
   \transpose c e { \mychords }
 }
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychordlist
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychordlist
   }
 >>
@@ -1245,10 +1274,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1279,10 +1308,10 @@ mychords = \chordmode {
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1306,10 +1335,10 @@ mychords = \chordmode {
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1356,10 +1385,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1379,13 +1408,12 @@ the interface properties belong to @code{FretBoards.FretBoard}.
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {defining-predefined-fretboards-for-other-instruments.ly}
 
-@lilypondfile[verbatim,quote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle,ragged-right]
 {chordchanges-for-fretboards.ly}
 
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {fretboards-alternate-tables.ly}
 
-
 @seealso
 Notation Reference:
 @ref{Custom tablatures},
@@ -1394,9 +1422,9 @@ Notation Reference:
 @ref{Predefined fretboard diagrams}.
 
 Installed Files:
-@file{ly/predefined-guitar-fretboards.ly},
-@file{ly/predefined-guitar-ninth-fretboards.ly},
-@file{ly/predefined-ukulele-fretboards.ly},
+@file{ly/predefined-guitar-fretboards.ly}, @*
+@file{ly/predefined-guitar-ninth-fretboards.ly}, @*
+@file{ly/predefined-ukulele-fretboards.ly}, @*
 @file{ly/predefined-mandolin-fretboards.ly}.
 
 Snippets:
@@ -1421,16 +1449,16 @@ calculates strings and frets that can be used to play the notes.
 
 @lilypond[quote,ragged-right,verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       f1 g
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <f, c f a c' f'>1
     <g,\6 b, d g b g'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1
     <g, b, d g b' g'>1
@@ -1455,19 +1483,19 @@ commands:
                         #guitar-tuning
                         #"x;3-1-(;5-2;5-3;5-4;3-1-1-);"
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 c c
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <c e g c' e'>1
     \predefinedFretboardsOff
     <c e g c' e'>1
     \predefinedFretboardsOn
     <c e g c' e'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1
     <c e g c' e'>1
@@ -1492,16 +1520,16 @@ Fingerings can be added to FretBoard fret diagrams.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <c-3 e-2 g c'-1 e'>1
     <d a-2 d'-3 f'-1>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1
     <d a d' f'>1
@@ -1517,17 +1545,17 @@ property.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       d1:m d:m
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <d a d' f'>1
     \set FretBoards.minimumFret = #5
     <d a d' f'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <d a d' f'>1
     <d a d' f'>1
@@ -1553,7 +1581,6 @@ diagram, the interface properties belong to
 @code{\predefinedFretboardsOn}.
 @endpredefined
 
-
 @seealso
 Notation Reference:
 @ref{Custom tablatures}.
@@ -1579,28 +1606,27 @@ with non-monotonic tunings.
 @funindex rightHandFinger
 @funindex \rightHandFinger
 
-Right-hand fingerings @var{p-i-m-a} must be entered within a
-chord construct @code{<>} for them to be printed in the score,
-even when applied to a single note.
+Right-hand fingerings @var{p-i-m-a} must be entered using
+@code{\rightHandFinger} followed by a number.
 
-@warning{There @strong{must} be a hyphen before
-@code{@bs{}rightHandFinger} and a space before the closing @code{>}.}
+@warning{If the number is entered in Scheme notation, remember to append
+a space before following it with a closing @code{>} or similar.}
 
 @lilypond[quote,verbatim,relative=0]
 \clef "treble_8"
-<c-\rightHandFinger #1 >4
-<e-\rightHandFinger #2 >
-<g-\rightHandFinger #3 >
-<c-\rightHandFinger #4 >
-<c,-\rightHandFinger #1 e-\rightHandFinger #2
- g-\rightHandFinger #3 c-\rightHandFinger #4 >1
+c4\rightHandFinger #1
+e\rightHandFinger #2
+g\rightHandFinger #3
+c\rightHandFinger #4
+<c,\rightHandFinger #1 e\rightHandFinger #2
+ g\rightHandFinger #3 c\rightHandFinger #4 >1
 @end lilypond
 
 For convenience, you can abbreviate @code{\rightHandFinger} to something
 short, for example @code{RH},
 
 @example
-#(define RH rightHandFinger)
+RH=#rightHandFinger
 @end example
 
 
@@ -1612,7 +1638,6 @@ short, for example @code{RH},
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {fingerings,-string-indications,-and-right-hand-fingerings.ly}
 
-
 @seealso
 Snippets:
 @rlsr{Fretted strings}.
@@ -1652,13 +1677,12 @@ barring indications.
 \clef "treble_8"
 b16 d g b e
 \textSpannerDown
-\override TextSpanner #'(bound-details left text) = #"XII "
+\override TextSpanner.bound-details.left.text = #"XII "
 g16\startTextSpan
 b16 e g e b g\stopTextSpan
 e16 b g d
 @end lilypond
 
-
 @seealso
 Notation Reference:
 @ref{Text spanners}.
@@ -1683,7 +1707,7 @@ text markup.
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \clef "treble_8"
-  \override Staff.NoteHead #'style = #'harmonic-mixed
+  \override Staff.NoteHead.style = #'harmonic-mixed
   d^\markup { \italic { \fontsize #-2 { "harm. 12" }}} <g b>1
 }
 @end lilypond
@@ -1697,7 +1721,7 @@ music = \relative c' {
   < b\3 \deadNote d\2 b'\1 >
   < c\3 \deadNote e\2 c'\1 >
   \deadNotesOn
-  \times 2/3 { g8 b e }
+  \tuplet 3/2 { g8 b e }
   \deadNotesOff
   < a,\3 c\2 e\1 >1
 }
@@ -1846,15 +1870,20 @@ correct fret numbers for the fifth string:
 @c due to crazy intervals of banjo music, absolute pitch is recommended
 
 @lilypond[quote,ragged-right,verbatim]
-\new TabStaff <<
-  \set TabStaff.tablatureFormat = #fret-number-tablature-format-banjo
-  \set TabStaff.stringTunings = #banjo-open-g-tuning
-  {
-    \stemDown
-    g8 d' g'\5 a b g e d' |
-    g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
-    g4
+music = {
+  g8 d' g'\5 a b g e d' |
+  g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
+  g4
+}
+
+<<
+  \new Staff \with { \omit StringNumber }
+  { \clef "treble_8"  \music }
+  \new TabStaff \with {
+    tablatureFormat = #fret-number-tablature-format-banjo
+    stringTunings = #banjo-open-g-tuning
   }
+  { \music }
 >>
 @end lilypond
 
@@ -1880,8 +1909,8 @@ These may be converted to four-string tunings using the
 @end example
 
 @seealso
+Installed Files:
+@file{ly/string-tunings-init.ly}.
+
 Snippets:
 @rlsr{Fretted strings}.
-
-Installed Files:
-@file{ly/string-tunings-init.ly}