X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnotation%2Fexpressive.itely;h=9ab9fdcb5cb0bb1c5fe84c6ff9476ee1d0f2382d;hb=0129dea8eff59c10ba6e295f6f2cd48083fc5296;hp=0d86f3e639dd7b1344726ce61b11e680dd37e088;hpb=9a73c67a79a21b889d67f8d28f2c106de830d936;p=lilypond.git

diff --git a/Documentation/notation/expressive.itely b/Documentation/notation/expressive.itely
index 0d86f3e639..9ab9fdcb5c 100644
--- a/Documentation/notation/expressive.itely
+++ b/Documentation/notation/expressive.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.14.0"
+@c \version "2.18.0"
 
 @node Expressive marks
 @section Expressive marks
@@ -148,7 +148,7 @@ articulation.  Predefined shorthands exist for @notation{marcato},
 Their corresponding output appears as follows:
 
 @lilypond[verbatim,quote,relative=2]
-c4-^ c-+ c-- c-|
+c4-^ c-+ c-- c-!
 c4-> c-. c2-_
 @end lilypond
 
@@ -167,8 +167,8 @@ to a multi-measure rest (and only a multi-measure rest).  This
 creates a @code{MultiMeasureRestText} object.
 
 @lilypond[verbatim,quote,relative=2]
-\override Script #'color = #red
-\override MultiMeasureRestText #'color = #blue
+\override Script.color = #red
+\override MultiMeasureRestText.color = #blue
 a2\fermata r\fermata
 R1\fermataMarkup
 @end lilypond
@@ -472,6 +472,16 @@ items such as text scripts, text spanners, and piano pedal marks.
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {printing-hairpins-using-al-niente-notation.ly}
 
+@cindex Ferneyhough hairpins
+@cindex hairpins, Ferneyhough
+@cindex flared hairpins
+@cindex hairpins, flared
+@cindex constante hairpins
+@cindex hairpins, constante
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{printing-hairpins-in-various-styles.ly}
+
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {vertically-aligned-dynamics-and-textscripts.ly}
 
@@ -494,7 +504,7 @@ Learning Manual:
 Notation Reference:
 @ref{Direction and placement},
 @ref{New dynamic marks},
-@ref{What goes into the MIDI output?},
+@ref{Enhancing MIDI output},
 @ref{Controlling MIDI dynamics}.
 
 Snippets:
@@ -604,6 +614,20 @@ moltoF = #(make-dynamic-script
 }
 @end lilypond
 
+To left-align the dynamic text rather than centering it on a note
+use a @code{\tweak}:
+
+@lilypond[verbatim,quote]
+moltoF = \tweak DynamicText.self-alignment-X #LEFT
+         #(make-dynamic-script
+            (markup #:normal-text "molto"
+                    #:dynamic "f"))
+\relative c' {
+  <d e>16 <d e>
+  <d e>2..\moltoF <d e>1
+}
+@end lilypond
+
 Font settings in markup mode are described in
 @ref{Selecting font and font size}.
 
@@ -611,7 +635,7 @@ Font settings in markup mode are described in
 Notation Reference:
 @ref{Formatting text},
 @ref{Selecting font and font size},
-@ref{What goes into the MIDI output?},
+@ref{Enhancing MIDI output},
 @ref{Controlling MIDI dynamics}.
 
 Extending LilyPond:
@@ -936,6 +960,12 @@ Breath marks are entered using @code{\breathe}:
 c2. \breathe d4
 @end lilypond
 
+Unlike other expressive marks, a breath mark is not associated with
+the preceding note but is a separate music event.  So all the
+expressive marks which are attached to the preceding note, any square
+brackets indicating manual beams, and any brackets indicating slurs
+and phrasing slurs must be placed before @code{\breathe}.
+
 A breath mark will end an automatic beam; to override this behavior, see
 @ref{Manual beams}.
 
@@ -952,6 +982,11 @@ divisiones, are supported.  For details, see @ref{Divisiones}.
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {changing-the-breath-mark-symbol.ly}
 
+@cindex tick mark
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{using-a-tick-as-the-breath-mark-symbol.ly}
+
 @cindex caesura
 @cindex railroad tracks
 
@@ -989,18 +1024,14 @@ indicates the pitch interval that the fall or doit will extend
 @emph{beyond} the main note.
 
 @lilypond[verbatim,quote,relative=2]
-c2-\bendAfter #+4
-c2-\bendAfter #-4
-c2-\bendAfter #+6.5
-c2-\bendAfter #-6.5
-c2-\bendAfter #+8
-c2-\bendAfter #-8
+c2\bendAfter #+4
+c2\bendAfter #-4
+c2\bendAfter #+6.5
+c2\bendAfter #-6.5
+c2\bendAfter #+8
+c2\bendAfter #-8
 @end lilypond
 
-The dash @code{-} immediately preceding the @code{\bendAfter}
-command is @emph{required} when writing falls and doits.
-
-
 @snippets
 
 @lilypondfile[verbatim,quote,texidoc,doctitle]
@@ -1034,24 +1065,72 @@ follow a linear path: glissandos, arpeggios, and trills.
 @funindex \glissando
 @funindex glissando
 
-A @notation{glissando} is created by attaching @code{\glissando}
+A @notation{glissando} is created by appending @code{\glissando}
 to a note:
 
 @lilypond[verbatim,quote,relative=2]
 g2\glissando g'
 c2\glissando c,
+\afterGrace f,1\glissando f'16
+@end lilypond
+
+A glissando can connect notes across staves:
+
+@lilypond[verbatim,quote]
+\new PianoStaff <<
+  \new Staff = "right" {
+    e'''2\glissando
+    \change Staff = "left"
+    a,,4\glissando
+    \change Staff = "right"
+    b''8 r |
+  }
+  \new Staff = "left" {
+    \clef bass
+    s1
+  }
+>>
+@end lilypond
+
+A glissando can connect notes in chords.  If anything other than a
+direct one-to-one pairing of the notes in the two chords is required
+the connections between the notes are defined by setting
+@code{\glissandoMap}, where the notes of a chord are assumed to be
+numbered from zero in the order in which they appear in the input
+@file{.ly} file.
+
+@lilypond[verbatim,quote,relative=2]
+<c, e>1\glissando g' |
+<c, e>1\glissando |
+<g' b> |
+\break
+\set glissandoMap = #'((0 . 1) (1 . 0))
+<c, g'>1\glissando |
+<d a'> |
+\set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
+c1\glissando |
+<d f a> |
+\set glissandoMap = #'((2 . 0) (1 . 0) (0 . 1))
+<f d a'>1\glissando |
+<c c'> |
 @end lilypond
 
 Different styles of glissandi can be created.  For details, see
 @ref{Line styles}.
 
+
 @snippets
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{contemporary-glissando.ly}
 
 @lilypondfile[verbatim,quote,texidoc,doctitle]
-{glissandi-can-skip-grobs.ly}
+{adding-timing-marks-to-long-glissandi.ly}
 
 @lilypondfile[verbatim,quote,texidoc,doctitle]
-{contemporary-glissando.ly}
+{making-glissandi-breakable.ly}
+
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{extending-glissandi-across-repeats.ly}
 
 @seealso
 Music Glossary:
@@ -1139,7 +1218,8 @@ Special @emph{bracketed} arpeggio symbols can be created:
 @end lilypond
 
 The dash properties of the parenthesis arpeggio are controlled
-with the @code{'dash-details} property, which is described at @ref{Slurs}.
+with the @code{'dash-definition} property, which is described at
+@ref{Slurs}.
 
 Arpeggios can be explicitly written out with ties.  For more
 information, see @ref{Ties}.
@@ -1192,8 +1272,8 @@ It is not possible to mix connected arpeggios and unconnected
 arpeggios in one @code{PianoStaff} at the same point in
 time.
 
-The parenthesis-style arpeggio brackets do not work for
-cross-staff arpeggios.
+The simple way of setting parenthesis-style arpeggio brackets does not work for
+cross-staff arpeggios; see @ref{Cross-staff stems}.
 
 
 @node Trills