X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fnl%2Flearning%2Ftweaks.itely;h=014c1c8921377b28cc3b3adae9eb04d5664b1988;hb=d36171e34d236d890f5dc511b895037188c6c7cb;hp=9abaa16d9b3864c565c399c608086b00a1d66a30;hpb=40aac0ae57ee113faa860ba221d83d9e6312173e;p=lilypond.git diff --git a/Documentation/nl/learning/tweaks.itely b/Documentation/nl/learning/tweaks.itely index 9abaa16d9b..014c1c8921 100644 --- a/Documentation/nl/learning/tweaks.itely +++ b/Documentation/nl/learning/tweaks.itely @@ -8,7 +8,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.19.2" +@c \version "2.19.21" @node Tweaking output @chapter Tweaking output @@ -1379,8 +1379,8 @@ how to introduce a new temporary staff, as in an @rglos{ossia}. @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1406,8 +1406,8 @@ we simply set the stencil of each to @code{#f}, as follows: @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1469,8 +1469,8 @@ So we could replace the example above with @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1494,8 +1494,8 @@ clearing the @code{stencil} here, leading to the result @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1558,8 +1558,8 @@ Let's try it in our ossia example: @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1624,8 +1624,8 @@ objects in proportion. It is used like this: @lilypond[quote,fragment,ragged-right,verbatim,relative=2] \new Staff ="main" { - \relative g' { - r4 g8 g c4 c8 d | + \relative { + r4 g'8 g c4 c8 d | e4 r8 << { f8 c c } @@ -1746,10 +1746,10 @@ this @q{nestling} of the notes on adjacent staves: @lilypond[quote,ragged-right,verbatim] << \new Staff { - \relative c' { c4 a, } + \relative { c'4 a, } } \new Staff { - \relative c'''' { c4 a, } + \relative { c''''4 a, } } >> @end lilypond @@ -2738,8 +2738,8 @@ stencil with a markup containing the desired symbol(s), like this: @lilypond[quote,ragged-right,verbatim] sesquisharp = \markup { \sesquisharp } -\relative c'' { - c4 +\relative { + c''4 % This prints a sesquisharp but the spacing is too small \once \override Accidental.stencil = #ly:text-interface::print \once \override Accidental.text = #sesquisharp @@ -2974,10 +2974,10 @@ example introduced at the end of @ref{I'm hearing Voices}, which was left looking like this: @lilypond[quote,verbatim,fragment,ragged-right] -\new Staff \relative c'' { +\new Staff \relative { \key aes \major << - { c2 aes4. bes8 } + { c''2 aes4. bes8 } \\ { 2 des } \\ @@ -3006,10 +3006,10 @@ Here's the final result: @cindex force-hshift property, example @lilypond[quote,verbatim,fragment,ragged-right] -\new Staff \relative c'' { +\new Staff \relative { \key aes \major << - { c2 aes4. bes8 } + { c''2 aes4. bes8 } \\ { 2 @@ -3049,9 +3049,9 @@ dynamics, fingering and pedalling. @c This example should not be indexed @c line-width ensures no break @lilypond[quote,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" @@ -3091,8 +3091,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 @@ -3132,9 +3132,9 @@ produces by default: @c line-width ensures no break @lilypond[quote,verbatim,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4. g8 | + r2 c''4. g8 | bes1~ | \time 6/4 bes2. r8 @@ -3158,8 +3158,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2 | +lhMusic = \relative { + r2 2 | 1 | r2. d,,4 r4 r | r4 @@ -3189,9 +3189,9 @@ since these were all covered in the Tutorial. Doing this gives: @c line-width ensures no break @lilypond[quote,verbatim,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | bes1~ | \time 6/4 bes2. r8 @@ -3215,8 +3215,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1) | r2. d,,4 r4 r | r4 @@ -3259,9 +3259,9 @@ This completes bar two, giving: @c line-width ensures no break @lilypond[quote,verbatim,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" @@ -3287,8 +3287,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 @@ -3338,9 +3338,9 @@ to the end, giving: @c line-width ensures no break @lilypond[quote,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" @@ -3370,8 +3370,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 @@ -3412,9 +3412,9 @@ Applying these changes gives: @c line-width ensures no break @lilypond[quote,verbatim,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" @@ -3447,8 +3447,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 @@ -3482,9 +3482,9 @@ the @code{force-hshift} property. Here's the final result: @c line-width ensures no break @lilypond[quote,verbatim,ragged-right,line-width=6\in] -rhMusic = \relative c'' { +rhMusic = \relative { \new Voice { - r2 c4.\( g8 | + r2 c''4.\( g8 | \once \override Tie.staff-position = #3.5 bes1~ | \bar "||" @@ -3525,8 +3525,8 @@ rhMusic = \relative c'' { } } -lhMusic = \relative c' { - r2 2( | +lhMusic = \relative { + r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 @@ -3783,10 +3783,10 @@ normal = { global = { \key c \major \time 4/4 \partial 4 } -SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g } -AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e } -TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 } -BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 } +SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g } +AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e } +TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 } +BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 } VerseOne = \lyrics { E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,