X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fmusic-glossary.tely;h=b2df038dc722d5ec91047f054db0d7c9e0ccfe1f;hb=252ec5e71b5e121734a9c9897245137cb07e4a1f;hp=b392e66ee8b287cf965dbc3548b91186be717d1f;hpb=a82dc4a0cca57f285e818f6c227c8428a3c02a71;p=lilypond.git diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely index b392e66ee8..b2df038dc7 100644 --- a/Documentation/music-glossary.tely +++ b/Documentation/music-glossary.tely @@ -14,7 +14,7 @@ terms used in the documentation manuals for LilyPond version @c `Music Glossary' was born 1999-10-04 with git commit 280a0bb... @macro copyrightDeclare -Copyright @copyright{} 1999--2010 by the authors +Copyright @copyright{} 1999--2012 by the authors @end macro @set FDL @@ -57,6 +57,7 @@ Copyright @copyright{} 1999--2010 by the authors * Musical terms A-Z:: * Duration names notes and rests:: * Pitch names:: +* Non-Western terms A-Z:: Appendices @@ -148,6 +149,7 @@ Languages in this order. * cluster:: * comma:: * common meter:: +* Common Practice Period:: * common time:: * complement:: * compound interval:: @@ -328,6 +330,7 @@ Languages in this order. * polymetric time signature:: * polyphony:: * portato:: +* power chord:: * presto:: * proportion:: * Pythagorean comma:: @@ -536,7 +539,7 @@ principal note to which it is attached. The acciaccatura is drawn as a small eighth note (quaver) with a line drawn through the flag and stem. @seealso -@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. +@ref{appoggiatura}, @ref{grace notes}, @ref{mordent}, @ref{ornament}. @node accidental @@ -1989,6 +1992,25 @@ Another name for @ref{common time}. @ref{common time}, @ref{meter}. +@node Common Practice Period +@section Common Practice Period + +ES: ?, +I: ?, +F: ?, +D: ?, +NL: ?, +DK: ?, +S: ?, +FI: ?. + +@c TODO: +This is a stub for Common Practice Period (CPP). + +@seealso +@ruser{Note names in other languages}. + + @node common time @section common time @@ -2080,29 +2102,16 @@ A meter that includes a triplet subdivision within the beat: see @ref{compound meter}. @item -A time signature that additively combines two or more unequal meters, e.g., -@q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time signatures. +A time signature that additively combines two or more unequal meters, +e.g., @q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time +signatures. @end enumerate -@lilypond[quote,line-width=13.0\cm] -#(define ((compound-time one two three num) grob) - (grob-interpret-markup grob - (markup - #:override '(baseline-skip . 0) - #:number - #:line ( - #:left-column (one num) - #:vcenter "+" - #:left-column (two num) - #:vcenter "+" - #:left-column (three num))))) - +@lilypond[quote,verbatim] \relative c' { \key f \major - #(set-time-signature 8 8 '(3 2 3)) - \override Staff.TimeSignature #'stencil = - #(compound-time "3" "2" "3" "8") + \compoundMeter #'((3 8) (2 8) (3 8)) c8 d e f4 d8 c bes c4 g'8 e c f4. \bar "||" @@ -2110,7 +2119,9 @@ A time signature that additively combines two or more unequal meters, e.g., @end lilypond @seealso -@ref{compound meter}, @ref{meter}, @ref{polymetric time signature}. +@ref{compound meter}, +@ref{meter}, +@ref{polymetric time signature}. @node concert pitch @@ -3979,8 +3990,7 @@ Notes printed in small types to indicate that their time values are not counted in the rhythm of the bar. @seealso -@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, -@ref{ornament}. +@ref{acciaccatura}, @ref{appoggiatura}, @ref{mordent}, @ref{ornament}. @node grand staff @@ -5522,6 +5532,7 @@ S: mordent, FI: mordent, korukuvio. @seealso +@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, @ref{ornament}. @@ -5652,7 +5663,7 @@ FI: ?. @seealso @ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, -@ref{ornament}. +@ref{mordent}, @ref{ornament}. @node ninth @@ -5980,7 +5991,8 @@ the @emph{prall} (inverted mordent). @end lilypond @seealso -@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}. +@ref{acciaccatura}, @ref{appoggiatura}, @ref{grace notes}, +@ref{mordent}. @node ossia @@ -6324,6 +6336,15 @@ without changing the bow's direction. It is used for passages of a @seealso @ref{legato}. +@node power chord +@section power chord + +A chord containing only the root and the fifth (possibly in multiple +octaves). Commonly used in guitar music, particularly with electric +guitar and high distortion. + +@seealso +@ref{chord}. @node presto @section presto @@ -6623,7 +6644,10 @@ DK: rallentando, S: rallentando, FI: rallerdando, hidastuen. -[Italian] A performance indication, abbreviated @notation{rall.} +[Italian: @q{slowing down}] + +Slackening in speed, more gradual than @ref{ritardando}. Abbreviated +to @notation{rall.} @seealso @ref{ritardando}. @@ -6749,11 +6773,13 @@ DK: ritardando, S: ritardando, FI: ritardando, hidastuen, -Gradually slackening in speed. Mostly abbreviated to @notation{rit.} or -@notation{ritard}. +[Italian: @q{lagging}] + +Gradual slowing down, more pronounced than @ref{rallentando}. Mostly +abbreviated to @notation{rit.} or @notation{ritard}. @seealso -No cross-references. +@ref{rallentando}. @node ritenuto @@ -6811,10 +6837,8 @@ scale as roots of chords. The most important are degrees I = tonic \new Staff \relative c' { c1 d e f g a b c } - \lyrics { - << { I II III IV V VI VII I } - { T "" "" S D } >> -} + \lyrics { I II III IV V VI VII I } + \lyrics { T "" "" S D } >> @end lilypond @@ -7314,8 +7338,12 @@ lines upon and between which the musical notes are written, thus indicating (in connection with a @ref{clef}) their pitch. Staves for @ref{percussion} instruments may have fewer lines. +@lilypond[quote,relative=1] +c4 e g c +@end lilypond + @seealso -No cross-references. +@ref{system}. @node staves @@ -7603,8 +7631,9 @@ DK: system, S: system, FI: nuottiviivasto. -The collection of staves (@notation{staff}), two or more, as used for writing -down of keyboard, chamber, choral, or orchestral music. +The collection of staves (@notation{staff}), two or more, as used +for writing down keyboard, chamber, choral, or orchestral music; +a section of the score spanning the width of a single page. @seealso @ref{staff}. @@ -8726,6 +8755,134 @@ send it to me, care of the lilypond-user discussion list. @end multitable +@node Non-Western terms A-Z +@chapter Non-Western terms A-Z + +@menu +* bayati:: +* iraq:: +* kurd:: +* makam:: +* makamlar:: +* maqam:: +* rast:: +* semai:: +* sikah:: +* taqasim:: +@end menu + + +@node bayati +@section bayati + +@c TODO +This is a stub for @code{bayati}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node iraq +@section iraq + +@c TODO +This is a stub for @code{iraq}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node kurd +@section kurd + +@c TODO +This is a stub for @code{kurd}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node makam +@section makam + +@c TODO +This is a stub for @code{makam}. + +@seealso +Notation Reference: +@ruser{Turkish classical music}. + + +@node makamlar +@section makamlar + +@c TODO +This is a stub for @code{makamlar}. + +@seealso +Notation Reference: +@ruser{Turkish classical music}. + + +@node maqam +@section maqam + +@c TODO +This is a stub for @code{maqam}. + +@seealso +Notation Reference: +@ruser{Arabic music}, +@ruser{Arabic key signatures}. + + +@node rast +@section rast + +@c TODO +This is a stub for @code{rast}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node semai +@section semai + +@c TODO +This is a stub for @code{semai}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node sikah +@section sikah + +@c TODO +This is a stub for @code{sikah}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + +@node taqasim +@section taqasim + +@c TODO +This is a stub for @code{taqasim}. + +@seealso +Notation Reference: +@ruser{Arabic key signatures}. + + @node Literature used @appendix Literature used