X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fmusic-glossary.tely;h=300c9c18a834715a1d38ff7efcbb8f366e338f7e;hb=31ab2644ea8e562db739ae569e069d13c039891d;hp=7d198504b7dc8773ba6a50ab6ccc986b397f76f5;hpb=a75190dd0a48ac1a8e436cd9867542f4774af36b;p=lilypond.git

diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely
index 7d198504b7..300c9c18a8 100644
--- a/Documentation/music-glossary.tely
+++ b/Documentation/music-glossary.tely
@@ -12,9 +12,14 @@ terms used in the documentation manuals for LilyPond version
 @version{}.
 @end macro
 
-@c `Music Glossary' was born 1999-10-04 with git commit 280a0bb...
+@c `Music Glossary' was born 1999-10-04 with this commit:
+@c lilypond-1.2.12
+@c author: fred
+@c commit: be4e46f61b1a8dec0922e0fd849c626beb6ab9be
+@c   file: Documentation/user/glossary.texi
+
 @macro copyrightDeclare
-Copyright @copyright{} 1999--2012 by the authors
+Copyright @copyright{} 1999--2015 by the authors
 @end macro
 
 @set FDL
@@ -245,6 +250,7 @@ Languages in this order.
 * harmonics::
 * harmony::
 * hemiola::
+* high bass clef::
 * homophony::
 * hook::
 * hymn meter::
@@ -1225,7 +1231,8 @@ FI: bassoavain.
 A clef setting with middle C on the first top ledger line.
 
 @seealso
-@ref{F clef}.
+@ref{F clef},
+@ref{high bass clef}.
 
 
 @node beam
@@ -3618,8 +3625,7 @@ played above the bass notes.
 @lilypond[quote,line-width=13.0\cm]
 \new GrandStaff <<
   \new Staff = "rh" \with {
-    fontSize = #-3
-    \override StaffSymbol #'staff-space = #(magstep -3)
+    \magnifyStaff #2/3
   } \relative c'' {
     \clef treble
     \key es \major
@@ -3889,17 +3895,17 @@ the parallel minor scale, or the incomplete dominant seventh chord.
    ((thick (* (magstep font-size)
       (ly:output-def-lookup layout 'line-thickness)))
     (underline-thick (* thickness thick))
-    (markup (interpret-markup layout props arg))
-    (x1 (car (ly:stencil-extent markup X)))
-    (x2 (cdr (ly:stencil-extent markup X)))
-    (y1 (car (ly:stencil-extent markup Y)))
-    (y2 (cdr (ly:stencil-extent markup Y)))
+    (m (interpret-markup layout props arg))
+    (x1 (car (ly:stencil-extent m X)))
+    (x2 (cdr (ly:stencil-extent m X)))
+    (y1 (car (ly:stencil-extent m Y)))
+    (y2 (cdr (ly:stencil-extent m Y)))
     (dx (* extension (- x2 x1)))
     (dy (* extension (- y2 y1)))
     (line (make-line-stencil underline-thick
       (- x1 dx) (- y1 dy)
       (+ x2 dx) (+ y2 dy))))
-   (ly:stencil-add markup line)))
+   (ly:stencil-add m line)))
 <<
   {
     <g e c>1 <a f d> <b g e>
@@ -4288,6 +4294,42 @@ and is therefore a polymeter (second definition) of considerable antiquity.
 @seealso
 @ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}.
 
+@node high bass clef
+@section high bass clef
+
+ES: ?,
+I: ?,
+F: ?,
+D: hoher Bassschlüssel,
+NL: ?,
+DK: ?,
+S: ?,
+FI: ?.
+
+Beginning in 18th century the high bass clef used in French Horn parts
+for the lowest pitches.  This usage of the F clef was then passed down
+from the French Horn to the Basset Horn and then to the Bass Clarinet.
+It looks identical to the standard bass clef, but is pitched an octave
+higher -- octavation indicators on clefs appeared at the beginning of
+the 20th Century.
+
+In LilyPond, the most straightforward way to make a high bass clef is to
+print the modern version @code{\clef "baas^8"} but without the @code{8};
+
+@lilypond[quote,verbatim,relative=1]
+<<
+  \new Staff {
+    \clef treble { g4 b d' g' }
+  }
+  \new Staff \with { \omit ClefModifier }
+  { \clef "bass^8" { g4 b d' g' } }
+>>
+@end lilypond
+
+
+@seealso
+@ref{F clef}, @ref{bass clef}.
+
 
 @node homophony
 @section homophony
@@ -5475,7 +5517,7 @@ The female voice between soprano and contralto.
 ES: do central,
 I: do centrale,
 F: do central, do 3
-D: zweigestrichenes@w{ }c,
+D: eingestrichenes@w{ }c,
 NL: centrale@w{ }c,
 DK: enstreget@w{ }c,
 S: ettstruket@w{ }c,
@@ -5610,7 +5652,7 @@ theme or subject.
 @lilypond[quote,line-width=13.0\cm]
 \score{
 \relative c'' {
-  \set Score.implicitTimeSignatureVisibility = #all-invisible
+  \set Score.initialTimeSignatureVisibility = #all-invisible
   \override Score.TimeSignature #'break-visibility = #all-invisible
   \time 4/4
   \key g \major
@@ -8170,7 +8212,7 @@ standard.  Tuning forks for other pitches are available.
 
 ES: grupo de valoración especial,
 I: gruppi irregolari,
-F: ?,
+F: N-olet,
 D: N-tole,
 NL: Antimetrische figuur,
 DK: ?,