X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fmusic-glossary.tely;h=0b03549d88afda126a825907d7f216c221ad33ab;hb=8508ea37a36b61030fd17b4ec86259f235872f39;hp=f772b3df2317bbef9e95de3b5eefafbed3ae94be;hpb=e8b68d8a878a0ee0381719230cf911dbcefa168d;p=lilypond.git

diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely
index f772b3df23..0b03549d88 100644
--- a/Documentation/music-glossary.tely
+++ b/Documentation/music-glossary.tely
@@ -19,7 +19,7 @@ terms used in the documentation manuals for LilyPond version
 @c   file: Documentation/user/glossary.texi
 
 @macro copyrightDeclare
-Copyright @copyright{} 1999--2014 by the authors
+Copyright @copyright{} 1999--2015 by the authors
 @end macro
 
 @set FDL
@@ -250,6 +250,7 @@ Languages in this order.
 * harmonics::
 * harmony::
 * hemiola::
+* high bass clef::
 * homophony::
 * hook::
 * hymn meter::
@@ -1230,7 +1231,8 @@ FI: bassoavain.
 A clef setting with middle C on the first top ledger line.
 
 @seealso
-@ref{F clef}.
+@ref{F clef},
+@ref{high bass clef}.
 
 
 @node beam
@@ -3028,7 +3030,7 @@ D: doppelter Vorschlag,
 NL: dubbele voorslag,
 DK: dobbelt forslag,
 S: dubbelslag,
-FI: kaksoisappogiatura, kaksoisetuhele.
+FI: kaksoisappoggiatura, kaksoisetuhele.
 
 @seealso
 @ref{appoggiatura}.
@@ -3893,17 +3895,17 @@ the parallel minor scale, or the incomplete dominant seventh chord.
    ((thick (* (magstep font-size)
       (ly:output-def-lookup layout 'line-thickness)))
     (underline-thick (* thickness thick))
-    (markup (interpret-markup layout props arg))
-    (x1 (car (ly:stencil-extent markup X)))
-    (x2 (cdr (ly:stencil-extent markup X)))
-    (y1 (car (ly:stencil-extent markup Y)))
-    (y2 (cdr (ly:stencil-extent markup Y)))
+    (m (interpret-markup layout props arg))
+    (x1 (car (ly:stencil-extent m X)))
+    (x2 (cdr (ly:stencil-extent m X)))
+    (y1 (car (ly:stencil-extent m Y)))
+    (y2 (cdr (ly:stencil-extent m Y)))
     (dx (* extension (- x2 x1)))
     (dy (* extension (- y2 y1)))
     (line (make-line-stencil underline-thick
       (- x1 dx) (- y1 dy)
       (+ x2 dx) (+ y2 dy))))
-   (ly:stencil-add markup line)))
+   (ly:stencil-add m line)))
 <<
   {
     <g e c>1 <a f d> <b g e>
@@ -4292,6 +4294,42 @@ and is therefore a polymeter (second definition) of considerable antiquity.
 @seealso
 @ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}.
 
+@node high bass clef
+@section high bass clef
+
+ES: ?,
+I: ?,
+F: ?,
+D: hoher Bassschlüssel,
+NL: ?,
+DK: ?,
+S: ?,
+FI: ?.
+
+Beginning in 18th century the high bass clef used in French Horn parts
+for the lowest pitches.  This usage of the F clef was then passed down
+from the French Horn to the Basset Horn and then to the Bass Clarinet.
+It looks identical to the standard bass clef, but is pitched an octave
+higher -- octavation indicators on clefs appeared at the beginning of
+the 20th Century.
+
+In LilyPond, the most straightforward way to make a high bass clef is to
+print the modern version @code{\clef "baas^8"} but without the @code{8};
+
+@lilypond[quote,verbatim,relative=1]
+<<
+  \new Staff {
+    \clef treble { g4 b d' g' }
+  }
+  \new Staff \with { \omit ClefModifier }
+  { \clef "bass^8" { g4 b d' g' } }
+>>
+@end lilypond
+
+
+@seealso
+@ref{F clef}, @ref{bass clef}.
+
 
 @node homophony
 @section homophony
@@ -5479,7 +5517,7 @@ The female voice between soprano and contralto.
 ES: do central,
 I: do centrale,
 F: do central, do 3
-D: zweigestrichenes@w{ }c,
+D: eingestrichenes@w{ }c,
 NL: centrale@w{ }c,
 DK: enstreget@w{ }c,
 S: ettstruket@w{ }c,
@@ -5614,7 +5652,7 @@ theme or subject.
 @lilypond[quote,line-width=13.0\cm]
 \score{
 \relative c'' {
-  \set Score.implicitTimeSignatureVisibility = #all-invisible
+  \set Score.initialTimeSignatureVisibility = #all-invisible
   \override Score.TimeSignature #'break-visibility = #all-invisible
   \time 4/4
   \key g \major