X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fmusic-glossary.tely;h=040e93b1be7aeedafc630ce286b2933a39aaebd8;hb=0036a17de19acc4314771a6c745c5786f3b2b41f;hp=3fa3fa5fa32e9e0f125b4ec15bf39b941eb527b7;hpb=05928a7b4a01bc68773ff5689a338394362e6cd5;p=lilypond.git diff --git a/Documentation/music-glossary.tely b/Documentation/music-glossary.tely index 3fa3fa5fa3..040e93b1be 100644 --- a/Documentation/music-glossary.tely +++ b/Documentation/music-glossary.tely @@ -14,7 +14,7 @@ terms used in the documentation manuals for LilyPond version @c `Music Glossary' was born 1999-10-04 with git commit 280a0bb... @macro copyrightDeclare -Copyright @copyright{} 1999--2010 by the authors +Copyright @copyright{} 1999--2011 by the authors @end macro @set FDL @@ -2102,29 +2102,16 @@ A meter that includes a triplet subdivision within the beat: see @ref{compound meter}. @item -A time signature that additively combines two or more unequal meters, e.g., -@q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time signatures. +A time signature that additively combines two or more unequal meters, +e.g., @q{3/8 + 2/8} instead of @q{5/8}. Sometimes called additive time +signatures. @end enumerate -@lilypond[quote,line-width=13.0\cm] -#(define ((compound-time one two three num) grob) - (grob-interpret-markup grob - (markup - #:override '(baseline-skip . 0) - #:number - #:line ( - #:left-column (one num) - #:vcenter "+" - #:left-column (two num) - #:vcenter "+" - #:left-column (three num))))) - +@lilypond[quote,verbatim] \relative c' { \key f \major - #(set-time-signature 8 8 '(3 2 3)) - \override Staff.TimeSignature #'stencil = - #(compound-time "3" "2" "3" "8") + \compoundMeter #'((3 8) (2 8) (3 8)) c8 d e f4 d8 c bes c4 g'8 e c f4. \bar "||" @@ -2132,7 +2119,9 @@ A time signature that additively combines two or more unequal meters, e.g., @end lilypond @seealso -@ref{compound meter}, @ref{meter}, @ref{polymetric time signature}. +@ref{compound meter}, +@ref{meter}, +@ref{polymetric time signature}. @node concert pitch @@ -6842,10 +6831,8 @@ scale as roots of chords. The most important are degrees I = tonic \new Staff \relative c' { c1 d e f g a b c } - \lyrics { - << { I II III IV V VI VII I } - { T "" "" S D } >> -} + \lyrics { I II III IV V VI VII I } + \lyrics { T "" "" S D } >> @end lilypond