X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fincluded%2Fgsoc.itexi;h=3a0a36b719e25a5f338b5b53076bc2520270f57a;hb=fb0e74ded1652d8405c55a22af086f31f91b7e0e;hp=78eb25f274a22844040f92134bf81575a0e72160;hpb=0944220870073052dd6b73b7485dfd5b6e617065;p=lilypond.git diff --git a/Documentation/included/gsoc.itexi b/Documentation/included/gsoc.itexi index 78eb25f274..3a0a36b719 100644 --- a/Documentation/included/gsoc.itexi +++ b/Documentation/included/gsoc.itexi @@ -22,21 +22,15 @@ new contributors to LilyPond and enables students who are already involved to become more involved. LilyPond participates in GSoC as part of the @uref{http://www.gnu.org/, GNU project}. -We have had GSoC participants in 2012, 2015 and 2016 and encourage -students to apply for the 2017 program. - -If you are interested to apply for the program with LilyPond as a -project, please read the information below and don't hesitate to write -us on our developer mailing list (see @ref{Contact}). The student -application window is March 20 to April 3, 2017, but we strongly -encourage you to get in touch with our community ahead of that. +We have had GSoC participants in 2012, 2015, 2016 and 2017. This site +will be updated in time before the 2018 season will start. @divEnd @divClass{column-center-middle-color2 bigger-subsubheadings} @subheading Project Ideas List -Below is a list of GSoC project ideas (last update: January 2017), but +Below is a list of GSoC project ideas (last update: May 2017), but if you have other ideas for a project you may complete within the three months of the program you're welcome to make a suggestion on our developer mailing list (see @ref{Contact}). There are a number of areas @@ -50,27 +44,6 @@ A full list of all the current open issues can be found @uref{http://sourceforge.net/p/testlilyissues/issues/, here}. -@subsubheading Improve internal chord structure - -The internal representation of LilyPond chords is not powerful enough -to capture the nomenclature of jazz chords. Currently the chord has -a root, a bass and an inversion. It would be nice to be able to handle -stacked or polychords, minor/major, etc. In order to do this, an -internal representation with the ability to capture the essence of -complex chords must be developed. As a bonus, once the internal -representation is developed, the output formatting of chord names can -be improved. - -@emph{Difficulty:} Easy/medium - -@emph{Requirements:} Scheme (Guile), but the level necessary can be -easily learned - -@emph{Recommended:} Chord theory and naming - -@emph{Mentor:} Carl Sorensen - - @subsubheading Adopt the SMuFL music font encoding standard For several years now a new standard for music fonts has been around: