X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fes%2Fuser%2Fnotation-appendices.itely;h=5814a0d97de4fd904520f39a0b351d261106d80e;hb=1423508c355989fa26a8cfe5985b0d6e1ab0a538;hp=6d500c7e9e50ed1f3732513ce5ed8802fbabf0ff;hpb=ce8287acfd7226e5837ab64c09d14a727479391b;p=lilypond.git diff --git a/Documentation/es/user/notation-appendices.itely b/Documentation/es/user/notation-appendices.itely index 6d500c7e9e..5814a0d97d 100644 --- a/Documentation/es/user/notation-appendices.itely +++ b/Documentation/es/user/notation-appendices.itely @@ -1,57 +1,924 @@ @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- @c This file is part of lilypond.tely @ignore - Translation of GIT committish: aea9d21f9173e688c4b18b64ef4bf955cd8d2d82 - + Translation of GIT committish: 45945bd973aa9161b10e3f517902afb7ef4b4a56 When revising a translation, copy the HEAD committish of the version that you are working on. See TRANSLATION for details. @end ignore +@c \version "2.12.0" @node Notation manual tables @appendix Notation manual tables -UNTRANSLATED NODE: IGNORE ME +@c Please do not delete the following @ignore block. +@ignore +Note for editors and translators: In the following menu, two entries +are needed to link to a pair of automatically generated sections. +Please keep them and, if using emacs, do not run +texinfo-all-menus-update without manually restoring them back. These +menu entries are: + +* Text markup commands:: +* Text markup list commands:: -@menu +and they should go just after +* Note head styles:: + +and just before +* List of articulations:: +@end ignore + +@menu * Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: * MIDI instruments:: * List of colors:: * The Feta font:: * Note head styles:: -@end menu +* Text markup commands:: +* Text markup list commands:: +* List of articulations:: +* Percussion notes:: +* All context properties:: +* Layout properties:: +* Identifiers:: +* Scheme functions:: +@end menu + + + @node Chord name chart @appendixsec Chord name chart -UNTRANSLATED NODE: IGNORE ME +Las siguientes tablas muestran dos sistemas estándar para imprimir los nombres de los acordes, +junto a las notas que representan. + +@lilypondfile{chord-names-jazz.ly} + +@node Common chord modifiers +@appendixsec Common chord modifiers + +La tabla siguiente presenta los modificadores de acorde que se pueden +usar en el modo de acordes @code{\chordmode} para generar las +estructuras de acordes estándar. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Tipo de acorde} +@tab +@b{Intervalos} +@tab +@b{Modificador(es)} +@tab +@b{Ejemplo} + + +@item +Mayor +@tab +Tercera mayor y quinta justa +@tab +@code{5} o nada +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:5 +} +@end lilypond + +@item +Menor +@tab +Tercera menor y quinta justa +@tab +@code{m} o @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m +} +@end lilypond + +@item +Aumentado +@tab +Tercera mayor y quinta aumentada +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug +} +@end lilypond + +@item +Disminuido +@tab +Tercera menor y quinta disminuida +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim +} +@end lilypond + +@item +Séptima dominante +@tab +Tríada mayor con séptima menor +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7 +} +@end lilypond + +@item +Séptima mayor +@tab +Tríada mayor y séptima mayor +@tab +@code{maj7} ó @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Séptima menor +@tab +Tríada menor y séptima menor +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Séptima disminuida +@tab +Tríada disminuida y séptima disminuida +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Aumentado con séptima +@tab +Tríada aumentada y séptima menor +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +Séptima semi-disminuido +@tab +Tríada disminuida y séptima menor +@tab +@code{m7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim5m7 +} +@end lilypond + +@item +Menor con séptima mayor +@tab +Tríada menor con séptima mayor +@tab +@code{maj7.5-} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7.5- +} +@end lilypond + +@item +Mayor con sexta +@tab +Tríada mayor y sexta +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:6 +} +@end lilypond + +@item +Menor con sexta +@tab +Tríada menor y sexta +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Novena dominante +@tab +Séptima dominante con novena mayor +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:9 +} +@end lilypond + +@item +Mayor con novena +@tab +Séptima mayor y novena mayor +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Menor con novena +@tab +Séptima menor y novena mayor +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Oncena dominante +@tab +Novena dominante con oncena justa +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:11 +} +@end lilypond + +@item +Oncena mayor +@tab +Novena mayor y oncena justa +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Menor con oncena +@tab +Novena menor y oncena justa +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Trecena dominante +@tab +Novena dominante y trecena mayor +@tab +@code{13} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13 +} +@end lilypond + +@item +Trecena dominante +@tab +Oncena dominante y trecena mayor +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Mayor con trecena +@tab +Oncena mayor y trecena mayor +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Menor con trecena +@tab +Oncena menor y trecena mayor +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +Segunda suspendida +@tab +Segunda mayor y quinta justa +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +Cuarta suspendida +@tab +Cuarta justa y quinta justa +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + +@node Predefined fretboard diagrams +@appendixsec Predefined fretboard diagrams + +El cuadro siguiente presenta los diagramas de traste predefinidos. + +@lilypondfile{display-predefined-fretboards.ly} + @node MIDI instruments @appendixsec MIDI instruments -UNTRANSLATED NODE: IGNORE ME +A continuación figura una lista con los nombres que se pueden utilizar para la +propiedad @code{midiInstrument} (instrumento MIDI). + +@example +acoustic grand contrabass lead 7 (fifths) +bright acoustic tremolo strings lead 8 (bass+lead) +electric grand pizzicato strings pad 1 (new age) +honky-tonk orchestral harp pad 2 (warm) +electric piano 1 timpani pad 3 (polysynth) +electric piano 2 string ensemble 1 pad 4 (choir) +harpsichord string ensemble 2 pad 5 (bowed) +clav synthstrings 1 pad 6 (metallic) +celesta synthstrings 2 pad 7 (halo) +glockenspiel choir aahs pad 8 (sweep) +music box voice oohs fx 1 (rain) +vibraphone synth voice fx 2 (soundtrack) +marimba orchestra hit fx 3 (crystal) +xylophone trumpet fx 4 (atmosphere) +tubular bells trombone fx 5 (brightness) +dulcimer tuba fx 6 (goblins) +drawbar organ muted trumpet fx 7 (echoes) +percussive organ french horn fx 8 (sci-fi) +rock organ brass section sitar +church organ synthbrass 1 banjo +reed organ synthbrass 2 shamisen +accordion soprano sax koto +harmonica alto sax kalimba +concertina tenor sax bagpipe +acoustic guitar (nylon) baritone sax fiddle +acoustic guitar (steel) oboe shanai +electric guitar (jazz) english horn tinkle bell +electric guitar (clean) bassoon agogo +electric guitar (muted) clarinet steel drums +overdriven guitar piccolo woodblock +distorted guitar flute taiko drum +guitar harmonics recorder melodic tom +acoustic bass pan flute synth drum +electric bass (finger) blown bottle reverse cymbal +electric bass (pick) shakuhachi guitar fret noise +fretless bass whistle breath noise +slap bass 1 ocarina seashore +slap bass 2 lead 1 (square) bird tweet +synth bass 1 lead 2 (sawtooth) telephone ring +synth bass 2 lead 3 (calliope) helicopter +violin lead 4 (chiff) applause +viola lead 5 (charang) gunshot +cello lead 6 (voice) +@end example + @node List of colors @appendixsec List of colors -UNTRANSLATED NODE: IGNORE ME - @subsubheading Normal colors + +La sintaxis para el uso de colores se encuentra detallada en @ref{Coloring objects}. + +@cindex lista de colores +@cindex colores, lista de + +@verbatim +black white red green +blue cyan magenta yellow +grey darkred darkgreen darkblue +darkcyan darkmagenta darkyellow +@end verbatim + + @subsubheading X color names + +Los nombres de los colores de X admiten algunas variantes: + +Un nombre que se escribe como una palabra única con mayúsculas +intercaladas (p.ej. @q{LightSlateBlue}) se puede escribir también como +palabras separadas por espacios y sin mayúsculas (p.ej. @q{light slate +blue}). + +La palabra @q{grey} siempre se puede escribir como @q{gray} (p.ej. @q{DarkSlateGray}). + +Algunos nombres admiten un sufijo numérico (p.ej. @q{LightSalmon4}). + + @subsubheading Color Names without a numerical suffix: + +@verbatim +snow GhostWhite WhiteSmoke gainsboro FloralWhite +OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond +bisque PeachPuff NavajoWhite moccasin cornsilk +ivory LemonChiffon seashell honeydew MintCream +azure AliceBlue lavender LavenderBlush MistyRose +white black DarkSlateGrey DimGrey SlateGrey +LightSlateGrey grey LightGrey MidnightBlue navy +NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue +LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue +DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue +LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise +turquoise cyan LightCyan CadetBlue MediumAquamarine +aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen +MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen +green chartreuse MediumSpringGreen GreenYellow LimeGreen +YellowGreen ForestGreen OliveDrab DarkKhaki khaki +PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold +LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed +SaddleBrown sienna peru burlywood beige +wheat SandyBrown tan chocolate firebrick +brown DarkSalmon salmon LightSalmon orange +DarkOrange coral LightCoral tomato OrangeRed +red HotPink DeepPink pink LightPink +PaleVioletRed maroon MediumVioletRed VioletRed magenta +violet plum orchid MediumOrchid DarkOrchid +DarkViolet BlueViolet purple MediumPurple thistle +DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed +LightGreen +@end verbatim + + @subsubheading Color names with a numerical suffix + +En los nombres siguientes, el sufijo N puede ser un número del 1 al 4: + +@verbatim +snowN seashellN AntiqueWhiteN bisqueN PeachPuffN +NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN +LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN +blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN +LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN +CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN +SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN +OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN +yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN +IndianRedN siennaN burlywoodN wheatN tanN +chocolateN firebrickN brownN salmonN LightSalmonN +orangeN DarkOrangeN coralN tomatoN OrangeRedN +redN DeepPinkN HotPinkN pinkN LightPinkN +PaleVioletRedN maroonN VioletRedN magentaN orchidN +plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN +thistleN +@end verbatim + + @subsubheading Grey Scale + +Se puede obtener una escala de grises utilizando: + +@example +greyN +@end example + +@noindent +donde N es un número entre 0 y 100. + + @node The Feta font @appendixsec The Feta font -UNTRANSLATED NODE: IGNORE ME +@cindex Feta, tipografía +@cindex tipografía Feta + +Los símbolos siguientes están disponibles en la tipografía Emmentaler +y es posible acceder a ellos directamente utilizando elementos de +marcado textual como @code{g^\markup @{ \musicglyph #"scripts.segno" +@}}, véase @ref{Formatting text}. + +@menu +* Font Clefs:: +* Font Time Signatures:: +* Font Numbers:: +* Font Accidentals:: +* Font Default Noteheads:: +* Font Special Noteheads:: +* Font Shape-note Noteheads:: +* Font Rests:: +* Font Flags:: +* Font Dots:: +* Font Dynamics:: +* Font Scripts:: +* Font Arrowheads:: +* Font Bracket-tips:: +* Font Pedal:: +* Font Accordion:: +* Font Vaticana:: +* Font Medicaea:: +* Font Hufnagel:: +* Font Mensural:: +* Font Neomensural:: +* Font Petrucci:: +* Font Solesmes:: +@end menu + + +@node Font Clefs +@unnumberedsubsec Font Clefs + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #clefs +@end lilypond + + +@node Font Time Signatures +@unnumberedsubsec Font Time Signatures + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #timesig +@end lilypond + + +@node Font Numbers +@unnumberedsubsec Font Numbers + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #numbers +@end lilypond + + +@node Font Accidentals +@unnumberedsubsec Font Accidentals + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #accidentals +@end lilypond + + +@node Font Default Noteheads +@unnumberedsubsec Font Default Noteheads + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #default-noteheads +@end lilypond + + +@node Font Special Noteheads +@unnumberedsubsec Font Special Noteheads + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #special-noteheads +@end lilypond + + +@node Font Shape-note Noteheads +@unnumberedsubsec Font Shape-note Noteheads + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #shape-note-noteheads +@end lilypond + + +@node Font Rests +@unnumberedsubsec Font Rests + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #rests +@end lilypond + + +@node Font Flags +@unnumberedsubsec Font Flags + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #flags +@end lilypond + + +@node Font Dots +@unnumberedsubsec Font Dots + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #dots +@end lilypond + + +@node Font Dynamics +@unnumberedsubsec Font Dynamics + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #dynamics +@end lilypond + + +@node Font Scripts +@unnumberedsubsec Font Scripts + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #scripts +@end lilypond + + +@node Font Arrowheads +@unnumberedsubsec Font Arrowheads + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #arrowheads +@end lilypond + + +@node Font Bracket-tips +@unnumberedsubsec Font Bracket-tips + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #brackettips +@end lilypond + + +@node Font Pedal +@unnumberedsubsec Font Pedal + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #pedal +@end lilypond + + +@node Font Accordion +@unnumberedsubsec Font Accordion + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #accordion +@end lilypond + + +@node Font Vaticana +@unnumberedsubsec Font Vaticana + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #vaticana +@end lilypond + + +@node Font Medicaea +@unnumberedsubsec Font Medicaea + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #medicaea +@end lilypond + + +@node Font Hufnagel +@unnumberedsubsec Font Hufnagel + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #hufnagel +@end lilypond + + +@node Font Mensural +@unnumberedsubsec Font Mensural + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #mensural +@end lilypond + + +@node Font Neomensural +@unnumberedsubsec Font Neomensural + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #neomensural +@end lilypond + + +@node Font Petrucci +@unnumberedsubsec Font Petrucci + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #petrucci +@end lilypond + + +@node Font Solesmes +@unnumberedsubsec Font Solesmes + +@lilypond[quote] +\include "font-table.ly" +\markuplines \override-lines #'(word-space . 4) + \doc-chars #solesmes +@end lilypond + @node Note head styles @appendixsec Note head styles -UNTRANSLATED NODE: IGNORE ME +@cindex nota, estilos de cabeza +Se pueden usar los siguientes estilos para las cabezas de las notas. + +@lilypondfile[noindent]{note-head-style.ly} + +@include markup-commands.tely + +@include markup-list-commands.tely + +@node List of articulations +@appendixsec List of articulations + +@cindex accent +@cindex acento +@cindex apagado +@cindex arco abajo +@cindex arco arriba +@cindex calderón +@cindex coda +@cindex downbow +@cindex espressivo +@cindex fermata +@cindex flageolet +@cindex foot marks +@cindex grupeto circular +@cindex grupeto circular invertido +@cindex marcato +@cindex mordent +@cindex open +@cindex organ pedal marks +@cindex pedal, indicaciones de +@cindex portato +@cindex prall +@cindex prallmordent +@cindex prallprall +@cindex reverseturn +@cindex segno +@cindex semitrino +@cindex semitrino descendente +@cindex staccatissimo +@cindex staccato +@cindex stopped +@cindex tenuto +@cindex thumb marking +@cindex trill +@cindex trino +@cindex turn +@cindex upbow +@cindex varcoda +@cindex órgano, indicaciones de pedal de + + +@lilypondfile[quote,texidoc]{script-chart.ly} + + +@node Percussion notes +@appendixsec Percussion notes + +@lilypondfile[quote]{percussion-chart.ly} + + +@node All context properties +@appendixsec All context properties + +@include context-properties.tely + + +@node Layout properties +@appendixsec Layout properties + +@include layout-properties.tely + + +@node Identifiers +@appendixsec Identifiers + +@include identifiers.tely + +@node Scheme functions +@appendixsec Scheme functions --- SKELETON FILE -- -When you actually translate this file, please remove these lines as -well as all `UNTRANSLATED NODE: IGNORE ME' lines. +@include scheme-functions.tely