X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fes%2Flearning%2Ffundamental.itely;h=d4b4ae4dad6e668fb5f4a3c52378c5678eddab56;hb=058370efc7e9710f149d0f444328bb1fcd7bdec1;hp=e954d9710e0562252b53fd574115a8602bfaaa40;hpb=d46572826e777ed3e9fa4656535a6e9000f2ed9e;p=lilypond.git diff --git a/Documentation/es/learning/fundamental.itely b/Documentation/es/learning/fundamental.itely index e954d9710e..d4b4ae4dad 100644 --- a/Documentation/es/learning/fundamental.itely +++ b/Documentation/es/learning/fundamental.itely @@ -8,7 +8,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.17.29" +@c \version "2.19.2" @node Conceptos fundamentales @chapter Conceptos fundamentales @@ -726,7 +726,7 @@ correcta. c16 d e f % Voice "1" Voice "2" Voice "3" << { g4 f e } \\ { r8 e4 d c8~ } >> | - << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> | + << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> | } @end lilypond @@ -765,7 +765,7 @@ construcciones, como se indica aquí en la voz de triángulos azules. { d2 e } \\ % Voice 2 continues - { c8 b16 a b8 g~ g2 } + { c8 b16 a b8 g~ 2 } \\ { \voiceThreeStyle @@ -1050,25 +1050,25 @@ las ligaduras de unión y de expresión y las indicaciones de dinámica: @lilypond[quote,ragged-right,verbatim] \relative c' { % Default behavior or behavior after \oneVoice - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @lilypond[quote,ragged-right,verbatim] \relative c' { \voiceOne - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | \oneVoice - c,4 d8~ d e4( f | g4 a) b-> c | + c,4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @lilypond[quote,ragged-right,verbatim] \relative c' { \voiceTwo - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | \oneVoice - c,4 d8~ d e4( f | g4 a) b-> c | + c,4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @@ -1098,7 +1098,7 @@ pueda trazar una ligadura por encima de ellas. \new Voice { % Set stems, etc., down \voiceTwo - r8 e4 d c8~ | c8 b16 a b8 g~ g2 | + r8 e4 d c8~ | 8 b16 a b8 g~ 2 | } % Initiate third voice \new Voice { @@ -1129,7 +1129,7 @@ de tipografiar la música. \voiceTwo r8 e4 d c8~ | << - { c8 b16 a b8 g~ g2 | } + { c8 b16 a b8 g~ 2 | } \new Voice { \voiceThree s4 b c2 | @@ -1159,7 +1159,7 @@ que una voz está en silencio, como aquí: \new Voice { % Set stems, etc, down \voiceTwo - s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 | + s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 | } % Initiate third voice \new Voice { @@ -1301,7 +1301,7 @@ no como música. global = { \key f \major \time 6/8 \partial 8 } SopOneMusic = \relative c'' { - c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4 + c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 } SopOneLyrics = \lyricmode { Let | flee -- cy flocks the | hills a -- dorn, __ @@ -3029,15 +3029,15 @@ ManualOneVoiceOneMusic = \relative g' { d2 c | } ManualOneVoiceTwoMusic = \relative c' { - ees16 d ees8~ ees16 f ees d c8 d~ d c~ | - c8 c4 b8 c8. g16 c b c d | + ees16 d ees8~ 16 f ees d c8 d~ d c~ | + 8 c4 b8 c8. g16 c b c d | } ManualTwoMusic = \relative c' { - c16 b c8~ c16 b c g a8 g~ g16 g aes ees | - f16 ees f d g aes g f ees d ees8~ ees16 f ees d | + c16 b c8~ 16 b c g a8 g~ 16 g aes ees | + f16 ees f d g aes g f ees d ees8~ 16 f ees d | } PedalOrganMusic = \relative c { - r8 c16 d ees d ees8~ ees16 a, b g c b c8 | + r8 c16 d ees d ees8~ 16 a, b g c b c8 | r16 g ees f g f g8 c,2 | }