X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fes%2Fessay%2Fengraving.itely;h=fd6722fd82e256f7609da09bfe98f21657869e3d;hb=13da8b27aabc5d5a752d00ed1e2b99ad20f0f264;hp=86337f89b2da063e2e5aa79fb2219a52e225a69a;hpb=516cae503bc2b55e95604b0c0f681a6ccddcfab2;p=lilypond.git diff --git a/Documentation/es/essay/engraving.itely b/Documentation/es/essay/engraving.itely index 86337f89b2..fd6722fd82 100644 --- a/Documentation/es/essay/engraving.itely +++ b/Documentation/es/essay/engraving.itely @@ -8,7 +8,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.16.0" +@c \version "2.17.6" @node Grabado musical @chapter Grabado musical @@ -343,9 +343,9 @@ music = { \layout { \context { \Staff - \override NoteSpacing #'stem-spacing-correction = #0.0 - \override NoteSpacing #'same-direction-correction = #0.0 - \override StaffSpacing #'stem-spacing-correction = #0.0 + \override NoteSpacing.stem-spacing-correction = #0.0 + \override NoteSpacing.same-direction-correction = #0.0 + \override StaffSpacing.stem-spacing-correction = #0.0 } } } @@ -371,7 +371,7 @@ music = { \layout { \context { \Staff - \override NoteSpacing #'stem-spacing-correction = #0.6 + \override NoteSpacing.stem-spacing-correction = #0.6 } } } @@ -501,8 +501,8 @@ global = { << \new Staff \with { fontSize = #-4 - \override StaffSymbol #'staff-space = #(magstep -4) - \override StaffSymbol #'thickness = #(magstep -3) + \override StaffSymbol.staff-space = #(magstep -4) + \override StaffSymbol.thickness = #(magstep -3) } \relative c' { \global @@ -524,7 +524,7 @@ global = { \clef "bass" << { - \once \override DynamicText #'X-offset = #-3 + \once \override DynamicText.X-offset = #-3 2.~->^\f 4.~ 8 } \\ { @@ -609,9 +609,9 @@ de las tres configuraciones elegiríamos para la siguiente ligadura? @lilypond \relative c { \clef bass - \once \override Slur #'positions = #'(1.5 . 1) + \once \override Slur.positions = #'(1.5 . 1) e8[( f] g[ a b d,)] r4 - \once \override Slur #'positions = #'(2 . 3) + \once \override Slur.positions = #'(2 . 3) e8[( f] g[ a b d,)] r4 e8[( f] g[ a b d,)] r4 } @@ -653,7 +653,7 @@ rozar la cabeza de una de las figuras: @lilypond \relative c { \clef bass - \once \override Slur #'positions = #'(1.5 . 1) + \once \override Slur.positions = #'(1.5 . 1) e8[(_"15.39" f] g[ a b d,)] r4 } @end lilypond @@ -667,7 +667,7 @@ de fealdad: @lilypond \relative c { \clef bass - \once \override Slur #'positions = #'(2 . 3) + \once \override Slur.positions = #'(2 . 3) e8[(_"13.08" f] g[ a b d,)] r4 } @end lilypond @@ -889,7 +889,7 @@ partIV = \relative c { } \context { \PianoStaff - \override StaffGrouper #'staff-staff-spacing #'padding = #1 + \override StaffGrouper.staff-staff-spacing.padding = #1 } } } @@ -911,7 +911,7 @@ voces superior e inferior intercambian temporalmente sus posiciones: @c KEEP LY @lilypond -collide = \once \override NoteColumn #'force-hshift = #0 +collide = \once \override NoteColumn.force-hshift = #0 \score { << @@ -1174,8 +1174,8 @@ aparente si tenemos en cuenta un ejemplo musical más complejo: \change Staff = "LH" \oneVoice \stemUp g,( c} r4 - \override Stem #'cross-staff = ##t - \override Stem #'length = #12 + \override Stem.cross-staff = ##t + \override Stem.length = #12 ) r\fermata } >> @@ -1463,14 +1463,14 @@ tiene todas las direcciones hacia arriba (o hacia la derecha). \score { \relative c' { \stemDown 4_>-\arpeggio - \override Arpeggio #'direction = #RIGHT + \override Arpeggio.direction = #RIGHT \stemUp 4^>-\arpeggio } \layout { \context { \Score - \override SpacingSpanner #'spacing-increment = #3 - \override TimeSignature #'transparent = ##t + \override SpacingSpanner.spacing-increment = #3 + \override TimeSignature.transparent = ##t } } } @@ -1496,12 +1496,12 @@ fragment = { << \new Staff \fragment \new Staff \with { - \override Beam #'beam-thickness = #0.3 - \override Stem #'thickness = #0.5 - \override Bar #'thickness = #3.6 - \override Tie #'thickness = #2.2 - \override StaffSymbol #'thickness = #3.0 - \override Tie #'extra-offset = #'(0 . 0.3) + \override Beam.beam-thickness = #0.3 + \override Stem.thickness = #0.5 + \override Bar.thickness = #3.6 + \override Tie.thickness = #2.2 + \override StaffSymbol.thickness = #3.0 + \override Tie.extra-offset = #'(0 . 0.3) } \fragment >> @@ -1537,12 +1537,12 @@ a lo largo del fragmento musical. \set autoBeaming = ##f \time 2/4 4 - \once \override NoteHead #'stencil = #note-head::brew-ez-stencil - \once \override NoteHead #'font-size = #-7 - \once \override NoteHead #'font-family = #'sans - \once \override NoteHead #'font-series = #'bold + \once \override NoteHead.stencil = #note-head::brew-ez-stencil + \once \override NoteHead.font-size = #-7 + \once \override NoteHead.font-family = #'sans + \once \override NoteHead.font-series = #'bold 4 - \once \override NoteHead #'style = #'cross + \once \override NoteHead.style = #'cross 4 \applyOutput #'Voice #mc-squared 4 @@ -1608,7 +1608,7 @@ ejemplo siguiente combina unas pocas construcciones algo más exóticas. \time 4/8 \key c \minor << { - \revert Stem #'direction + \revert Stem.direction \change Staff = down \set subdivideBeams = ##t g16.[ @@ -1637,16 +1637,16 @@ ejemplo siguiente combina unas pocas construcciones algo más exóticas. \clef bass \key c \minor \set subdivideBeams = ##f - \override Stem #'french-beaming = ##t - \override Beam #'beam-thickness = #0.3 - \override Stem #'thickness = #4.0 + \override Stem.french-beaming = ##t + \override Beam.beam-thickness = #0.3 + \override Stem.thickness = #4.0 g'16[ b16 fis16 g16] << \makeClusters { as16 } \\ { - \override Staff.Arpeggio #'arpeggio-direction =#down + \override Staff.Arpeggio.arpeggio-direction =#down 4\arpeggio } >> } @@ -1830,7 +1830,7 @@ partIV = \relative c { } \context { \PianoStaff - \override StaffGrouper #'staff-staff-spacing #'padding = #1 + \override StaffGrouper.staff-staff-spacing.padding = #1 } } }