X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fes%2Fessay%2Fengraving.itely;fp=Documentation%2Fes%2Fessay%2Fengraving.itely;h=4dd535f1e837d1a7a105e4dc23f0ebb666df72e5;hb=0ac07f31e0f95fc18e5916ce756b9c746af7cc58;hp=86337f89b2da063e2e5aa79fb2219a52e225a69a;hpb=2f1263e2ccdddcac2eb9f7d8ce2ed92867d3d160;p=lilypond.git

diff --git a/Documentation/es/essay/engraving.itely b/Documentation/es/essay/engraving.itely
index 86337f89b2..4dd535f1e8 100644
--- a/Documentation/es/essay/engraving.itely
+++ b/Documentation/es/essay/engraving.itely
@@ -1,14 +1,14 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: 44011e382e91f43fb6752b3fbbf8d8984131a565
+    Translation of GIT committish: 6e4e9c4eacb94d68c11fd6b9062da4f724114860
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.17.30"
 
 @node Grabado musical
 @chapter Grabado musical
@@ -343,9 +343,9 @@ music = {
   \layout {
     \context {
       \Staff
-      \override NoteSpacing #'stem-spacing-correction = #0.0
-      \override NoteSpacing #'same-direction-correction = #0.0
-      \override StaffSpacing #'stem-spacing-correction = #0.0
+      \override NoteSpacing.stem-spacing-correction = #0.0
+      \override NoteSpacing.same-direction-correction = #0.0
+      \override StaffSpacing.stem-spacing-correction = #0.0
     }
   }
 }
@@ -371,7 +371,7 @@ music = {
   \layout {
     \context {
       \Staff
-      \override NoteSpacing #'stem-spacing-correction = #0.6
+      \override NoteSpacing.stem-spacing-correction = #0.6
     }
   }
 }
@@ -501,8 +501,8 @@ global = {
   <<
     \new Staff \with {
       fontSize = #-4
-      \override StaffSymbol #'staff-space = #(magstep -4)
-      \override StaffSymbol #'thickness = #(magstep -3)
+      \override StaffSymbol.staff-space = #(magstep -4)
+      \override StaffSymbol.thickness = #(magstep -3)
     }
     \relative c' {
       \global
@@ -524,7 +524,7 @@ global = {
         \clef "bass"
         <<
         {
-          \once \override DynamicText #'X-offset = #-3
+          \once \override DynamicText.X-offset = #-3
           <ees g c>2.~->^\f
           <ees g c>4.~ <ees g c>8
         } \\ {
@@ -609,9 +609,9 @@ de las tres configuraciones elegiríamos para la siguiente ligadura?
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(1.5 . 1)
+  \once \override Slur.positions = #'(1.5 . 1)
   e8[( f] g[ a b d,)] r4
-  \once \override Slur #'positions = #'(2 . 3)
+  \once \override Slur.positions = #'(2 . 3)
   e8[( f] g[ a b d,)] r4
   e8[( f] g[ a b d,)] r4
 }
@@ -653,7 +653,7 @@ rozar la cabeza de una de las figuras:
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(1.5 . 1)
+  \once \override Slur.positions = #'(1.5 . 1)
   e8[(_"15.39" f] g[ a b d,)] r4
 }
 @end lilypond
@@ -667,7 +667,7 @@ de fealdad:
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(2 . 3)
+  \once \override Slur.positions = #'(2 . 3)
   e8[(_"13.08" f] g[ a b d,)] r4
 }
 @end lilypond
@@ -889,7 +889,7 @@ partIV = \relative c {
     }
     \context {
       \PianoStaff
-      \override StaffGrouper #'staff-staff-spacing #'padding = #1
+      \override StaffGrouper.staff-staff-spacing.padding = #1
     }
   }
 }
@@ -911,7 +911,7 @@ voces superior e inferior intercambian temporalmente sus posiciones:
 
 @c KEEP LY
 @lilypond
-collide = \once \override NoteColumn #'force-hshift = #0
+collide = \once \override NoteColumn.force-hshift = #0
 
 \score {
   <<
@@ -1162,20 +1162,20 @@ aparente si tenemos en cuenta un ejemplo musical más complejo:
     \new Voice = "I" \relative c''' {
       \time 3/4
       \voiceOne
-      \times 6/7 { g8 g g g g g g }
+      \tuplet 7/6 { g8 g g g g g g }
       \oneVoice
       r4 <b,, fis' g bes> r4\fermata
     }
     \new Voice = "II" \relative c' {
       \voiceTwo
       c4
-      \times 4/5 {
+      \tuplet 5/4 {
         <c ees>8 f g
         \change Staff = "LH" \oneVoice
         \stemUp g,( c}
       r4
-      \override Stem #'cross-staff = ##t
-      \override Stem #'length = #12
+      \override Stem.cross-staff = ##t
+      \override Stem.length = #12
       <fis, b>) r\fermata
     }
   >>
@@ -1248,6 +1248,7 @@ las notas, el grabador @code{Note_heads_engraver}.
       \remove "Phrasing_slur_engraver"
       \remove "Slur_engraver"
       \remove "Script_engraver"
+      \remove "New_fingering_engraver"
       \remove "Beam_engraver"
       \remove "Auto_beam_engraver"
     }
@@ -1281,6 +1282,7 @@ A continuación, un grabador del pentagrama, el
       \remove "Phrasing_slur_engraver"
       \remove "Slur_engraver"
       \remove "Script_engraver"
+      \remove "New_fingering_engraver"
       \remove "Beam_engraver"
       \remove "Auto_beam_engraver"
     }
@@ -1313,6 +1315,7 @@ referencia para el pentagrama:
       \remove "Phrasing_slur_engraver"
       \remove "Slur_engraver"
       \remove "Script_engraver"
+      \remove "New_fingering_engraver"
       \remove "Beam_engraver"
       \remove "Auto_beam_engraver"
     }
@@ -1341,6 +1344,7 @@ y el grabador de las plicas @code{Stem_engraver} añade las plicas.
       \remove "Phrasing_slur_engraver"
       \remove "Slur_engraver"
       \remove "Script_engraver"
+      \remove "New_fingering_engraver"
       \remove "Beam_engraver"
       \remove "Auto_beam_engraver"
     }
@@ -1463,14 +1467,14 @@ tiene todas las direcciones hacia arriba (o hacia la derecha).
 \score {
   \relative c' {
     \stemDown <e g b>4_>-\arpeggio
-    \override Arpeggio #'direction = #RIGHT
+    \override Arpeggio.direction = #RIGHT
     \stemUp <e g b>4^>-\arpeggio
   }
   \layout {
     \context {
       \Score
-      \override SpacingSpanner #'spacing-increment = #3
-      \override TimeSignature #'transparent = ##t
+      \override SpacingSpanner.spacing-increment = #3
+      \hide TimeSignature
     }
   }
 }
@@ -1496,12 +1500,12 @@ fragment = {
 <<
    \new Staff \fragment
    \new Staff \with {
-      \override Beam #'beam-thickness = #0.3
-      \override Stem #'thickness = #0.5
-      \override Bar #'thickness = #3.6
-      \override Tie #'thickness = #2.2
-      \override StaffSymbol #'thickness = #3.0
-      \override Tie #'extra-offset = #'(0 .  0.3)
+      \override Beam.beam-thickness = #0.3
+      \override Stem.thickness = #0.5
+      \override Bar.thickness = #3.6
+      \override Tie.thickness = #2.2
+      \override StaffSymbol.thickness = #3.0
+      \override Tie.extra-offset = #'(0 .  0.3)
       }
       \fragment
 >>
@@ -1537,12 +1541,12 @@ a lo largo del fragmento musical.
   \set autoBeaming = ##f
   \time 2/4
   <d f g>4
-  \once \override NoteHead #'stencil = #note-head::brew-ez-stencil
-  \once \override NoteHead #'font-size = #-7
-  \once \override NoteHead #'font-family = #'sans
-  \once \override NoteHead #'font-series = #'bold
+  \once \override NoteHead.stencil = #note-head::brew-ez-stencil
+  \once \override NoteHead.font-size = #-7
+  \once \override NoteHead.font-family = #'sans
+  \once \override NoteHead.font-series = #'bold
   <d f g>4
-  \once \override NoteHead #'style = #'cross
+  \once \override NoteHead.style = #'cross
   <d f g>4
   \applyOutput #'Voice #mc-squared
   <d f g>4
@@ -1608,7 +1612,7 @@ ejemplo siguiente combina unas pocas construcciones algo más exóticas.
       \time 4/8
       \key c \minor
       << {
-        \revert Stem #'direction
+        \revert Stem.direction
         \change Staff = down
         \set subdivideBeams = ##t
         g16.[
@@ -1625,7 +1629,7 @@ ejemplo siguiente combina unas pocas construcciones algo más exóticas.
         \set followVoice = ##t
         c'''32([ b''16 a''16 gis''16 g''32)]
       } \\ {
-        s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+        s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
       } \\ {
         s4 \autoBeamOff d''8.. f''32
       } \\ {
@@ -1637,16 +1641,16 @@ ejemplo siguiente combina unas pocas construcciones algo más exóticas.
       \clef bass
       \key c \minor
       \set subdivideBeams = ##f
-      \override Stem  #'french-beaming = ##t
-      \override Beam  #'beam-thickness = #0.3
-      \override Stem  #'thickness = #4.0
+      \override Stem.french-beaming = ##t
+      \override Beam.beam-thickness = #0.3
+      \override Stem.thickness = #4.0
       g'16[ b16 fis16 g16]
       << \makeClusters {
         as16 <as b>
         <g b>
         <g cis>
       } \\ {
-        \override Staff.Arpeggio  #'arpeggio-direction =#down
+        \override Staff.Arpeggio.arpeggio-direction =#down
         <cis, e, gis, b, cis>4\arpeggio
       }
     >> }
@@ -1830,7 +1834,7 @@ partIV = \relative c {
     }
     \context {
       \PianoStaff
-      \override StaffGrouper #'staff-staff-spacing #'padding = #1
+      \override StaffGrouper.staff-staff-spacing.padding = #1
     }
   }
 }