X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fde%2Fuser%2Fnotation-appendices.itely;h=38219d460e6c33ca4a3190b03f5218ffb467a3ad;hb=7f65b882cf00bdc468eef1f2517161b56e3a3851;hp=9a0f9c409383ddcb1e59a2e1d0da02fd2bbb72e3;hpb=f7fc2c96a10ae78c1a96bdfc8a33174e515cd9a5;p=lilypond.git diff --git a/Documentation/de/user/notation-appendices.itely b/Documentation/de/user/notation-appendices.itely index 9a0f9c4093..38219d460e 100644 --- a/Documentation/de/user/notation-appendices.itely +++ b/Documentation/de/user/notation-appendices.itely @@ -1,57 +1,656 @@ -@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*- +@c -*- coding: utf-8; mode: texinfo; -*- @c This file is part of lilypond.tely @ignore - Translation of GIT committish: c946d2870fa81d9f07f763762d512501273d65a6 - + Translation of GIT committish: 2c00bdbfaf62dd90863331c4713e6b29e32c9322 When revising a translation, copy the HEAD committish of the version that you are working on. See TRANSLATION for details. @end ignore +@c \version "2.11.61" @node Notation manual tables @appendix Notation manual tables -UNTRANSLATED NODE: IGNORE ME +@c Please do not delete the following @ignore block. +@ignore +Note for editors and translators: In the following menu, two entries +are needed to link to a pair of automatically generated sections. +Please keep them and, if using emacs, do not run +texinfo-all-menus-update without manually restoring them back. These +menu entries are: + +* Text markup commands:: +* Text markup list commands:: -@menu -* Chord name chart:: -* MIDI instruments:: -* List of colors:: -* The Feta font:: +and they should go just after * Note head styles:: -@end menu + +and just before +* List of articulations:: +@end ignore + +@menu +* Chord name chart:: +* Common chord modifiers:: +* Predefined fretboard diagrams:: +* MIDI instruments:: +* List of colors:: +* The Feta font:: +* Note head styles:: +* Text markup commands:: +* Text markup list commands:: +* List of articulations:: +* Percussion notes:: +* All context properties:: +* Layout properties:: +* Identifiers:: +* Scheme functions:: +@end menu + @node Chord name chart @appendixsec Chord name chart -UNTRANSLATED NODE: IGNORE ME +Die Tabelle zeigt die zwei üblichen Möglichkeiten, wie Akkordbezeichnungen +ausgegeben werden. Es wird auch die entsprechende Note ausgegeben. + +@lilypondfile{chord-names-jazz.ly} + + +@node Common chord modifiers +@appendixsec Common chord modifiers + +Die Tabelle zeigt Modifikatoren für Akkorde, die im @code{\chordmode}-Modus +benutzt werden können, um übliche Akkordkonstrukte zu notieren. + +@multitable @columnfractions .2 .3 .2 .2 + +@item +@b{Akkordtyp} +@tab +@b{Intervalle} +@tab +@b{Modifikator(en)} +@tab +@b{Beispiel} + + +@item +Dur +@tab +große Terz, Quinte +@tab +@code{5} oder nichts +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:5 +} +@end lilypond + +@item +Moll +@tab +kleine Terz, Quinte +@tab +@code{m} oder @code{m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m +} +@end lilypond + +@item +Übermäßig +@tab +Große Terz, übermäßige Quinte +@tab +@code{aug} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug +} +@end lilypond + +@item +Vermindert +@tab +Kleine Terz, verminderte Quinte +@tab +@code{dim} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim +} +@end lilypond + +@item +Dominantsieben +@tab +Durdreiklang, kleine Septime +@tab +@code{7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7 +} +@end lilypond + +@item +Große Septime +@tab +Durdreiklang, große Septime +@tab +@code{maj7} oder @code{maj} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj7 +} +@end lilypond + +@item +Kleine Septime +@tab +Molldreiklang, kleine Septime +@tab +@code{m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m7 +} +@end lilypond + +@item +Verminderte Septime +@tab +Verminderter Dreiklang, verminderte Septime +@tab +@code{dim7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim7 +} +@end lilypond + +@item +Übermäßige Septime +@tab +Übermäßiger Dreiklang, kleine Septime +@tab +@code{aug7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:aug7 +} +@end lilypond + +@item +halbverminderte Septime +@tab +Verminderter Dreklang, kleine Sept +@tab +@code{dim5m7} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:dim5m7 +} +@end lilypond + +@item +Kleine MollSept +@tab +Molldreiklang, Durseptime +@tab +@code{7m5} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:7m5 +} +@end lilypond + +@item +Große Sexte +@tab +Durdreiklang, Sexte +@tab +@code{6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:6 +} +@end lilypond + +@item +Kleine Sexte +@tab +Molldreiklang, Sexte +@tab +@code{m6} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m6 +} +@end lilypond + +@item +Dominantnon +@tab +Dominantsept, große None +@tab +@code{9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:9 +} +@end lilypond + +@item +Dur None +@tab +TODO +@tab +@code{maj9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj9 +} +@end lilypond + +@item +Moll None +@tab +TODO +@tab +@code{m9} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m9 +} +@end lilypond + +@item +Dominantundecime +@tab +Dominant ninth, perfect eleventh +@tab +@code{11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:11 +} +@end lilypond + +@item +Durundecime +@tab +TODO +@tab +@code{maj11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj11 +} +@end lilypond + +@item +Mollundecime +@tab +TODO +@tab +@code{m11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m11 +} +@end lilypond + +@item +Dominant-13 +@tab +Dominant eleventh, major thirteenth +@tab +@code{13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:13.11 +} +@end lilypond + +@item +Dur-13 +@tab +TODO +@tab +@code{maj13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:maj13.11 +} +@end lilypond + +@item +Moll-13 +@tab +TODO +@tab +@code{m13.11} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:m13.11 +} +@end lilypond + +@item +erniedrigte Sekunde +@tab +TODO +@tab +@code{sus2} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus2 +} +@end lilypond + +@item +erniedrigte Quarte +@tab +TODO +@tab +@code{sus4} +@tab +@lilypond[line-width=3\cm,noragged-right, notime] +\chordmode { + c1:sus4 +} +@end lilypond + + +@end multitable + + +@node Predefined fretboard diagrams +@appendixsec Predefined fretboard diagrams + +Die Tabelle zeigt alle vordefinierten Bunddiagramme. + +@lilypondfile{display-predefined-fretboards.ly} + + @node MIDI instruments @appendixsec MIDI instruments -UNTRANSLATED NODE: IGNORE ME +Hier eine Liste von Musikinstrumentenbezeichnungen, die als Name für +@code{midiInstrument} benutzt werden können. +@c Todo: translate music instrument's names to German + +@cindex MIDI-Instrumentenbezeichnungen + +@example +acoustic grand contrabass lead 7 (fifths) +bright acoustic tremolo strings lead 8 (bass+lead) +electric grand pizzicato strings pad 1 (new age) +honky-tonk orchestral strings pad 2 (warm) +electric piano 1 timpani pad 3 (polysynth) +electric piano 2 string ensemble 1 pad 4 (choir) +harpsichord string ensemble 2 pad 5 (bowed) +clav synthstrings 1 pad 6 (metallic) +celesta synthstrings 2 pad 7 (halo) +glockenspiel choir aahs pad 8 (sweep) +music box voice oohs fx 1 (rain) +vibraphone synth voice fx 2 (soundtrack) +marimba orchestra hit fx 3 (crystal) +xylophone trumpet fx 4 (atmosphere) +tubular bells trombone fx 5 (brightness) +dulcimer tuba fx 6 (goblins) +drawbar organ muted trumpet fx 7 (echoes) +percussive organ french horn fx 8 (sci-fi) +rock organ brass section sitar +church organ synthbrass 1 banjo +reed organ synthbrass 2 shamisen +accordion soprano sax koto +harmonica alto sax kalimba +concertina tenor sax bagpipe +acoustic guitar (nylon) baritone sax fiddle +acoustic guitar (steel) oboe shanai +electric guitar (jazz) english horn tinkle bell +electric guitar (clean) bassoon agogo +electric guitar (muted) clarinet steel drums +overdriven guitar piccolo woodblock +distorted guitar flute taiko drum +guitar harmonics recorder melodic tom +acoustic bass pan flute synth drum +electric bass (finger) blown bottle reverse cymbal +electric bass (pick) shakuhachi guitar fret noise +fretless bass whistle breath noise +slap bass 1 ocarina seashore +slap bass 2 lead 1 (square) bird tweet +synth bass 1 lead 2 (sawtooth) telephone ring +synth bass 2 lead 3 (calliope) helicopter +violin lead 4 (chiff) applause +viola lead 5 (charang) gunshot +cello lead 6 (voice) +@end example + @node List of colors @appendixsec List of colors -UNTRANSLATED NODE: IGNORE ME - @subsubheading Normal colors + +Die Syntax zur Benutzung findet sich im Abschnitt @ref{Coloring objects}. + +@cindex Liste der Farben +@cindex Farben, Liste + +@verbatim +black white red green +blue cyan magenta yellow +grey darkred darkgreen darkblue +darkcyan darkmagenta darkyellow +@end verbatim + + @subsubheading X color names + +X-Farbbezeichnungen haben verschiedene Varianten: + +Alle Bezeichnungen, die als einziges Wort mit Großbuchstaben +geschrieben werden (bspw. @q{LightSlateBlue}), können auch +von Leerzeichen getrennt geschrieben werden +(also @q{light slate blue}). + +Das Wort @q{grey} kann in jedem Fall auch @q{gray} geschrieben +werden (bspw. @q{DarkSlateGray}). + +Manche Bezeichnungen können auch ein numerales Suffix tragen +(etwa @q{LightSalmon4}). + + @subsubheading Color Names without a numerical suffix: + +@verbatim +snow GhostWhite WhiteSmoke gainsboro FloralWhite +OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond +bisque PeachPuff NavajoWhite moccasin cornsilk +ivory LemonChiffon seashell honeydew MintCream +azure AliceBlue lavender LavenderBlush MistyRose +white black DarkSlateGrey DimGrey SlateGrey +LightSlateGrey grey LightGrey MidnightBlue navy +NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue +LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue +DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue +LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise +turquoise cyan LightCyan CadetBlue MediumAquamarine +aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen +MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen +green chartreuse MediumSpringGreen GreenYellow LimeGreen +YellowGreen ForestGreen OliveDrab DarkKhaki khaki +PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold +LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed +SaddleBrown sienna peru burlywood beige +wheat SandyBrown tan chocolate firebrick +brown DarkSalmon salmon LightSalmon orange +DarkOrange coral LightCoral tomato OrangeRed +red HotPink DeepPink pink LightPink +PaleVioletRed maroon MediumVioletRed VioletRed magenta +violet plum orchid MediumOrchid DarkOrchid +DarkViolet BlueViolet purple MediumPurple thistle +DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed +LightGreen +@end verbatim + + @subsubheading Color names with a numerical suffix + +Für die folgenden Bezeichnungen kann das Suffix N durch eine +Zahl von 1--4 ersetzt werden. + +@verbatim +snowN seashellN AntiqueWhiteN bisqueN PeachPuffN +NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN +LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN +blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN +LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN +CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN +SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN +OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN +yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN +IndianRedN siennaN burlywoodN wheatN tanN +chocolateN firebrickN brownN salmonN LightSalmonN +orangeN DarkOrangeN coralN tomatoN OrangeRedN +redN DeepPinkN HotPinkN pinkN LightPinkN +PaleVioletRedN maroonN VioletRedN magentaN orchidN +plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN +thistleN +@end verbatim + + @subsubheading Grey Scale + +Eine Grauskala kann mit der Bezeichnung + +@example +greyN +@end example + +@noindent +erstellt werden, wobei N eine Zahl von 0--100 darstellt. + + @node The Feta font @appendixsec The Feta font -UNTRANSLATED NODE: IGNORE ME +@cindex Feta font +@cindex Font, Feta + +Die folgenden Symbole sind als Emmentaler-Schriftart verfügbar; auf sie +kann direkt zugegriffen werden, indem man die übliche Textbeschriftung +benutzt. @code{\musicglyph} greift direkt auf die Notationsschriftart +zu (bspw. @code{g^\markup @{ +\musicglyph #"scripts.segno" @}}). Siehe auch @ref{Formatting text}. + +@lilypondfile[noindent]{font-table.ly} + @node Note head styles @appendixsec Note head styles -UNTRANSLATED NODE: IGNORE ME +@cindex Notenkopfarten +@cindex Arten von Notenköpfen +@cindex Stile, Notenköpfe + +Folgende Stile können zur Darstellung der Notenköpfe verwendet werden: + +@lilypondfile[noindent]{note-head-style.ly} + +@include markup-commands.tely + +@include markup-list-commands.tely + +@node List of articulations +@appendixsec List of articulations + +@cindex Akzent +@cindex Marcato +@cindex Staccatissimo +@cindex Espressivo +@cindex Fermate +@cindex Gedämpft +@cindex Staccato +@cindex Portato +@cindex Tenuto +@cindex Aufstrich +@cindex Abstrich +@cindex Fußbezeichnung +@cindex Orgelpedalbezeichnung +@cindex Triller +@cindex Offen +@cindex Flageolet +@cindex Praller +@cindex Mordent +@cindex Doppelpraller +@cindex Prallermordent +@cindex Fingersatz +@cindex Daumenbezeichnung +@cindex Segno +@cindex Coda +@cindex Varcoda + +Hier ist eine Liste, die alle möglichen Zeichen darstellt: + +@lilypondfile[ragged-right,quote]{script-chart.ly} + + +@node Percussion notes +@appendixsec Percussion notes + +@lilypondfile[quote]{percussion-chart.ly} + + +@node All context properties +@appendixsec All context properties + +@include context-properties.tely + + +@node Layout properties +@appendixsec Layout properties + +@include layout-properties.tely + + +@node Identifiers +@appendixsec Identifiers + +@include identifiers.tely + + +@node Scheme functions +@appendixsec Scheme functions +@include scheme-functions.tely --- SKELETON FILE -- -When you actually translate this file, please remove these lines as -well as all `UNTRANSLATED NODE: IGNORE ME' lines.