X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fde%2Fuser%2Fnotation-appendices.itely;fp=Documentation%2Fde%2Fuser%2Fnotation-appendices.itely;h=0000000000000000000000000000000000000000;hb=941dff9d2a67080e0dd8474f1e70f0c72ace6424;hp=a8f41f52f67081029befbd888780fb549ac50cf9;hpb=5a22d6233a39d3164e1ca043244794c268be4ad0;p=lilypond.git diff --git a/Documentation/de/user/notation-appendices.itely b/Documentation/de/user/notation-appendices.itely deleted file mode 100644 index a8f41f52f6..0000000000 --- a/Documentation/de/user/notation-appendices.itely +++ /dev/null @@ -1,667 +0,0 @@ -@c -*- coding: utf-8; mode: texinfo; -*- -@c This file is part of lilypond.tely -@ignore - Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421 - - When revising a translation, copy the HEAD committish of the - version that you are working on. See TRANSLATION for details. -@end ignore - -@c \version "2.12.0" - -@node Notation manual tables -@appendix Notation manual tables - -@c Please do not delete the following @ignore block. -@ignore -Note for editors and translators: In the following menu, two entries -are needed to link to a pair of automatically generated sections. -Please keep them and, if using emacs, do not run -texinfo-all-menus-update without manually restoring them back. These -menu entries are: - -* Text markup commands:: -* Text markup list commands:: - -and they should go just after -* Note head styles:: - -and just before -* List of articulations:: -@end ignore - -@menu -* Chord name chart:: -* Common chord modifiers:: -* Predefined fretboard diagrams:: -* MIDI instruments:: -* List of colors:: -* The Feta font:: -* Note head styles:: -* Text markup commands:: -* Text markup list commands:: -* List of articulations:: -* Percussion notes:: -* All context properties:: -* Layout properties:: -* Identifiers:: -* Scheme functions:: -@end menu - -@node Chord name chart -@appendixsec Chord name chart - -Die Tabelle zeigt die zwei üblichen Möglichkeiten, wie Akkordbezeichnungen -ausgegeben werden. Es wird auch die entsprechende Note ausgegeben. - -@lilypondfile{chord-names-jazz.ly} - - -@node Common chord modifiers -@appendixsec Common chord modifiers - -Die Tabelle zeigt Modifikatoren für Akkorde, die im @code{\chordmode}-Modus -benutzt werden können, um übliche Akkordkonstrukte zu notieren. - -@multitable @columnfractions .2 .3 .2 .2 - -@item -@b{Akkordtyp} -@tab -@b{Intervalle} -@tab -@b{Modifikator(en)} -@tab -@b{Beispiel} - - -@item -Dur -@tab -große Terz, Quinte -@tab -@code{5} oder nichts -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:5 -} -@end lilypond - -@item -Moll -@tab -kleine Terz, Quinte -@tab -@code{m} oder @code{m5} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m -} -@end lilypond - -@item -Übermäßig -@tab -Große Terz, übermäßige Quinte -@tab -@code{aug} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:aug -} -@end lilypond - -@item -Vermindert -@tab -Kleine Terz, verminderte Quinte -@tab -@code{dim} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:dim -} -@end lilypond - -@item -Dominantsieben -@tab -Durdreiklang, kleine Septime -@tab -@code{7} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:7 -} -@end lilypond - -@item -Große Septime -@tab -Durdreiklang, große Septime -@tab -@code{maj7} oder @code{maj} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:maj7 -} -@end lilypond - -@item -Kleine Septime -@tab -Molldreiklang, kleine Septime -@tab -@code{m7} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m7 -} -@end lilypond - -@item -Verminderte Septime -@tab -Verminderter Dreiklang, verminderte Septime -@tab -@code{dim7} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:dim7 -} -@end lilypond - -@item -Übermäßige Septime -@tab -Übermäßiger Dreiklang, kleine Septime -@tab -@code{aug7} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:aug7 -} -@end lilypond - -@item -halbverminderte Septime -@tab -Verminderter Dreklang, kleine Sept -@tab -@code{m7.5-} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m7.5- -} -@end lilypond - -@item -Kleine MollSept -@tab -Molldreiklang, Durseptime -@tab -@code{maj7.5-} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:maj7.5- -} -@end lilypond - -@item -Große Sexte -@tab -Durdreiklang, Sexte -@tab -@code{6} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:6 -} -@end lilypond - -@item -Kleine Sexte -@tab -Molldreiklang, Sexte -@tab -@code{m6} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m6 -} -@end lilypond - -@item -Dominantnone -@tab -Dominantsept, große None -@tab -@code{9} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:9 -} -@end lilypond - -@item -Dur None -@tab -Große None, große Septime -@tab -@code{maj9} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:maj9 -} -@end lilypond - -@item -Moll None -@tab -Große None, kleine Septime -@tab -@code{m9} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m9 -} -@end lilypond - -@item -Dominantundezime -@tab -Dominantnone, perfekte Undezime -@tab -@code{11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:11 -} -@end lilypond - -@item -Durundezime -@tab -Große None, perfekte Unidezime -@tab -@code{maj11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:maj11 -} -@end lilypond - -@item -Mollundezime -@tab -Kleine None, perfekte Undezime -@tab -@code{m11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m11 -} -@end lilypond - -@item -Dominant-13 -@tab -Dominantnone, große 13 -@tab -@code{13} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:13 -} -@end lilypond - -@item -Dominant-13 -@tab -@code{13.11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:13.11 -} -@end lilypond - -@item -Dur-13 -@tab -Große Undezime, große 13 -@tab -@code{maj13.11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:maj13.11 -} -@end lilypond - -@item -Moll-13 -@tab -Kleine Undezime, große 13 -@tab -@code{m13.11} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:m13.11 -} -@end lilypond - -@item -Sekundakkord -@tab -große Sekunde, perfekte Quinte -@tab -@code{sus2} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:sus2 -} -@end lilypond - -@item -Quartakkord -@tab -perfekte Quarte, perfekte Quinte -@tab -@code{sus4} -@tab -@lilypond[line-width=3\cm,noragged-right, notime] -\chordmode { - c1:sus4 -} -@end lilypond - - -@end multitable - - -@node Predefined fretboard diagrams -@appendixsec Predefined fretboard diagrams - -Die Tabelle zeigt alle vordefinierten Bunddiagramme. - -@lilypondfile{display-predefined-fretboards.ly} - - - -@node MIDI instruments -@appendixsec MIDI instruments - -Hier eine Liste von Musikinstrumentenbezeichnungen, die als Name für -@code{midiInstrument} benutzt werden können. -@c Todo: translate music instrument's names to German - -@cindex MIDI-Instrumentenbezeichnungen - -@example -acoustic grand contrabass lead 7 (fifths) -bright acoustic tremolo strings lead 8 (bass+lead) -electric grand pizzicato strings pad 1 (new age) -honky-tonk orchestral strings pad 2 (warm) -electric piano 1 timpani pad 3 (polysynth) -electric piano 2 string ensemble 1 pad 4 (choir) -harpsichord string ensemble 2 pad 5 (bowed) -clav synthstrings 1 pad 6 (metallic) -celesta synthstrings 2 pad 7 (halo) -glockenspiel choir aahs pad 8 (sweep) -music box voice oohs fx 1 (rain) -vibraphone synth voice fx 2 (soundtrack) -marimba orchestra hit fx 3 (crystal) -xylophone trumpet fx 4 (atmosphere) -tubular bells trombone fx 5 (brightness) -dulcimer tuba fx 6 (goblins) -drawbar organ muted trumpet fx 7 (echoes) -percussive organ french horn fx 8 (sci-fi) -rock organ brass section sitar -church organ synthbrass 1 banjo -reed organ synthbrass 2 shamisen -accordion soprano sax koto -harmonica alto sax kalimba -concertina tenor sax bagpipe -acoustic guitar (nylon) baritone sax fiddle -acoustic guitar (steel) oboe shanai -electric guitar (jazz) english horn tinkle bell -electric guitar (clean) bassoon agogo -electric guitar (muted) clarinet steel drums -overdriven guitar piccolo woodblock -distorted guitar flute taiko drum -guitar harmonics recorder melodic tom -acoustic bass pan flute synth drum -electric bass (finger) blown bottle reverse cymbal -electric bass (pick) shakuhachi guitar fret noise -fretless bass whistle breath noise -slap bass 1 ocarina seashore -slap bass 2 lead 1 (square) bird tweet -synth bass 1 lead 2 (sawtooth) telephone ring -synth bass 2 lead 3 (calliope) helicopter -violin lead 4 (chiff) applause -viola lead 5 (charang) gunshot -cello lead 6 (voice) -@end example - - -@node List of colors -@appendixsec List of colors - -@subsubheading Normal colors - -Die Syntax zur Benutzung findet sich im Abschnitt @ref{Coloring objects}. - -@cindex Liste der Farben -@cindex Farben, Liste - -@verbatim -black white red green -blue cyan magenta yellow -grey darkred darkgreen darkblue -darkcyan darkmagenta darkyellow -@end verbatim - - -@subsubheading X color names - -X-Farbbezeichnungen haben verschiedene Varianten: - -Alle Bezeichnungen, die als einziges Wort mit Großbuchstaben -geschrieben werden (bspw. @q{LightSlateBlue}), können auch -von Leerzeichen getrennt geschrieben werden -(also @q{light slate blue}). - -Das Wort @q{grey} kann in jedem Fall auch @q{gray} geschrieben -werden (bspw. @q{DarkSlateGray}). - -Manche Bezeichnungen können auch ein numerales Suffix tragen -(etwa @q{LightSalmon4}). - - -@subsubheading Color Names without a numerical suffix: - -@verbatim -snow GhostWhite WhiteSmoke gainsboro FloralWhite -OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond -bisque PeachPuff NavajoWhite moccasin cornsilk -ivory LemonChiffon seashell honeydew MintCream -azure AliceBlue lavender LavenderBlush MistyRose -white black DarkSlateGrey DimGrey SlateGrey -LightSlateGrey grey LightGrey MidnightBlue navy -NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue -LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue -DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue -LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise -turquoise cyan LightCyan CadetBlue MediumAquamarine -aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen -MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen -green chartreuse MediumSpringGreen GreenYellow LimeGreen -YellowGreen ForestGreen OliveDrab DarkKhaki khaki -PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold -LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed -SaddleBrown sienna peru burlywood beige -wheat SandyBrown tan chocolate firebrick -brown DarkSalmon salmon LightSalmon orange -DarkOrange coral LightCoral tomato OrangeRed -red HotPink DeepPink pink LightPink -PaleVioletRed maroon MediumVioletRed VioletRed magenta -violet plum orchid MediumOrchid DarkOrchid -DarkViolet BlueViolet purple MediumPurple thistle -DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed -LightGreen -@end verbatim - - -@subsubheading Color names with a numerical suffix - -Für die folgenden Bezeichnungen kann das Suffix N durch eine -Zahl von 1--4 ersetzt werden. - -@verbatim -snowN seashellN AntiqueWhiteN bisqueN PeachPuffN -NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN -LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN -blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN -LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN -CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN -SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN -OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN -yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN -IndianRedN siennaN burlywoodN wheatN tanN -chocolateN firebrickN brownN salmonN LightSalmonN -orangeN DarkOrangeN coralN tomatoN OrangeRedN -redN DeepPinkN HotPinkN pinkN LightPinkN -PaleVioletRedN maroonN VioletRedN magentaN orchidN -plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN -thistleN -@end verbatim - - -@subsubheading Grey Scale - -Eine Grauskala kann mit der Bezeichnung - -@example -greyN -@end example - -@noindent -erstellt werden, wobei N eine Zahl von 0--100 darstellt. - - -@node The Feta font -@appendixsec The Feta font - -@cindex Feta font -@cindex Font, Feta - -Die folgenden Symbole sind als Emmentaler-Schriftart verfügbar; auf sie -kann direkt zugegriffen werden, indem man die übliche Textbeschriftung -benutzt. @code{\musicglyph} greift direkt auf die Notationsschriftart -zu (bspw. @code{g^\markup @{ -\musicglyph #"scripts.segno" @}}). Siehe auch @ref{Formatting text}. - -@lilypondfile[noindent]{font-table.ly} - - -@node Note head styles -@appendixsec Note head styles - -@cindex Notenkopfarten -@cindex Arten von Notenköpfen -@cindex Stile, Notenköpfe - -Folgende Stile können zur Darstellung der Notenköpfe verwendet werden: - -@lilypondfile[noindent]{note-head-style.ly} - -@include markup-commands.tely - -@include markup-list-commands.tely - -@node List of articulations -@appendixsec List of articulations - -@cindex Akzent -@cindex Marcato -@cindex Staccatissimo -@cindex Espressivo -@cindex Fermate -@cindex Gedämpft -@cindex Staccato -@cindex Portato -@cindex Tenuto -@cindex Aufstrich -@cindex Abstrich -@cindex Fußbezeichnung -@cindex Orgelpedalbezeichnung -@cindex Triller -@cindex Offen -@cindex Flageolet -@cindex Praller -@cindex Mordent -@cindex Doppelpraller -@cindex Prallermordent -@cindex Fingersatz -@cindex Daumenbezeichnung -@cindex Segno -@cindex Coda -@cindex Varcoda - -Hier ist eine Liste, die alle möglichen Zeichen darstellt: - -@lilypondfile[ragged-right,quote]{script-chart.ly} - - -@node Percussion notes -@appendixsec Percussion notes - -@lilypondfile[quote]{percussion-chart.ly} - - -@node All context properties -@appendixsec All context properties - -@include context-properties.tely - - -@node Layout properties -@appendixsec Layout properties - -@include layout-properties.tely - - -@node Identifiers -@appendixsec Identifiers - -@include identifiers.tely - - -@node Scheme functions -@appendixsec Scheme functions - -@include scheme-functions.tely -