X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fde%2Fnotation%2Fvocal.itely;h=5e81851fe6cd53adbf5b980683a3766e66357ed0;hb=d01d7bd0752a3d141de5a1fb2905d30efbcd8970;hp=1eecafb2ecf0bf8177dddfc98fe809e6ae031bc5;hpb=f0fe9c843e926066299c1f9a33004649f42e1f24;p=lilypond.git diff --git a/Documentation/de/notation/vocal.itely b/Documentation/de/notation/vocal.itely index 1eecafb2ec..5e81851fe6 100644 --- a/Documentation/de/notation/vocal.itely +++ b/Documentation/de/notation/vocal.itely @@ -7,7 +7,7 @@ Guide, node Updating translation committishes. @end ignore -@c \version "2.17.5" +@c \version "2.17.30" @c Translators: Till Paala @@ -166,14 +166,14 @@ Infolgedessen müssen auch um Eigenschaftsbezeichnungen Leerzeichen gesetzt werden. Ein Befehl heißt also @emph{nicht}: @example -\override Score.LyricText #'font-shape = #'italic +\override Score.LyricText.font-shape = #'italic @end example @noindent sondern @example -\override Score . LyricText #'font-shape = #'italic +\override Score.LyricText.font-shape = #'italic @end example Punkte, Gesangstext mit Akzenten, verschiedene lateinische und nicht-lateinische @@ -1050,7 +1050,7 @@ verweist, mit @code{\context} angegeben: << \new Lyrics = "lyrics" \with { % lyrics above a staff should have this override - \override VerticalAxisGroup #'staff-affinity = #DOWN + \override VerticalAxisGroup.staff-affinity = #DOWN } \new Staff { \new Voice = "melody" { @@ -1081,7 +1081,7 @@ einesetzt werden können. Hier ein Beispiel für die zweite Methode: \new Lyrics = "sopranos" \new Lyrics = "contraltos" \with { % lyrics above a staff should have this override - \override VerticalAxisGroup #'staff-affinity = #DOWN + \override VerticalAxisGroup.staff-affinity = #DOWN } \new Staff { \new Voice = "contraltos" { @@ -1135,7 +1135,7 @@ Um den Abstand zwischen Silben zu vergrößern, kann die @lilypond[relative=1,verbatim,quote,ragged-right] { c c c c - \override Lyrics.LyricSpace #'minimum-distance = #1.0 + \override Lyrics.LyricSpace.minimum-distance = #1.0 c c c c } \addlyrics { @@ -1161,7 +1161,7 @@ wirkt, muss sie im @code{layout}-Block vorgenommen werden. \layout { \context { \Lyrics - \override LyricSpace #'minimum-distance = #1.0 + \override LyricSpace.minimum-distance = #1.0 } } } @@ -1179,7 +1179,7 @@ Seitenränder ragt, verlangt zusätzliche Computerzeit. Um den Notensatz etwas zu beschleunigen, kann die Überprüfung abgestellt werden: @example -\override Score.PaperColumn #'keep-inside-line = ##f +\override Score.PaperColumn.keep-inside-line = ##f @end example Damit Gesangstext auch nicht mit Taktlinien @@ -1191,7 +1191,7 @@ zusammenstößt, kann folgende Einstellung gesetzt werden: \Lyrics \consists "Bar_engraver" \consists "Separating_line_group_engraver" - \override BarLine #'transparent = ##t + \hide BarLine @} @} @end example @@ -1872,7 +1872,7 @@ geändert werden, wie das folgende Beispiel zeigt. << \new Voice = melody \relative c' { f4 \appoggiatura a32 b4 - \grace { f16[ a16] } b2 + \grace { f16 a16 } b2 \afterGrace b2 { f16[ a16] } \appoggiatura a32 b4 \acciaccatura a8 b4 @@ -1901,7 +1901,7 @@ die erste des Musikstückes ist, kann ein @code{\with}- oder @lilypond[verbatim,ragged-right,quote] << \new Voice = melody \relative c' { - \grace { c16[( d e f] } + \grace { c16( d e f } g1) f } \new Lyrics \with { includeGraceNotes = ##t } @@ -1925,9 +1925,9 @@ unterschiedlichen Melodien auszurichten. Das wird mit der << \new Voice = "alternative" { \voiceOne - \times 2/3 { + \tuplet 3/2 { % show associations clearly. - \override NoteColumn #'force-hshift = #-3 + \override NoteColumn.force-hshift = #-3 f8 f g } } @@ -2064,7 +2064,7 @@ text = \lyricmode { "It has two lines." } } - \vspace #0.1 % adds vertical spacing between verses + \combine \null \vspace #0.1 % adds vertical spacing between verses \line { \bold "3." \column { "This is verse three." @@ -2080,7 +2080,7 @@ text = \lyricmode { "It has two lines." } } - \vspace #0.1 % adds vertical spacing between verses + \combine \null \vspace #0.1 % adds vertical spacing between verses \line { \bold "5." \column { "This is verse five." @@ -2341,8 +2341,8 @@ Form genutzt werden, wie das Beispiel zeigt: \layout { \context { \Score - \override DynamicText #'direction = #UP - \override DynamicLineSpanner #'direction = #UP + \override DynamicText.direction = #UP + \override DynamicLineSpanner.direction = #UP } } } @@ -2559,7 +2559,7 @@ der Figur angezeigt werden kann. #`((instrumentTransposition . ,(ly:make-pitch -1 0 0)) (shortInstrumentName . "Kas.") (clefGlyph . "clefs.G") - (clefOctavation . -7) + (clefTransposition . -7) (middleCPosition . 1) (clefPosition . -2) (instrumentCueName . ,(markup #:fontsize 1 #:smallCaps "Kaspar")) @@ -2569,7 +2569,7 @@ der Figur angezeigt werden kann. #`((instrumentTransposition . ,(ly:make-pitch 0 0 0)) (shortInstrumentName . "Mel.") (clefGlyph . "clefs.F") - (clefOctavation . 0) + (clefTransposition . 0) (middleCPosition . 6) (clefPosition . 2) (instrumentCueName . ,(markup #:fontsize 1 #:smallCaps "Melchior")) @@ -2627,7 +2627,7 @@ pianoRH = \relative c'' { % position name of cue-ing instrument just before the cue notes, % and above the staff \new CueVoice { - \override InstrumentSwitch #'self-alignment-X = #RIGHT + \override InstrumentSwitch.self-alignment-X = #RIGHT \set instrumentCueName = "Flute" } \cueDuring "flute" #UP { g4 bes4 } @@ -2671,8 +2671,8 @@ pianoRH = \relative c'' { \transposition c' % position name of cue-ing instrument below the staff \new CueVoice { - \override InstrumentSwitch #'self-alignment-X = #RIGHT - \override InstrumentSwitch #'direction = #DOWN + \override InstrumentSwitch.self-alignment-X = #RIGHT + \override InstrumentSwitch.direction = #DOWN \set instrumentCueName = "Clar." } \cueDuring "clarinet" #DOWN { c4. g8 } @@ -2813,8 +2813,8 @@ dialogue = \lyricmode { \score { << \new Lyrics \with { - \override LyricText #'font-shape = #'italic - \override LyricText #'self-alignment-X = #LEFT + \override LyricText.font-shape = #'italic + \override LyricText.self-alignment-X = #LEFT } { \dialogue } \new Staff { @@ -2883,7 +2883,7 @@ die Tonhöhen darzustellen, während der Rhythmus sich am Rhythmus der gesprochenen Worte orientiert. @lilypond[verbatim,quote] -stemOff = { \override Staff.Stem #'transparent = ##t } +stemOff = { \hide Staff.Stem } \relative c' { \stemOff @@ -2988,23 +2988,23 @@ Veränderung des @code{\breathe}-Zeichens: @lilypond[verbatim,quote] divisioMinima = { - \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-minima - \once \override BreathingSign #'Y-offset = #0 + \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-minima + \once \override BreathingSign.Y-offset = #0 \breathe } divisioMaior = { - \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-maior - \once \override BreathingSign #'Y-offset = #0 + \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maior + \once \override BreathingSign.Y-offset = #0 \breathe } divisioMaxima = { - \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-maxima - \once \override BreathingSign #'Y-offset = #0 + \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maxima + \once \override BreathingSign.Y-offset = #0 \breathe } finalis = { - \once \override BreathingSign #'stencil = #ly:breathing-sign::finalis - \once \override BreathingSign #'Y-offset = #0 + \once \override BreathingSign.stencil = #ly:breathing-sign::finalis + \once \override BreathingSign.Y-offset = #0 \breathe } @@ -3120,8 +3120,7 @@ global = { \layout { \context { \Score - \override SpacingSpanner - #'base-shortest-duration = #(ly:make-moment 1 2) + \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/2) } \context { \Staff