X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fchanges.tely;h=ce41e0aefa5319043a52bf5b3b944d78890fc799;hb=88a5dbc589b0d0434f8e640467b5ab57d14dc461;hp=b58b35a4eff28f239054fd378c2ca0737ae410bf;hpb=17fecdfc86780cccffdf8fb91a1394da2980860a;p=lilypond.git

diff --git a/Documentation/changes.tely b/Documentation/changes.tely
index b58b35a4ef..ce41e0aefa 100644
--- a/Documentation/changes.tely
+++ b/Documentation/changes.tely
@@ -29,7 +29,7 @@ See user manual, \NAME\
 @end macro
 
 
-@documentencoding utf-8
+@documentencoding UTF-8
 @documentlanguage en
 @afourpaper
 
@@ -60,6 +60,468 @@ which scares away people.
 * only show user-visible changes.
 
 @end ignore
+
+@item
+The markup-list-command @code{\table} is now available.
+Each column may be aligned differently.
+@lilypond[quote,verbatim]
+\markuplist {
+    \override #'(padding . 2)
+    \table
+      #'(0 1 0 -1)
+      {
+        \underline { center-aligned right-aligned center-aligned left-aligned }
+        one "1" thousandth "0.001"
+        eleven "11" hundredth "0.01"
+        twenty "20" tenth "0.1"
+        thousand "1000" one "1.0"
+      }
+}
+@end lilypond
+
+@item
+A new page breaking function @code{ly:one-line-auto-height-breaking}
+places a whole score on a single line and changes the page width
+to match, just like @code{ly:one-line-breaking}.  The difference is that
+it also automatically modifies the height of the page to fit the height
+of the music.
+
+@item
+Markup-command @code{\draw-squiggle-line} is now available.
+Customizing is possible with overrides of @code{thickness}, @code{angularity},
+@code{height} and @code{orientation}
+@lilypond[quote,verbatim]
+\markup
+  \overlay {
+    \draw-squiggle-line #0.5 #'(3 . 3) ##t
+
+    \translate #'(3 . 3)
+    \override #'(thickness . 4)
+    \draw-squiggle-line #0.5 #'(3 . -3) ##t
+
+    \translate #'(6 . 0)
+    \override #'(angularity . -5)
+    \draw-squiggle-line #0.5 #'(-3 . -3) ##t
+
+    \translate #'(3 . -3)
+    \override #'(angularity . 2)
+    \override #'(height . 0.3)
+    \override #'(orientation . -1)
+    \draw-squiggle-line #0.2 #'(-3 . 3) ##t
+  }
+@end lilypond
+
+@item
+A new command, @code{\RemoveAllEmptyStaves}, has been made available, which
+acts exactly like @code{\RemoveEmptyStaves}, except for also removing empty
+staves on the first system in a score.
+
+@item
+Markup-commands @code{\undertie} and @code{\overtie} are now available, as well
+as the generic markup-command @code{\tie}.
+@lilypond[quote,verbatim]
+\markup {
+  \undertie "undertied"
+  \overtie "overtied"
+}
+
+m = {
+  c''1 \prall -\tweak text \markup \tie "131" -1
+}
+
+{ \voiceOne \m \voiceTwo \m }
+@end lilypond
+
+@item
+@code{TabStaff} is now able to print micro-tones for bendings etc.
+@lilypond[quote,verbatim]
+\layout {
+  \context {
+    \Score
+    supportNonIntegerFret = ##t
+  }
+}
+
+mus = \relative { c'4 cih d dih }
+
+<<
+  \new Staff << \clef "G_8" \mus >>
+  \new TabStaff \mus
+>>
+@end lilypond
+
+@item
+Two new styles of whiteout are now available.  The @code{outline} style
+approximates the contours of a glyph's outline, and its shape is
+produced from multiple displaced copies of the glyph.  The
+@code{rounded-box} style produces a rounded rectangle shape.  For all
+three styles, including the default @code{box} style, the whiteout
+shape's @code{thickness}, as a multiple of staff-line thickness, can be
+customized.
+
+@lilypond[verbatim,quote]
+\markup {
+  \combine
+    \filled-box #'(-1 . 15) #'(-3 . 4) #1
+    \override #'(thickness . 3)
+    \whiteout whiteout-box
+}
+\markup {
+  \combine
+    \filled-box #'(-1 . 24) #'(-3 . 4) #1
+    \override #'(style . rounded-box)
+    \override #'(thickness . 3)
+    \whiteout whiteout-rounded-box
+}
+\markup {
+  \combine
+    \filled-box #'(-1 . 18) #'(-3 . 4) #1
+    \override #'(style . outline)
+    \override #'(thickness . 3)
+    \whiteout whiteout-outline
+}
+\relative {
+  \override Staff.Clef.whiteout-style = #'outline
+  \override Staff.Clef.whiteout = 3
+  g'1
+}
+@end lilypond
+
+@item
+All of @code{\override}, @code{\revert}, @code{\set}, and
+@code{\unset} now work with the @code{\once} prefix for making
+one-time settings.
+@lilypond[quote,verbatim]
+\relative {
+  c'4 d
+  \override NoteHead.color = #red
+  e4 f |
+  \once \override NoteHead.color = #green
+  g4 a
+  \once \revert NoteHead.color
+  b c |
+  \revert NoteHead.color
+  f2 c |
+}
+@end lilypond
+
+@item
+When outputting MIDI, LilyPond will now store the @code{title}
+defined in a score's @code{\header} block (or, if there is no
+such definition on the @code{\score} level, the first such
+definition found in a @code{\header} block of the score's
+enclosing @code{\bookpart}, @code{\book}, or top-level scope)
+as the name of the MIDI sequence in the MIDI file.  Optionally,
+the name of the MIDI sequence can be overridden using the new
+@code{midititle} @code{\header} field independently of
+@code{title} (for example, in case @code{title} contains markup
+code which does not render as plain text in a satisfactory way
+automatically).
+
+@item
+Music (and scheme and void) functions and markup commands that
+just supply the final parameters to a chain of overrides, music
+function and markup command calls can now be defined in the form
+of just writing the expression cut short with @code{\etc}.
+
+@lilypond[verbatim,quote]
+bold-red-markup = \markup \bold \with-color #red \etc
+highlight = \tweak font-size 3 \tweak color #red \etc
+
+\markup \bold-red "text"
+\markuplist \column-lines \bold-red { One Two }
+
+{ c' \highlight d' e'2-\highlight -! }
+@end lilypond
+
+@item
+LilyPond functions defined with @code{define-music-function},
+@code{define-event-function}, @code{define-scheme-function} and
+@code{define-void-function} can now be directly called from Scheme
+as if they were genuine Scheme procedures.  Argument checking and
+matching will still be performed in the same manner as when
+calling the function through LilyPond input.  This includes the
+insertion of defaults for optional arguments not matching their
+predicates.  Instead of using @code{\default} in the actual
+argument list for explicitly skipping a sequence of optional
+arguments, @code{*unspecified*} can be employed.
+
+@item
+Current input location and parser are now stored in GUILE fluids
+and can be referenced via the function calls @code{(*location*)}
+and @code{(*parser*)}.  Consequently, a lot of functions
+previously taking an explicit @code{parser} argument no longer do
+so.
+
+Functions defined with @code{define-music-function},
+@code{define-event-function}, @code{define-scheme-function} and
+@code{define-void-function} no longer use @code{parser} and
+@code{location} arguments.
+
+With those particular definitions, LilyPond will try to recognize
+legacy use of @code{parser} and @code{location} arguments,
+providing backwards-compatible semantics for some time.
+
+@item
+In the "english" notename language, the long notenames for pitches
+with accidentals now contain a hyphen for better readability.  You
+now have to write
+@example
+\key a-flat \major
+@end example
+instead of the previous
+@example
+\key aflat \major
+@end example
+
+Double accidentals do not get another hyphen, so the Dutch
+@code{cisis} has the long English notename @code{c-sharpsharp}.
+
+@item
+The visual style of tremolo slashes (shape, style and slope)
+is now more finely controlled.
+@lilypond[quote,relative=2]
+  a8:32 b: c: d:
+  \override StemTremolo.shape = #'beam-like
+  a: b: c: d:
+  \override StemTremolo.style = #'constant
+  a: b: c: d:
+  g,2
+@end lilypond
+
+
+@item
+Multi-measure rests have length according to their total duration,
+under the control of @code{MultiMeasureRest.space-increment}.
+@lilypond[quote]
+{ \compressFullBarRests
+  \override Staff.MultiMeasureRest.space-increment = 3.0
+  R1*2 R1*12 R1*64 }
+@end lilypond
+
+@item
+Page numbers may now be printed in roman numerals, by setting the
+@code{page-number-type} paper variable.
+
+@item
+It is now possible to use @code{\time} and @code{\partial}
+together to change the time signature in mid measure.
+
+@lilypond[verbatim,quote,relative=1]
+\override Score.BarNumber.break-visibility = #end-of-line-invisible
+\partial 4 \time 3/4 f4 | 2 4 | 2 \bar "||"
+\time 9/8 \partial 4. f8 8 8 | 2. 8 8 8 |
+@end lilypond
+
+@item
+It is now possible to override the @code{text} property of
+chord names.
+
+@lilypond[verbatim,fragment,quote]
+<<
+\new ChordNames \chordmode {
+  a' b c:7
+  \once \override ChordName.text = #"foo"
+  d
+}
+>>
+@end lilypond
+
+@item
+Improved horizontal alignment when using @code{TextScript},
+with @code{DynamicText} or @code{LyricText}.
+
+@item
+A new command @code{\magnifyStaff} has been added which scales staff
+sizes, staff lines, bar lines, beamlets and horizontal spacing generally
+at the @code{Staff} context level.  Staff lines are prevented from being
+scaled smaller than the default since the thickness of stems, slurs, and
+the like are all based on the staff line thickness.
+
+@item
+@code{InstrumentName} now supports @code{text-interface}.
+
+@item
+There is now support for controlling the @q{expression level} of
+MIDI channels using the @code{Staff.midiExpression} context property.
+This can be used to alter the perceived volume of even sustained notes
+(albeit in a very @q{low-level} way) and accepts a number value between
+@code{0.0} and @code{1.0}.
+
+@example
+\score @{
+  \new Staff \with @{
+    midiExpression = #0.6
+    midiInstrument = #"clarinet"
+  @}
+  <<
+    @{ a'1~ a'1 @}
+    @{
+      \set Staff.midiExpression = #0.7 s4\f\<
+      \set Staff.midiExpression = #0.8 s4
+      \set Staff.midiExpression = #0.9 s4
+      \set Staff.midiExpression = #1.0 s4
+
+      \set Staff.midiExpression = #0.9 s4\>
+      \set Staff.midiExpression = #0.8 s4
+      \set Staff.midiExpression = #0.7 s4
+      \set Staff.midiExpression = #0.6 s4\!
+    @}
+  >>
+  \midi @{ @}
+@}
+@end example
+
+@item
+Support for making it easier to use alternative @q{music} fonts other
+than the default Emmentaler in LilyPond has been added.  See
+@uref{http://fonts.openlilylib.org/} for more information.
+
+@item
+Grobs and their parents can now be aligned separately allowing
+more flexibility for grob positions.  For example the @q{left} edge of a
+grob can now be aligned on the @q{center} of its parent.
+
+@item
+Improvements to the @code{\partial} command have been made to
+avoid problems when using multiple, parallel contexts.
+
+@item @code{\chordmode} can now use @code{< >} and @code{<< >>}
+constructs.
+
+@item
+A new command @code{\tagGroup} has now been added.  This complements
+the existing @code{\keepWithTag} and @code{\removeWithTag} commands.
+For Example:
+
+@example
+\tagGroup #'(violinI violinII viola cello)
+@end example
+
+declares a list of @q{tags} that belong to a single @q{tag group}.
+
+@example
+\keepWithTag #'violinI
+@end example
+
+Is now only concerned with @q{tags} from @q{violinI}’s tag group.
+
+Any element of the included music tagged with one or more tags from the
+group, but @emph{not} with @var{violinI}, will be removed.
+
+@item
+The @code{\addlyrics} function now works with arbitrary contexts
+incuding @code{Staff}.
+
+@item
+String numbers can now also be used to print roman numerals
+(e.g. for unfretted string instruments).
+@lilypond[verbatim,quote,relative=2]
+c2\2
+\romanStringNumbers
+c\2
+\arabicStringNumbers
+c1\3
+@end lilypond
+
+@item
+The @code{thin-kern} property of the @code{BarLine} grob has been
+renamed to @code{segno-kern}.
+
+@item
+@code{KeyCancellation} grobs now ignore cue clefs (like
+@code{KeySignature} grobs do).
+
+@item
+Add support for @code{\once@tie{}\unset}
+
+@item
+It is now possible to individually color both the dots and parentheses
+in fret diagrams when using the @code{\fret-diagram-verbose} markup
+command.
+
+@lilypond[verbatim,quote,relative=1]
+\new Voice {
+  c1^\markup {
+    \override #'(fret-diagram-details . (
+                 (finger-code . in-dot))) {
+      \fret-diagram-verbose #'((mute 6)
+                               (place-fret 5 3 1 red)
+                               (place-fret 4 5 2 inverted)
+                               (place-fret 3 5 3 green)
+                               (place-fret 2 5 4 blue inverted)
+                               (place-fret 1 3 1 violet)
+                               (barre 5 1 3 ))
+    }
+  }
+  c1^\markup {
+    \override #'(fret-diagram-details . (
+                 (finger-code . below-string))) {
+      \fret-diagram-verbose #'((mute 6)
+                             (place-fret 5 3 1 red parenthesized)
+                             (place-fret 4 5 2 yellow
+                                               default-paren-color
+                                               parenthesized)
+                             (place-fret 3 5 3 green)
+                             (place-fret 2 5 4 blue )
+                             (place-fret 1 3 1)
+                             (barre 5 1 3))
+    }
+  }
+}
+@end lilypond
+
+@item
+Two new properties have been added for use in
+@code{fret-diagram-details} when using the @code{\fret-diagram-verbose}
+markup command; @code{fret-label-horizontal-offset} which affects the
+@code{fret-label-indication} and @code{paren-padding} which controls the
+space between the dot and the parentheses surrounding it.
+
+@lilypond[verbatim,quote,relative=1]
+\new Voice {
+  c1^\markup {
+    \fret-diagram-verbose #'((mute 6)
+                             (place-fret 5 3 1)
+                             (place-fret 4 5 2)
+                             (place-fret 3 5 3)
+                             (place-fret 1 6 4 parenthesized)
+                             (place-fret 2 3 1)
+                             (barre 5 2 3))
+  }
+  c1^\markup {
+    \override #'(fret-diagram-details . (
+                 (fret-label-horizontal-offset . 2)
+                 (paren-padding . 0.25))) {
+      \fret-diagram-verbose #'((mute 6)
+                               (place-fret 5 3 1)
+                               (place-fret 4 5 2)
+                               (place-fret 3 5 3)
+                               (place-fret 1 6 4 parenthesized)
+                               (place-fret 2 3 1)
+                               (barre 5 2 3))
+    }
+  }
+}
+@end lilypond
+
+@item
+A new markup command @code{\justify-line} has been added.  Similar to
+the @code{\fill-line} markup command except that instead of setting
+@emph{words} in columns, the @code{\justify-line} command balances the
+whitespace between them ensuring that when there are three or more
+words in a markup, the whitespace is always consistent.
+
+@lilypond[quote,verbatim,papersize=a6]
+\markup \fill-line {oooooo oooooo oooooo oooooo}
+\markup \fill-line {ooooooooo oooooooo oo ooo}
+@end lilypond
+
+@lilypond[quote,verbatim,papersize=a6]
+\markup \justify-line {oooooo oooooo oooooo oooooo}
+\markup \justify-line {ooooooooo oooooooo oo ooo}
+@end lilypond
+
 @item
 A new command @code{\magnifyMusic} has been added, which allows
 the notation size to be changed without changing the staff size,
@@ -74,6 +536,7 @@ while automatically scaling stems, beams, and horizontal spacing.
   \new Voice \relative {
     \voiceTwo
     \magnifyMusic 0.63 {
+      \override Score.SpacingSpanner.spacing-increment = #(* 1.2 0.63)
       r32 c'' a c a c a c r c a c a c a c
       r c a c a c a c a c a c a c a c
     }
@@ -280,6 +743,15 @@ examples where this makes for readable input:
 \new Staff { r16 c'16 ~ 8 ~ 4 ~ 2 | }
 @end lilypond
 
+@item
+@code{\displayLilyMusic} and its underlying Scheme functions no
+longer omit redundant note durations.  This makes it easier to
+reliably recognize and format standalone durations in expressions
+like
+@example
+@{ c4 d4 8 @}
+@end example
+
 @item
 Beaming exceptions can now be constructed using the
 @code{\beamExceptions} scheme function.  One can now write