X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fchanges.tely;h=8b36e5fe17a0dd9d945f418a8d9d544a8bb85721;hb=252ec5e71b5e121734a9c9897245137cb07e4a1f;hp=86f77b00c471ccb7a16c6d8bb58056efc9e425ea;hpb=72029dc92a783aac59b3cea7c3d5f5253d8ec5ef;p=lilypond.git diff --git a/Documentation/changes.tely b/Documentation/changes.tely index 86f77b00c4..8281811608 100644 --- a/Documentation/changes.tely +++ b/Documentation/changes.tely @@ -2,6 +2,8 @@ @setfilename lilypond-changes.info @settitle LilyPond Changes +@include macros.itexi + @ifhtml @macro inputfileref{DIR,NAME} @uref{../../\DIR\/collated-files.html#\NAME\,@file{\DIR\/\NAME\}}@c @@ -34,16 +36,11 @@ See user manual, \NAME\ @finalout @node Top -@top New features in 2.13 since 2.12 - -@ifhtml -This document is also available in @uref{changes.pdf,PDF}. It is part of -the @uref{lilypond/manuals.html,LilyPond Documentation}. -@end ifhtml +@top New features in 2.16 since 2.14 @allowcodebreaks false -@itemize @bullet +@itemize @ignore @@ -65,239 +62,212 @@ which scares away people. @end ignore @item -Se ofrece una variante de la llamada de tipo segno: -@lilypond[quote,relative=2] -c4 d e f \bar "S" -g4 f e d +Flags are now treated as separate objects rather than as stem parts. +@lilypond[fragment,quote,relative=2] +\override Flag #'color = #red +g8 @end lilypond @item -Context modifications (@code{\with} blocks) can be stored in variables and -inserted into contexts or other @code{\with} blocks: -@lilypond[quote,verbatim] -coloredheads = \with { \override NoteHead #'color = #red } -noclef = \with { \remove "Clef_engraver" } -\score { - \new Staff { - \new Voice \with { \coloredheads } \relative c' { c4 e g c } - } - \layout { - \context { \Staff - \noclef +Two alternative methods for bar numbering can be set, especially for +when using repeated music; + +@lilypond[fragment,quote,relative=1,noragged-right] +\relative c'{ + \set Score.alternativeNumberingStyle = #'numbers + \repeat volta 3 { c4 d e f | } + \alternative { + { c4 d e f | c2 d \break } + { f4 g a b | f4 g a b | f2 a | \break } + { c4 d e f | c2 d } + } + c1 \break + \set Score.alternativeNumberingStyle = #'numbers-with-letters + \repeat volta 3 { c,4 d e f | } + \alternative { + { c4 d e f | c2 d \break } + { f4 g a b | f4 g a b | f2 a | \break } + { c4 d e f | c2 d } } - } + c1 } @end lilypond @item -A half-open articulation was added: -@lilypond[quote,relative=2] -c4\halfopen +The following is a fundamental change in LilyPond's music +representation: Rhythmic events like @code{LyricEvent} and +@code{NoteEvent} are no longer wrapped in @code{EventChord} unless they +have been actually entered as part of a chord in the input. If you +manipulate music expressions in Scheme, the new behavior may require +changes in your code. The advantages of making input and music match +more closely are numerous: music functions previously worked differently +when used inside or outside of chords. Now they are the same, including +all the possibilities of argument parsing. You can now use music +variables inside of chords: a construct like +@lilypond[quote,ragged-right] +tonic=fis' +{ <\tonic \transpose c g \tonic> } @end lilypond -This is sometimes used to indicate half-open hi-hats. +@noindent +would have been unthinkable previously. You can use +@code{#@{@dots{}#@}} for constructing chord constituents. Music +functions inside of chords are no longer specially treated and thus +accept the same arguments as outside of chords. @code{\tweak} now works +on single notes without needing to wrap them in a chord. String number +indications like @code{\1} can be used on single notes. If you need to +suppress them in some context, override their @code{stencil} with +@code{##f}. @item -The Unicode Bidirectional Algorithm is now fully supported for -single-line markup due to enhanced integration with Pango. +Scheme expressions inside of embedded Lilypond (@code{#@{@dots{}#@}}) +are now executed in lexical closure of the surrounding Scheme code. +@code{$} is no longer special in embedded Lilypond. It can be used +unconditionally in Lilypond code for immediate evaluation, similar to +how @code{ly:export} could previously be used. @code{ly:export} has +been removed. As a consequence, @code{#} is now free to delay +evaluation of its argument until the parser actually reduces the +containing expression, greatly reducing the potential for premature +evaluation. @item -LilyPond is now licensed under the GNU GPL v3+. +Support for jazz-like chords has been improved: Lydian and altered +chords are recognised; separators between chord modifiers are now +treated independently of separators between ``slash'' chords and their +bass notes (and by default, slashes are now only used for the latter +type of separator); additional pitches are no longer prefixed with +``add'' by default; and the ``m'' in minor chords can be customized. +@ruser{Customizing chord names} for more information. @item -In tablature, frets can be indicated with labels other than numbers: +The @code{\markuplines} command has been renamed to @code{\markuplist} +for a better match with its semantics and general Lilypond +nomenclature. -@lilypond[verbatim,quote,relative=1] -\new TabStaff -\with { - stringTunings = #'(17 14 9 5 2 -3) - tablatureFormat = #fret-letter-tablature-format -} -\new TabVoice { - \set fretLabels = #`(,(markup #:with-color red "a") - "b" - ,(markup #:italic #:smaller "c")) - 4. 8 4 -} -@end lilypond +@item +The interface for specifying string tunings in tablature has been +simplified considerably. @item -Layout objects can be printed over a white background, which whites-out objects -in lower layers which lie beneath: - -@lilypond[verbatim,quote,relative=1] -\time 3/4 -\override Staff.StaffSymbol #'layer = #4 -\once \override Tie #'layer = #2 -b'2.~ -\once \override Staff.TimeSignature #'whiteout = ##t -\once \override Staff.TimeSignature #'layer = #3 -\time 5/4 -b4 +Beams can now have their slopes preserved over line breaks. +@lilypond[fragment,quote,relative=2] +\override Beam #'breakable = ##t +a8[ b c d e f g \bar "" \break f e d c b a] +\once \override Beam #'positions = #beam::align-with-broken-parts +a8[ b c d e f g \bar "" \break f e d c b a] +\once \override Beam #'positions = #beam::slope-like-broken-parts +a8[ b c d e f g \bar "" \break f e d c b a] @end lilypond +To do this, several callback functions are now deprecated. +@itemize +@item @code{ly:beam::calc-least-squares-positions} +@item @code{ly:beam::slope-damping} +@item @code{ly:beam::shift-region-to-valid} +@end itemize +Furthermore, @code{ly:beam::quanting} now takes an additional argument +to help calculations over line breaks. All of these functions are now +automatically called when setting the @code{positions} parameter. @item -Chords can be repeated using the @code{q} shortcut: +In function arguments music, markups and Scheme expressions (as well +as several other syntactic entities) have become mostly +interchangeable and are told apart only by evaluating the respective +predicate. -@lilypond[verbatim,quote,relative=2] -8.-^ q16 q4-^ -@end lilypond +@item +Music functions (and their close relatives) can now be defined with +optional arguments. @item -Paper margin defaults, as specified in @file{ly/@/paper@/-defaults@/-init@/.ly}, apply -to the default paper size (a4) and are automatically scaled according to the -paper size chosen. +For defining commands executed only for their side-effects, +@code{define-void-function} is now available. @item -All combinations of @code{left-margin}, @code{right-margin} and -@code{line-width} work now. There is no more need to set @code{line-width} -manually unless you explicitly want to. +There is a new @code{define-event-function} command in analogy to +@code{define-music-function} that can be used for defining music +functions acting as events without requiring a direction specifier +(@code{-}, @code{^}, or @code{_}) placed before them. +@lilypond[quote,verbatim,ragged-right] +dyn=#(define-event-function (parser location arg) (markup?) + (make-dynamic-script arg)) +\relative c' { c\dyn pfsss } +@end lilypond @item -Support for using an alternative music font, such as Gonville, is now -added. +A list of ASCII aliases for special characters can be included. +@lilypond[quote,verbatim] +\paper { + #(include-special-characters) +} +\markup "• † ©right; &OE; &ss; ¶" +@end lilypond @item -In addition to the existing @code{\hspace} markup command, -a new @code{\vspace} command has been added to provide an easy -and flexible way to add vertical space in markups. +There is a new @code{define-scheme-function} command in analogy to +@code{define-music-function} that can be used to define functions +evaluating to Scheme expressions while accepting arguments in Lilypond +syntax. @item -The direction of manual beams can be set with @code{^[} and @code{_[}. +The construct @code{#@{ @dots{} #@}} can now be used not just for +constructing sequential music lists, but also for single music events, +void music expressions, post events, markups (mostly freeing users from +having to use the @code{markup} macro), markup lists, number +expressions, context definitions and modifications, and a few other +things. If it encloses nothing or only a single music event, it no +longer returns a sequential music list but rather a void music +expression or just the music event itself, respectively. @item -A version of the breve note head has been added with two vertical lines on each side. -@lilypond[quote,relative=2] -\time 4/2 -\override Staff.NoteHead #'style = #'altdefault -c\breve | b\breve -@end lilypond +New command-line option @option{--loglevel=@var{level}} to control how much output +LilyPond creates. Possible values are ERROR, WARN, BASIC_PROGRESS, PROGRESS, DEBUG. @item -Instrument names and vocal names now take into account the extent of -system start delimiters in other staves for their positioning, -resulting in improved default alignment for left-, center- and -right-aligned names. -@lilypond[quote,indent=18\mm] -<< - \new StaffGroup << - \new GrandStaff << - \new Staff { - \set Staff.instrumentName = #"Piccolo" - c''1 - } - \new Staff { - \set Staff.instrumentName = #"Flute" - c''1 - } - >> - \new Staff { - \set Staff.instrumentName = #"Bassoon" - \clef tenor - c'1 - } - >> - \new PianoStaff << - \set PianoStaff.instrumentName = #"Piano" - \context Staff = "up" { - c'1 - } - \context Staff = "down" { - \clef bass - c1 - } - >> ->> +@code{\set \once} now correctly resets the property value to the previous value. +@lilypond[fragment,quote,relative=2] + \set fingeringOrientations = #'(left) + 4 + \once \set fingeringOrientations = #'(right) + + -"left" @end lilypond @item -Braces in markup can now be selected by point size using the markup commands -@code{\left-brace} and @code{\right-brace}. -@lilypond[quote] -\markup { - \left-brace #35 - \hspace #2 - \right-brace #45 -} +The alignment of dynamic spanners (hairpins, text crescendo, etc.) is now +automatically broken if a different direction is explicitly given. +@lilypond[fragment,quote,relative=2] +c4_\< c c^\> c c1_\p @end lilypond -@item -Intermediate .ps files which are created by LilyPond -during compilation are now deleted by default. To keep them, -add the following line to your input files: -@example -#(ly:set-option 'delete-intermediate-files #f) -@end example @item -Dashed and dotted slurs, phrasing slurs, and ties -have been made variable thickness, and -partially dashed slurs are now available: -@lilypond[quote,relative=2] -\slurDashed -c4( d e f) | -\slurDotted -g4( f e d) | -\slurHalfDashed -c4( d e f) +Appoggiaturas and acciaccaturas now also work inside a slur, not only inside +a phrasing slur. Also, a function @code{\slashedGrace} was added that does +not use a slur from the acciaccatura note. +@lilypond[fragment,quote,relative=2] +c4( \appoggiatura e8 d4 \acciaccatura e8 d4 \slashedGrace e8 c4) @end lilypond -@item -An eyeglasses markup was added, indicating strongly to look at the -conductor for instructions: -@lilypond[quote,relative=2] -\mark \markup { \eyeglasses } -c4_\markup { \eyeglasses } -@end lilypond @item -A snap-pizzicato (also known as Bartok-pizzicato) articulation was added: -@lilypond[quote,relative=2] -c4\snappizzicato +To suppress the line on a crescendo text spanner (and other similar spanners), +LilyPond now fully supports the @code{#'style = #'none} property. +@lilypond[fragment,quote,relative=2] +\override DynamicTextSpanner #'style = #'none +c4\cresc c c g, c'\p @end lilypond @item -Tuplet number formatting functions are now available to print other fractions -and to add notes to the number or fraction: -@lilypond[quote,relative=2] -\once \override TupletNumber #'text = - #(tuplet-number::non-default-tuplet-denominator-text 7) -\times 2/3 { c4. c4. c4. c4. } - -\once \override TupletNumber #'text = - #(tuplet-number::non-default-tuplet-fraction-text 12 7) -\times 2/3 { c4. c4. c4. c4. } -\once \override TupletNumber #'text = - #(tuplet-number::append-note-wrapper - (tuplet-number::non-default-tuplet-fraction-text 12 7) "8") -\times 2/3 { c4. c4. c4. c4. } - -\once \override TupletNumber #'text = - #(tuplet-number::append-note-wrapper tuplet-number::calc-denominator-text "4") -\times 2/3 { c8 c8 c8 c8 c8 c8 } -\once \override TupletNumber #'text = - #(tuplet-number::append-note-wrapper tuplet-number::calc-fraction-text "4") -\times 2/3 { c8 c8 c8 c8 c8 c8 } - -\once \override TupletNumber #'text = - #(tuplet-number::fraction-with-notes "4." "8") -\times 2/3 { c4. c4. c4. c4. } -\once \override TupletNumber #'text = - #(tuplet-number::non-default-fraction-with-notes 12 "8" 4 "4") -\times 2/3 { c4. c4. c4. c4. } -@end lilypond +LilyPond.app now supports MacOS X 10.7, thanks Christian Hitz! @item -FretBoards now have a chordChanges property to keep repeated FretBoard objects -from being typeset. +Glissandi can now span multiple lines. @end itemize - - @ifhtml For older news, go to +@uref{http://lilypond.org/doc/v2.14/Documentation/changes/}, @uref{http://lilypond.org/doc/v2.12/Documentation/topdocs/NEWS.html}, -@uref{http://lilypond.org/doc/v2.10/Documentation/topdocs/NEWS.html}, or @uref{../,go back} to the Documentation index.