X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fbibliography%2Fengraving.bib;h=7f15f4449430bd19051069ec84aaaf67ba56af3c;hb=384418d15b6559a2cc5faf059e24084e774dea96;hp=ee6be6ab92280cb85f6f062c24be047d97f45269;hpb=962fdf8601c5116004e706ef252e2348c57e2ae7;p=lilypond.git

diff --git a/Documentation/bibliography/engraving.bib b/Documentation/bibliography/engraving.bib
index ee6be6ab92..7f15f44494 100644
--- a/Documentation/bibliography/engraving.bib
+++ b/Documentation/bibliography/engraving.bib
@@ -61,8 +61,6 @@ annote = 	 {This is about engraving, i.e.  professional typesetting.  It contain
   address = 	 {Miami, Florida},
 }
 
-
-
 @Book {read78,
   note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
   year =  {1978},
@@ -71,9 +69,7 @@ annote = 	 {This is about engraving, i.e.  professional typesetting.  It contain
   publisher = {Indiana University Press},
 }
 
-
 @Book {read-notation,
-
   note = {This is as close to the ``standard''
   reference work for music notation issues as one is likely to get.},
 
@@ -95,31 +91,22 @@ annote = 	 {This is about engraving, i.e.  professional typesetting.  It contain
 
 
 @Book {wanske,
-annote = {I. A very thorough overview of engraving practices of various
-craftsmen. It includes detailed specs of characters, dimensions
-etc. II. a thorough overview of a anonymous (by now antiquated)
-automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
-electronic data processing HWN.},
+
+  annote = {I. A very thorough overview of engraving practices of various
+  craftsmen. It includes detailed specs of characters, dimensions
+  etc. II. a thorough overview of a anonymous (by now antiquated)
+  automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
+  electronic data processing HWN.},
 
   year =  {1988},
-  title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
+  title = {Musiknotation --- Von der Syntax des
+    Notenstichs zum EDV-gesteuerten Notensatz},
   author = {Helene Wanske},
   publisher = {Schott-Verlag},
   address = {Mainz},
   isbn = {ISBN 3-7957-2886-x},
 }
 
-@Book{willemze,
-  note = {A comprehensive overview of music theory;
-the (Dutch) authority on general music theory},
-  year =  {1964-1993},
-  title = {Algemene muziekleer},
-  author = {Theo Willemze},
-  publisher = {Aula, Het Spectrum},
-  address = {Utrecht},
-  isbn = {ISBN 90-274-1817-9},
-}
-
 
 @Book {hader48,
   year =  {1948},
@@ -128,12 +115,14 @@ the (Dutch) authority on general music theory},
   publisher = {Waldheim--Eberle Verlag},
   address ={Vienna},
 
-  note = {Hader was the chief-engraver of the Waldheim-Eberle music
-  publishers.  This beautiful booklet was intended as an introduction
-  for laymen on the art of engraving.  It contains a step by step,
-  in-depth explanation of how to cut and stamp music into zinc plates.
-  It also contains   a few compactly formulated rules on musical
-  orthography. Out of print. }
+  note = {Hader was a chief-engraver in a Viennese engraving
+workshop. This beautiful booklet was intended as an introduction for
+laymen on the art of engraving.  It contains a step by step, in-depth
+explanation of how to cut and stamp music into zinc plates.  It also
+contains a few compactly formulated rules on musical orthography. Out
+of print. }
+
+
 }
 
 @Book{gamble23:_music_engrav,
@@ -203,11 +192,18 @@ the (Dutch) authority on general music theory},
   note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
 }
 
-@Book {donemes1900,
-  year =  {1900},
+@Book {donemus1982,
+  year =  {1982},
   title = {Uitgeven van muziek},
+subtitle = {Handleiding voor componisten en copiisten},
   author = {Donemus},
   publisher= {Donemus Amsterdam},
+
+  note = {Manual on copying for composers and copyists at the Dutch
+ publishing house Donemus. Besides general comments on copying, it
+ also contains a lot of hands-on advice for making performance
+ material for modern pieces.}
+
 }
 
 
@@ -219,11 +215,20 @@ year={1989}
 }
 
 @Book{schirmer90,
-  author={G. Schirmer, Inc.},
+  author={{G. Schirmer, Inc.}},
   title={The G. Schirmer Manual of Style and Usage},
   address={New York},
   publisher={The G. Schirmer Publications Department},
-  year={1990}
+  year={2001},
+note={This is the style guide for Schirmer publications. This manual
+specifically focuses on preparing print for publication by
+Schirmer. It discusses many details that are not in other, normal
+notation books. It als gives a good idea of what is necessary to bring
+printouts to publication quality.
+It can be ordered from the rental department.
+
+
+}
 }
 
 
@@ -258,7 +263,10 @@ year={1989}
 
 
 @Book {chlapik87,
-  note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
+  note = {An clearly written book for the casually interested
+  reader. It shows some of the conventions and difficulties in
+  printing music HWN},
+
   year =  {1987},
   title = {Die Praxis des Notengraphikers},
   author = {Herbert Chlapik},
@@ -333,3 +341,16 @@ year={1989}
   note =	 {Swedish book on music notation.}
 }
 
+@Book{jaschinski00:_notat,
+  editor =	 {Andreas Jaschinski},
+  title = 	 {Notation},
+  publisher = 	 {Bärenreiter Verlag},
+  year = 	 2000,
+  number =	 {BVK1625},
+
+  annote = {Articles from "Musik in Geschichte und Gegenwart"
+pertaining to notation.  Both "alternative" notation and ancient
+notation is treated in depth, while "common" notation is not.  }
+}
+
+