X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;f=Documentation%2Fbibliography%2Fcolorado.bib;h=f72fa189d8d1fb3a2f66c4ad9323ba5317b29669;hb=1910858321182f0f642ec766f90254a81ac69c2f;hp=6d7cf5120046978627ee79843bcc7b681330d35a;hpb=d960ed4a0412af65d03a876152dce51fa35d766c;p=lilypond.git diff --git a/Documentation/bibliography/colorado.bib b/Documentation/bibliography/colorado.bib index 6d7cf51200..f72fa189d8 100644 --- a/Documentation/bibliography/colorado.bib +++ b/Documentation/bibliography/colorado.bib @@ -3,19 +3,16 @@ % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN) % - -% TODO: fix the labelling. - -@Book {6, +@Book {jacob47:_music, author ={Jacob, Archibald}, - year={1947}, + year=1947, title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur}, address ={London}, publisher ={Oxford University Press}, note = {subject: Musical notation}, } -@Book {15, +@Book{brandt:_stand_chord_symbol_notat, author ={Carl Brandt and Clinton Roemer}, title = {Standardized Chord Symbol Notation}, address={Sherman Oaks, CA}, @@ -23,27 +20,24 @@ note ={subject: musical notation}, } -@Book {22, +@Book{johnson46:_how, author = {Johnson, Harold M}, - year = {1946}, + year = 1946, title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher}, publisher={Carl Fischer, Inc.}, address= {New York}, note = {subject: Musical notation --Handbooks, manuals}, } -@Book {31, +@Book{sadie90:_music_print_publis, title = {Music Printing & Publishing}, author ={Donald W. Krummel \& Stanley Sadie}, - year = {1990}, + year = 1990, publisher= {Macmillan Press}, note ={subject: musical notation}, } -%series={The Norton/Grove Handbooks in Music.}, -% publisher={W.W. Norton}, - -@Book {40, +@Book{foss:_music_print, author={Foss, Hubert}, title = {Music Printing}, series = {Practical Printing and Binding}, @@ -52,15 +46,15 @@ note ={subject: musical notation}, } -@Book {48, +@Book{steele03:_earlies_englis_music_print, author = {Steele, Robert}, - year = {1903}, + year = 1903, title = {The Earliest English Music Printing}, address={London}, note= {subject: history of music printing and engraving}, } -@Book {54, +@Book{austin:_story_music_print, author={Austin, Ernest}, title = {The Story of Music Printing}, address={London}, @@ -71,7 +65,7 @@ -@Book {63, +@Book{?:_pictor_histor_music_print, author={?}, title = {Pictoral History of Music Printing}, address={Elhardt, Indiana}, @@ -80,9 +74,9 @@ } -@Book {77, +@Book{wintermitz55:_music_autog_montev_hindem, author = {Wintermitz, Emmanuel}, - year = {1955}, + year = 1955, title = {Musical Autographs from Monteverdi to Hindemith}, address={Princeton}, publisher={Princeton University Press}, @@ -91,16 +85,16 @@ } -@Book {92, +@Book{novello47:_some_accoun_method_music_print, author = {Novello, A}, - year = {1847}, + year = 1847, title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters}, address={London}, note={ subject: history of music printing and engraving}, } -@Book {100, +@Book{chrsander18:_sketc_histor_music, author={Chrsander, F.}, year={18??}, title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century}, @@ -109,18 +103,18 @@ @Article {squire1897, author = {Squire, W}, - year = {1897}, + year = 1897, title = {Notes on Early Music Printing}, journal = {Bibliographica}, volume={iii}, - number={99}, + number=99, note={ subject: history of music printing and engraving}, } -@Article{113, +@Article{meyer35:_print_music, author = {Meyer, K. and O'Meara, J}, - year = {1935}, + year = 1935, title = {The Printing of Music, 1473-1934}, journal = {The Dolphin}, volume={ ii}, @@ -129,9 +123,9 @@ } %% 4th ver., -@Article {120, +@Article{pattison39:_notes_early_music_print, author = {Pattison, B}, - year = {1939}, + year = 1939, title = {Notes on Early Music Printing}, journal = {The Library}, note={subject: history of music printing and engraving}, @@ -139,9 +133,9 @@ pages={389-421}, } -@Book {136, +@Book{king64:_four_hundr_years_music_print, author = {King, H}, - year = {1964}, + year = 1964, title = {Four Hundred Years of Music Printing}, address={London}, note={ subject: history of music printing and engraving}, @@ -149,25 +143,25 @@ %(Rev.1961). -@Book{150, +@Book{deutsch46:_music_number, author={Deutsch, O.F.}, - year ={1946}, + year =1946, title = {Music Publishers' Numbers}, address={London}, note={ subject: history of music printing and engraving}, } -@Book {151, +@Book{marco62:_earlies_music_print_contin_europ, author = {Marco, G.A}, - year = {1962}, + year = 1962, title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work}, address={Charlottesville, Virginia}, note={ subject: history of music printing and engraving}, } -@Article {158, +@Article{kinkeldey32:_music_and_music_print_incun, author = {Kinkeldey, O}, - year = {1932}, + year = 1932, title = {Music And Music Printing in Incunabula}, journal = {Papers of the Bibliographical Society of America}, volume={ xxvi}, @@ -175,52 +169,52 @@ note={ subject: history of music printing and engraving}, } -@Book {166, +@Book{oldman34:_collec_music_first_edition, author = {Oldman, C.B}, - year = {1934}, + year = 1934, title = {Collecting Musical First Editions}, address={London}, note={ subject: history of music printing and engraving}, } -@Book{170, +@Book{carter34:_new_paths_book_collec, author={Carter, J}, - year={1934}, + year=1934, title = {New Paths in Book Collecting}, address={London}, note={ subject: history of music printing and engraving}, } -@Book {179, +@Book{krummel58:_graph_analy_applic_early_americ_engrav_music, author={Krummel, D.W.}, - year={1958}, - month={9}, + year=1958, + month=9, title = {Graphic Analysis in Application to Early American Engraved Music}, journal = {Notes}, volume={xvi}, - pages={213}, + pages=213, note={ subject: history of music printing and engraving}, } -@Book {189, +@Book{krummel71:_oblon_format_early_music_books, author = {Krummel, D.W}, - year = {1971}, + year = 1971, title = {Oblong Format in Early Music Books}, journal = {The Library}, volume={5th ser., xxvi}, - pages={312}, + pages=312, note={ subject: history of music printing and engraving}, } -@Book {198, +@Book{king73:_anniv_music_print, author = {King, A.H}, - year = {1973}, + year = 1973, title = {The 50th Anniversary of Music Printing}, } -@Book {204, +@Book{rastall82:_wester, author={Rastall, Richard}, - year={1982}, + year=1982, title = {The notation of Western music : an introduction}, address={New York, N.Y.}, publisher={St. Martin's Press}, @@ -229,36 +223,36 @@ } -@Book {215, +@Book{tappolet47:_la_notat_music, author = {Tappolet, Willy}, - year = {1947}, + year = 1947, title = {La Notation Musicale}, address={Paris}, note={subject: general notation}, publisher={Neuch\^atel}, } -@Book {223, +@Book{williams03:_story_notat, author = {Williams, C.F. Abdy}, - year = {1903}, + year = 1903, title = {The Story of Notation}, address={New York}, publisher={Charles Scribner's Sons}, note={subject: general notation}, } -@Book {239, +@Book{apel53, author={Apel, Willi}, - year={1953}, + year=1953, title = {The notation of polyphonic music, 900-1600}, address={Cambridge, Mass}, institution={Mediaeval Academy of America}, note = {Musical notation}, } -@Book {248, +@Book{berger93:_mensur, author={Berger, Anna Maria Busse}, - year={1993}, + year=1993, title = {Mensuration and proportion signs : origins and evolution}, address={Oxford, England}, publisher={Clarendon Press}, @@ -267,9 +261,9 @@ note={subject: early notation}, } -@Book {258, +@Book{parrish57, author={Parrish, Carl}, - year={1957}, + year=1957, title = {The notation of medieval music}, address={New York}, publisher={Norton}, @@ -278,27 +272,27 @@ } -@Book {269, +@Book{parrish46:_notat_mediev_music, author = {Parrish, Carl}, - year = {1946}, + year = 1946, title = {The Notation of Medieval Music}, address={New York}, publisher={Carl Fischer, Inc.}, note={subject: early notation}, } -@Book {277, +@Book{patch49:_genes_music, author = {Patch, Harry}, - year = {1949}, + year = 1949, title = {Genesis of a Music}, address={Madison}, publisher={University of Wisconsin Press}, note={subject: early notation}, } -@Book {285, +@Book{cage69:_notat, author={Cage, John}, - year={1969}, + year=1969, title = {Notations}, address={New York}, publisher={Something Else Press}, @@ -308,18 +302,18 @@ Performance Arts, with text by 269 composers, but rearranged using chance operations.,V)} }, -@Book {295, +@Book{gaburo77:_notat, author = {Gaburo, Virginia}, - year = {1977}, + year = 1977, title = {Notation}, address={publisher= {Lingua Press}, publisher={La Jolla, California}}, note = {A Lecture about notation, new ideas about}, } -@Book {306, +@Book{risatti75:_new_music_vocab, author = {Risatti, Howard}, - year = {1975}, + year = 1975, title = {New Music Vocabulary}, address={Urbana, Illinois}, publisher={University of Illinois Press}, @@ -328,71 +322,71 @@ -@Book {325, +@Book{cowell30:_new_music_resour, author = {Cowell, Henry}, - year = {1930}, + year = 1930, title = {New Musical Resources}, address={New York}, publisher={Alfred A. Knopf, Inc.}, note={subject: 20th century notation}, } -@Article {333, +@Article{cowell27:_our_inadeq_notat, author = {Cowell, Henry}, - year = {1927}, + year = 1927, title = {Our Inadequate Notation}, journal = {Modern Music}, - volume={4}, - number={3}, + volume=4, + number=3, note={subject: 20th century notation}, } -@Book {342, +@Book{bowers92:_music_letter, author = {Bowers, Roger}, - year = {1992}, + year = 1992, title = {Music & Letters}, - volume={73}, - number={3}, + volume=73, + number=3, month={August}, pages={347(52)}, note={Some reflection upon notation and proportion in Monteverdi's mass and vespers}, } -@Book {353, +@Book{brainard92:_curren_music, author = {Brainard, Paul}, - year = {1992}, + year = 1992, title = {Current Musicology}, - number={50}, + number=50, month={July-Dec}, pages={21(26)}, note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century}, } -@Book {362, +@Book{monelle89:_compar_liter, author = {Monelle, Raymond}, - year = {1989}, + year = 1989, title = {Comparative Literature}, - volume={41}, number={3}, + volume=41, number=3, month={Summer}, pages={252(18)}, note={Music notation and the poetic foot}, } -@Book {373, +@Book{pinegar93:_curren_music, author = {Pinegar, Sandra}, - year = {1993}, + year = 1993, title = {Current Musicology}, - number={53}, + number=53, month={July}, pages={99(10)}, note={The seeds of notation and music paleography.}, } -@Book {382, +@Book{smith90:_curren_music, author = {Smith, Norman E}, - year = {1990}, + year = 1990, title = {Current Musicology}, number={45-47}, month={Jan-Dec}, @@ -400,12 +394,12 @@ note={The notation of fractio modi.}, } -@Book {392, +@Book{treitler92:_journ_music, author = {Treitler, Leo}, - year = {1992}, + year = 1992, title = {The Journal of Musicology}, - volume={10}, - number={2}, + volume=10, + number=2, month={Spring}, pages={131(61)}, @@ -415,12 +409,12 @@ Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.}, } -@Book {407, +@Book{west94:_music_letter, author = {West, M.L}, - year = {1994}, + year = 1994, title = {Music & Letters}, - volume={75}, - number={2}, + volume=75, + number=2, month={May}, pages={161(19)}, note={The Babylonian musical notation and the Hurrian melodic texts. @@ -429,22 +423,22 @@ } } -@Book {418, +@Book{brown86:_music_quart, author = {Brown, Earle}, - year = {1986}, + year = 1986, title = {Musical Quarterly}, - volume={72}, + volume=72, month={Spring}, pages={180(22)}, note={The notation and performance of new music.}, } -@Book {426, +@Book{eggleston94:_notes, author = {Eggleston, Suzanne}, - year = {1994}, + year = 1994, title = {Notes}, - volume={51}, - number={2}, + volume=51, + number=2, month={Dec}, pages={657(7)}, journal={New periodicals}, @@ -454,45 +448,44 @@ } -@Book {441, - +@Book{fuller89:_journ_music, author = {Fuller, David}, - year = {1989}, + year = 1989, title = {The Journal of Musicology}, - volume={7}, - number={1}, + volume=7, + number=1, month={Winter}, pages={21(8)}, note={ Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation). }}, -@Book {454, +@Book{jones90:_persp_new_music, author = {Jones, David Evan}, - year = {1990}, + year = 1990, title = {Perspectives of New Music}, note={Speech extrapolated. (includes notation)} } -@Book {464, +@Book{lependorf89, author = {Lependorf, Jeffrey}, - year = {1989}, + year = 1989, journal={Perspectives of New Music}, - volume={27}, - number={2}, + volume=27, + title = {?}, + number=2, month={Summer}, pages={232(20)}, - note={ - Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) }, + note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) }, } -@Book {478, +@Book{rastall93:_music_letter, author = {Rastall, Richard}, - year = {1993}, + year = 1993, title = {Music & Letters}, - volume={74}, number={4}, + volume=74, number=4, month={November}, pages={639(2)}, @@ -513,17 +506,19 @@ computer is used to write down music with accuracy never before achieved, the range of modern sounds has surpassed the relevance of the computer...}, + title={Writing without representation, and unreadable notation.}, } -@Book {501, +@Book{hamel89, author = {Hamel, Keith A}, - year = {1989}, + year = 1989, journal = {Perspectives of New Music}, - volume={27}, - number={1}, + volume=27, + number=1, month={Winter}, pages={70(14)}, - title={A design for music editing and printing software based on notational syntax}, -} + + title={A design for music editing and printing software based +on notational syntax}, }