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diff --git a/input/lsr/positioning-multi--measure-rests.ly b/input/lsr/positioning-multi--measure-rests.ly
index 829b69e1dc..03bc92cd00 100644
--- a/input/lsr/positioning-multi--measure-rests.ly
+++ b/input/lsr/positioning-multi--measure-rests.ly
@@ -1,12 +1,33 @@
 %% Do not edit this file; it is auto-generated from input/new
 %% This file is in the public domain.
-\version "2.11.42"
-\layout { ragged-right = ##t }
+\version "2.13.0"
 \header {
+ doctitlees = "Posicionar los silencios multicompás"
+ texidoces = "
+A diferencia de los silencios normales, no existe una instrucción
+predefinida para modificar la posición predefinida de un símbolo
+multicompás sobre el pentagrama, adjuntándolo a una nota,
+independientemente de cuál sea su forma.  Sin embargo, en la música
+polifónica los silencios multicompás de las voces de numeración par e
+impar están separados verticalmente.  La colocación de los silencios
+multicompás se puede controlar como se ve a continuación:
+
+"
+
+texidocde = "
+Anders als bei normalen Pausen gibt es keinen direkten Befehl, um die
+vertikale Position von Ganztaktpausen zu beeinflussen, indem man sie an
+eine Tonhöhe anhängt.  In polyphoner Notation wird aber dennoch die
+Position der Pausen von geraden und ungeraden Stimmen voneinander
+unterschieden.  Die Position von Ganztaktpausen kann wie folgt verändert
+werden:
+ "
+  doctitlede = "Positionierung von Ganztaktpausen"
+
   lsrtags = "rhythms,tweaks-and-overrides"
   texidoc = "
 Unlike ordinary rests, there is no predefined command
-to change the vertical position on the staff of a multi-measure
+to change the staff position of a multi-measure
 rest symbol of either form by attaching it to a note.  However,
 in polyphonic music multi-measure rests in odd-numbered and
 even-numbered voices are vertically separated.  The positioning
@@ -15,6 +36,7 @@ of multi-measure rests can be controlled as follows:
   doctitle = "Positioning multi-measure rests"
 } % begin verbatim
 
+
 \relative c'' {
   % Multi-measure rests by default are set under the second line
   R1